Here are 81 books that Fragile Lives fans have personally recommended if you like
Fragile Lives.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
The narrator of this story is a writer whose friend is dying of cancer.
The friend asks the narrator to accompany her through her final days, including the contemplation of suicide. The writer reluctantly agrees.
One unusual thing about this novel is that none of the characters have names; they’re referred to as the daughter, the ex, or the friend. This jarred me at first, but I grew used to it.
The narrator takes mental excursions about many topics, musing as a writer. While this sounds like a depressing set-up, I found this story to be a thoughtful and tender statement about connection.
The two women become surprisingly close while sharing this intimate part of life.
'I was totally overwhelmed by this extraordinary novel. A total joy - and laugh-out-loud funny' DEBORAH MOGGACH
The New York Times-bestselling, National Book Award-winning author of THE FRIEND brings her singular voice to a story about the meaning of life and death, and the value of companionship.
The woman at the heart of this extraordinary novel finds that everyone she meets has a common need: the urge to talk about themselves and to have an audience for their experiences. And so she tries to pay attention, to imagine and listen to what those around her are going through. But then…
I’m a teacher turned author. I’ve spent hours in middle and high schools watching students struggle because they couldn’t get the support they need. And hours listening to the experiences of child and adult victims my husband brought home from work. When we as a society begin to treat mental illness as simply illness, we’ll be on the right track to giving our society the support it needs.
This is a lesser-known book, and I wish more teens had it in their library. There is no shirking behind any kind of veil or safety as Vincent weaves his way through his suicidal ideations, finds friendships, and navigates his health back to safety. This is a quiet novel that’s brutally honest about how one continues on when they’re not sure why they should.
Bonus for animal lovers as Vincent spends a lot of time at the local animal shelter.
Vincent has spent his entire life being shuffled from one foster home to the next. His grades suck. Making friends? Out of the question thanks to his nervous breakdowns and unpredictable moods. Still, Vince thought when Maggie Atkins took him in, he might've finally found a place to get his life--and his issues--in order. When Maggie dies, it all falls apart. A year ago, Vince watched a girl leap to her death off a bridge. He's starting to think she had the right idea. Through a pro-suicide forum, Vince meets others with the same debate regarding death: cancer-ridden Casper would…
I’ve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960’s generation, this has allowed for a certain “critical distance” in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a “language of dissent.” The term Global Sixties is now used to explore this evident simultaneity of “like responses across disparate contexts,” such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the “afterlives” of Global Sixties protest signage.
Tanya Harmer is a noted diplomatic historian who focuses on the left-wing presidency of Salvador Allende in Chile during the early 1970s. Allende, as most people know, was violently overthrown in a CIA-backed coup d’etat in 1973. That event ushered in 15 years of brutal dictatorship and transformed Chile’s experiment with democratic socialism into the first example of neoliberalism in Latin America and the world. Harmer’s biography of Allende’s youngest daughter, Beatriz, is a brilliant, intimate portrait of a young activist torn between loyalty to her Socialist (and non-violent) father and the appeal of Cuba’s revolutionary fervor, with its emphasis on violent insurrection against the old order. It is a tragedy, much like the 1960s itself.
This biography of Beatriz Allende (1942-1977) - revolutionary doctor and daughter of Chile's socialist president, Salvador Allende - portrays what it means to live, love, and fight for change. Inspired by the Cuban Revolution, Beatriz and her generation drove political campaigns, university reform, public health programs, internationalist guerrilla insurgencies, and government strategies. Centering Beatriz's life within the global contours of the Cold War era, Tanya Harmer exposes the promises and paradoxes of the revolutionary wave that swept through Latin America in the long 1960s.
Drawing on exclusive access to Beatriz's private papers, as well as firsthand interviews, Harmer connects the…
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
Voicing Suicide is a collection of poems about suicide and its impact on lives. When my stepdaughter killed herself, I desperately needed an anthology like this. Decades later, the poems here still resonate and console me. The book arises out of a conviction that poetry offers an opportunity to understand some of the difficult aspects of suicide by allowing us to give it voice; through memory, and elegy, through an honest declaration of the draw of death. In poetry, we can enter the spaces suicide shapes around loss and sorrow and give it voice. Poems can speak to the loss of a loved one, to considering suicide, to struggling to make sense of suicide and poems can offer the words of those who have suicided. Although intense and sometimes painful, the book is honest, in moments delicate and tender. It offers an important exploration of suicide by writers who have…
Voicing Suicide is a collection of poems about suicide and its impact on lives. The book arises out of a conviction that poetry offers an opportunity to understand some of the difficult aspects of suicide by allowing us to give it voice; through memory, and elegy, through an honest declaration of the draw of death. In poetry, we can enter the spaces suicide shapes around loss and sorrow and give it voice. Poems can speak to the loss of a loved one, to considering suicide, to struggling to make sense of suicide and poems can offer the words of those…
I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
Who does not know about Seppuku, or Hara-kiri (also incorrectly said as Hari-Kari)? Andrew in his book gives a great in-depth discussion about its history, its customs, and its position in Japanese society. I have no idea why this book is not a best seller. I know I have used it in my own books more than once. People think they know about ritual suicide in Japanese culture, but more often than not it is “movie knowledge” and Andrew’s book is a solid piece of research on the subject, it should be in every samurai fan’s book collection.
A collection of thrilling samurai tales tracing the history of seppuku from ancient times to the twentieth century. The history of seppuku -- Japanese ritual suicide by cutting the stomach, sometimes referred to as hara-kiri -- spans a millennium, and came to be favoured by samurai as an honourable form of death. Here, for the first time in English, is a book that charts the history of seppuku from ancient times to the twentieth century through a collection of swashbuckling tales from history and literature.
