100 books like Peripheral Memories

This is one of the best critical surveys of the relationship between memory and history I have encountered. Geoffrey Cubitt is concerned with memory as both personal and social, along with the various dynamics between them. The book is interdisciplinary in conception and operation, exploring how history and memory inform one another in complementary and contradictory ways, and how both cross and re-cross varying scales of past/present relations. Regardless of whether readers approach this book from the perspective of memory or history, they will find it a comprehensive assessment of their complex interaction.

Focusing in the main on the psychology of memory, in this excellent book Kurt Danziger argues that conceptually memory has changed considerably over time, not least because of the shifting historical contexts in which it has been applied. The book covers such critical issues as different kinds of memory, memory and metaphor, the cultivation of memory, and memory and truth. Danziger’s contention throughout the book is that memory and remembering are ineluctably social, and any sound understanding of them needs to account for how various historical factors and cultural practices have shaped and helped constitute them. 

In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous. 

All the books being recommended on this topic see memory and remembering as being structured and directed by the views and perspectives of the social groups to which people belong. Ever since Bartlett and Halbwachs, we have come to see memory as in many ways moulded by particular mental schemata and configurations associated with the various groups that exist within a social whole, yet the notion of collective memory is beset with problems: problems of exaggeration, reification, functionalism, and more. It is therefore fitting that in this edited collection the work of Halbwach in particular is regarded critically, and extended historically, while also being recognised as providing the necessary starting point: "social groups construct their own images of the world by constantly shaping and reshaping versions of the past" (p. 3).

As we saw with Danziger, the social frameworks of memory as well as the kinds of memory being actively… show more.

Andreas Huyssen is the author of many distinguished books, but this one is especially important because it expanded the study of public memory to South America, which has had its own share of traumatic pasts to memorialize. Huyssen argues that World War II and the Holocaust have provided  “templates” for memorialization that have been adapted by the Memory Park in Buenos Aires, among other examples. 

The Holocaust survivor, Richard Glazar, authored a compelling memoir of his imprisonment and escape from the Nazi killing center at Treblinka in occupied Poland, a site at which an estimated one million Jewish men, women, and children perished at the hands of the SS and their Ukrainian auxiliaries.

Glazar provides a first-hand and extended look not only at the process of mass murder at the camp, but he also provides extensive descriptions and analysis of the SS men he encountered in the camp including their daily habits, personalities, and actions.

The memoir exposes the full range of the emotional, psychological, and physical hardship experienced by Glazar in the “death factory” of Treblinka and places perpetrator actions within the context of prisoner experience. 

This is a profound and disturbing work written after reading his wife’s account of how she, her mother and sister, all of Jewish origin, survived the Nazi/war years in Warsaw (Winter in the Morning by Janina Bauman (1986)). Bauman exposes the popular fallacy that the Holocaust was a singular event, an unfortunate tear in the fabric of civilization, demonstrating with devastating clarity that it was, in fact, a (logical) product of modernism: “Without modern civilization and its most central essential achievements, there would be no Holocaust”.

A compelling story of the way one man in our callous times truly assumed the role of his brothers' keeper, in spite of obstructions from Nazi supporters, unsympathetic governments, time, and fading memories. The Murderers Among Us is an inspiring book -- the stirring life of a man who pursued justice in the heyday of expediency. Simon Wiesenthal was lying in a ward full of corpses when Allied troops reached Mauthausen Concentration Camp. His wife was lost in the vast confusion of postwar Europe, the rest of his family victims of the gas chambers. His own loss and the horrors he had witnessed made Wiesenthal vow to spend the rest of his life bringing Nazi war criminals to justice. 

When I read They Were Like Family to Me (originally titled In the Land of Armadillos), I came to understand how magic realism can be used to illuminate that which ultimately cannot be described—in this case, the horror of human depravity during the Holocaust.

This technique also reflects the inability of the victims to grasp what is happening around them, causing them to escape into a world of fantasy. The novel is comprised of a series of interconnected tales about victims and perpetrators, with each chapter telling a story that is simultaneously realistic and dreamlike. It is utterly unique and unlike most other books in this genre.

This novel evokes an extraordinary range of emotions. Skibell works wonders with folklore and history, turning out a tale of tales that is by turns shocking and horrifying, tender, and outrageously funny. The language is deceptively simple and beautiful. Consider this description from the murdered narrator, on returning to his plundered neighborhood after climbing out of a mass grave: “In front of every house were piles of vows and promises, all in broken pieces. How I could see such things, I cannot tell you.” The balance here—of imagination, grief, and lightness—is exquisite.