Fans pick 100 books like History and Memory

Focusing in the main on the psychology of memory, in this excellent book Kurt Danziger argues that conceptually memory has changed considerably over time, not least because of the shifting historical contexts in which it has been applied. The book covers such critical issues as different kinds of memory, memory and metaphor, the cultivation of memory, and memory and truth. Danziger’s contention throughout the book is that memory and remembering are ineluctably social, and any sound understanding of them needs to account for how various historical factors and cultural practices have shaped and helped constitute them. 

In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous. 

A predominant amount of work in memory studies has focused on national memory cultures. The shift in this anthology is towards small, local or regional memories and towards vernacular sites of remembering. Its contributors attend in the main to personal and familial forms of memory, and thus on the narrative modes and media associated with them. The chapters cover a fascinating range of topics, making for a diverse volume united by a key preoccupation with the locatedness of memory, rather than referring broadly across a whole national context or to a huge sweeping range of memory and remembering. This is a very welcome shift, bringing to the fore everyday objects of memory that have tended to be less predominant—hence ‘peripheral’, in the sense of being swept aside or overshadowed. Redressing this allows for a more complex understanding of relations between public and private memory and remembering practices, across varying temporal… show more.

All the books being recommended on this topic see memory and remembering as being structured and directed by the views and perspectives of the social groups to which people belong. Ever since Bartlett and Halbwachs, we have come to see memory as in many ways moulded by particular mental schemata and configurations associated with the various groups that exist within a social whole, yet the notion of collective memory is beset with problems: problems of exaggeration, reification, functionalism, and more. It is therefore fitting that in this edited collection the work of Halbwach in particular is regarded critically, and extended historically, while also being recognised as providing the necessary starting point: "social groups construct their own images of the world by constantly shaping and reshaping versions of the past" (p. 3).

As we saw with Danziger, the social frameworks of memory as well as the kinds of memory being actively… show more.

William Goyen’s The House of Breath—a relatively short, lyric, novel—is a unique creation.

Set in the early 20th century in small-town Texas, it portrays a family of misfits and an almost supernatural world in which a deep well and a river narrate two of the chapters, while other chapters are told in a different voice.

In the family, each of its four wayward grown children is a remarkably distinct character. They differ in their sexuality, and one of the main dramas they have in common is their feeling of wanting to leave the small town in which they were born and go out into the larger, while at the same time longing, in the larger world, for the small town again, and the original house of the family.

The narrative is told in different voices. The house, too, seems a character. I learned from this book (and from Goyen’s… show more.

Giordano Bruno was a great memory master who refined a meditation technique he learned from Ramon Llull. The technique involves using a "memory wheel." Different parts of the wheel contain problems, and an inner wheel contains solutions. Bruno gives many tips on how to use memory techniques so that you can meditate using the memory wheels.

Although very challenging, John Michael Greer's translation is clear and the illustrations help make your use of the memory techniques easy. The book also offers fantastic ideas for developing the best possible mindset for pursuing your meditation and learning goals over the long term.

Andreas Huyssen is the author of many distinguished books, but this one is especially important because it expanded the study of public memory to South America, which has had its own share of traumatic pasts to memorialize. Huyssen argues that World War II and the Holocaust have provided  “templates” for memorialization that have been adapted by the Memory Park in Buenos Aires, among other examples. 

If you are really serious about reading up on current research on human memory, then you can do no better than to dive into this excellent textbook written by three prominent British researchers.

The material probably takes more effort to master than the facts and ideas presented in other books on this list, but the reward is an up-to-date understanding of theories and findings in this fast-moving research field, including many studies of how memories are represented in the brain.

The book is lavishly illustrated, and contains many references to real-life situations, thereby relating the theoretical ideas to everyday life. The book is authoritative yet very accessible and entertaining. Highly recommended!

It is a truism that Science Fiction dates itself. SF stories that were written only a few years previous often fail to foresee technological innovations ̶ cell phones, GPS, gene-splicing ̶ that seem obvious and inevitable to hindsight-blessed present-day readers. Those disconcerted by such, let us call them “backwards anachronisms,” should find Quantum Thief a welcome relief for decades to come, because the novel is set so far in the future that hi-tech things like, say, cell phones seem quaint curios out of far-distant days of yore. Long-distance communications in Quantum Thief are effected by something more like telepathy (although the word is never used).

“Quantum” is the operative term in this novel, make no mistake.

Be forewarned: Quantum Thief is chock-full of coined terminology. But have no fear. You have a choice. Either use the online glossary - or you can just read for the story and absorb the… show more.

If you love a smart, self-referential book in the mode of A Series of Unfortunate Events, you will love Adam Perry’s book. Right from the beginning, the book speaks directly to the reader with warnings about what’s ahead: monsters and villains and horrible deaths. But instead of being a Stephen King horror novel for the middle grade set, the book has a fairy tale-meets-Thursday Next vibe. The protagonist, Oliver, steals books from the library, but since no one reads anymore, he’s not overly concerned about his thievery. That is, until he steals a book that is also being sought by the Pribbles, two inventors that have devised a set of goggles to steal the book directly from Oliver’s mind. Mayhem and shenanigans ensue, and it’s all just delightful.