As a writer, I want my novels to be deeply humane and beautifully written, with characters who are worth your time and love and worry. And as a reader, I want my plots to keep you up past bedtime. Unsurprisingly, these same qualities show up in novels I remember the longest. In days of yore (the 1980s) the rap on “literary novels” was that they had poetic writing and no plot. I’m glad to say that’s no longer true (if it ever was). Gorgeous writing and riveting plots can and do go together! In that spirit, I hope you’ll love my book selections.
Two boys find a gun in the woods. Over the next few hours, which are rendered in a series of unforgettable scenes that travel forward and back in time, the gun will resonate through the lives of the boys, their teachers, their parents, and others.
I could not put it down, and when I finished I began reading it again. The prose is the loveliest you’ll find, and the story takes gentle and surprising turns that will stop your heart and make you feel deeply human. I loved this short, gorgeous novel and learned something about the lives of men.
There is good reason why William Lychack's writing has been called 'Precise, exhilarating, sometimes wonderfully funny and always beautiful' (Margot Livesey). In prose you can practically feel moving in your hands, Cargill Falls takes you through a series of unforgettable scenes that coalesce into an extended meditation on the meanings we give or fail to give certain moments in our lives. The story begins when an adult William Lychack, hearing of the suicide of a childhood friend, sets out to make peace with a single, long-departed winter's day when the two boys find a gun in the woods. Taking place…
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
I’ve read it twice, and I can only stand back in wonder at how a person could create such a magnificent work of art (his first novel) at age 26. For richness of character development, philosophical weight, and power of language, this is one for the ages. Though the subject matter is heavy, it’s not a difficult read. Yet there are passages where you’ll want to slow down and take in the music of the words.
In this novel, the South looms dark and ominous in the background with its Biblical rhetoric, its conflict between a tradition of religious fundamentalism and modern scepticism, racial contrasts and the industrialisation of a rural society. But more than a novel of time and place, it is the story of a tormented family submerged in infidelity and driven by a vengeful love that is blocked, hurt and perverted. Peyton Loftis, who frantically needs a husband precisely because she loves her father; the decadent Milton, whose infidelity has made his marriage no more than a stage drama; and Helen, his wife,…
When I finally accepted that I’m analytical, it was surprisingly liberating. I think that’s why I enjoy trying to figure out a story and its characters and what will happen next. Because of this, it’s delightful when a story genuinely surprises me. I especially appreciate magical elements that defy reality. I’m also a motivational speaker and filmmaker, two powerful story-telling mediums, so I love books that inspire me in some way, challenge my perspectives, and leave me thinking about them for days. When a book is so well written that I can turn off my brain and lose myself in the story, it’s a fabulous escape for me.
I was first attracted to this book because it begins with a suicide. I have written about suicide, so I’m interested in how others view it and how it can be used as a catalyst to drive a story.
In this case, a dear friend’s suicide becomes pivotal to the evolution and development of the other three main characters. Whenever someone ends their life, those left behind begin to question everything and often suffer from feelings of guilt. This book shows how the other characters coped, moving forward, along with fabulous, colorful memories from when the four friends were together.
I love that it made me laugh and cry. I found myself wishing that I had three dear friends like the ladies in this story.
People like Feeney Simms don't commit suicide. Beautiful, charismatic, mother of two, wife to a handsome, successful husband, beloved by her friends-this is not the typical picture of a tortured soul. But one summer night, Feeney drives to the beach and swallows a handful of pills. No note, no explanation, nothing. Like that, she's gone.
Faced with this loss, Ali, Max, and Liddy, Feeney's closest friends, are left reeling, grappling with the devastating cocktail of grief, guilt, and anger that's left in the wake of a suicide. In a desperate attempt to avoid further loss, the three women make the…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Trust me when I say that any book by Michael Robotham will not disappoint, but this one is something special. Shatter features psychologist Joe who has his own problems and aids the police in tracking down a serial killer who can destroy his victims by getting them to kill themselves. Never have I read a book that has taken me on such an emotional roller-coaster.
A naked woman in red high-heeled shoes is perched on the edge of Clifton Suspension Bridge with her back pressed to the safety fence, weeping into a mobile phone. Clinical psychologist Joseph O'Loughlin is only feet away, desperately trying to talk her down. She whispers, 'you don't understand,' and jumps.
Later, Joe has a visitor - the woman's teenage daughter, a runaway from boarding school. She refuses to believe that her mother would have jumped off the bridge - not only would she not commit suicide, she is terrified of heights.
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
This striking, intense, and beautifully meditative book offers a daughter struggling to understand her father in the wake of his suicide. It’s structured, yes, like an index, which does nothing to dilute its immense emotional power. There’s a lot of love and anger in this book, yet it’s told with extraordinary calm and exemplary clarity. Simply put, The Suicide Index is one of the most inventive, affecting memoirs I’ve ever read—a drop-everything-and-read-this-now book if there ever was one.
Sixteen years ago, Joan Wickersham's father shot himself in the head. The father she loved would never have killed himself, and yet he had. His death made a mystery of his entire life. Using an index - that most formal and orderly of structures - Wickersham explores this chaotic and incomprehensible reality. Every bit of family history - marriage, parents, business failures - and every encounter with friends, doctors, and other survivors exposes another facet of elusive truth. Dark, funny, sad, and gripping, at once a philosophical and deeply personal exploration, "The Suicide Index" is, finally, a daughter's anguished, loving…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
suicide,
happiness,
and
authors.
