100 books like Peripheral Memories

This is one of the best critical surveys of the relationship between memory and history I have encountered. Geoffrey Cubitt is concerned with memory as both personal and social, along with the various dynamics between them. The book is interdisciplinary in conception and operation, exploring how history and memory inform one another in complementary and contradictory ways, and how both cross and re-cross varying scales of past/present relations. Regardless of whether readers approach this book from the perspective of memory or history, they will find it a comprehensive assessment of their complex interaction.

Focusing in the main on the psychology of memory, in this excellent book Kurt Danziger argues that conceptually memory has changed considerably over time, not least because of the shifting historical contexts in which it has been applied. The book covers such critical issues as different kinds of memory, memory and metaphor, the cultivation of memory, and memory and truth. Danziger’s contention throughout the book is that memory and remembering are ineluctably social, and any sound understanding of them needs to account for how various historical factors and cultural practices have shaped and helped constitute them. 

In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous. 

All the books being recommended on this topic see memory and remembering as being structured and directed by the views and perspectives of the social groups to which people belong. Ever since Bartlett and Halbwachs, we have come to see memory as in many ways moulded by particular mental schemata and configurations associated with the various groups that exist within a social whole, yet the notion of collective memory is beset with problems: problems of exaggeration, reification, functionalism, and more. It is therefore fitting that in this edited collection the work of Halbwach in particular is regarded critically, and extended historically, while also being recognised as providing the necessary starting point: "social groups construct their own images of the world by constantly shaping and reshaping versions of the past" (p. 3).

As we saw with Danziger, the social frameworks of memory as well as the kinds of memory being actively… show more.

Andreas Huyssen is the author of many distinguished books, but this one is especially important because it expanded the study of public memory to South America, which has had its own share of traumatic pasts to memorialize. Huyssen argues that World War II and the Holocaust have provided  “templates” for memorialization that have been adapted by the Memory Park in Buenos Aires, among other examples. 

A lot of Inga Clendinnen’s work dealt with what happens when two very different cultures and ways of making sense of things come into contact. In the subtitle of her book Aztecs: An Interpretation, she boldly asserted her method for approaching history. It is not merely a recitation of facts, it is an elucidation of those facts by an expert steeped in the knowledge of a particular past. Having written about the Maya and the Aztecs, Reading the Holocaust was a departure, topically, geographically, historically. What I found so extraordinary about the book was precisely Clendinnen’s decision to look anthropologically at staggering events historians had often written about in “functional” terms (who did what, when, and where). In so doing, she tried to offer insight into something unthinkable (what the perpetrators thought they were doing) and something unimaginable (what the victims experienced).

The partnership of these two authors, one, a Lithuanian national and prominent figure and the other, a Jewish/Israeli Nazi hunter, even surprised them both. While they come from the polar opposite ends of the cultural spectrum, their ultimate research collaboration offers the reader a view into the reason why 96% of Lithuanian Jews were murdered during – and after – the Holocaust – many, before the Nazis fully occupied the country. Travelling together throughout Lithuania, they interviewed non-Jewish eyewitnesses, who told them (on the record) what they saw and what they remembered of those horrible days when the Jews were murdered …by bullets… and who collaborated, assisted, and who pulled the trigger. 

I am passionate about the book because both my parents were survivors of the Lithuanian version of the Holocaust. There were very few survivors from Lithuania, and the Vanagaite-Zuroff book helps me understand why. I started learning about… show more.

Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.

He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.

Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.

This novel tells the story of a typically sheltered American Jewish girl on a personal mission to Israel just as the country (and the world) is grappling with the trial of Adolf Eichmann.

It reveals the impact of the Holocaust not just on the protagonist’s father, who lived through it, but on the young girl herself as she struggles with the burdens of history, class, and immigration. Set in the past, it casts a bright light on our today.

Appelfeld is considered one of Israel’s foremost writers. He writes fluidly in beautiful, spare, fable-like prose. Appelfeld himself was a child survivor who escaped a camp and hid in the countryside and woods, making his “faction” all the more authentic and powerful. The title character, Tzili, is a young Jewish girl who hides from the Germans in a country not specified (but is likely Ukraine). This novel brings to light the harsh conditions and horrors that “free” survivors faced, both during and after the war.