100 books like Folk Dress in Europe and Anatolia

Carlo Ginzburg has written a great deal about witches and is an expert in ‘microhistory’–the archaeology of the marginalized and forgotten elements of human history.

This book is a culmination of his more academic research, in which he discusses not just witches but (importantly for me) the putative undercurrent of Central European shamanism in the witchcraft trials in Northern Italy. What does that have to do with vampires? I have long held a hypothesis that Friuli, where the benandanti (reputed to leave their bodies at night to fight witches), is a region where Slavic vampire folklore may have come into contact with Western European witchcraft beliefs.

I chose this book because it is such a wide-ranging compendium of Russian folk beliefs in general (in English!) as well as of Russian customs involved in trying to ensure the fertility and health of crops, farm animals, and women, all desperately needed for the survival of the community. It is these fascinating and picturesque customs that so often get incorporated into dances. Furthermore, the Dancing Goddesses were often pressed into service for divination of the future, especially by young girls worrying about whom they would marry and how many children they would have, or if they would die first. (I accidentally witnessed one of these ceremonies in Danzig in 1993—they have not died!)

Humans also draft dance to help heal body and mind. I loved Kligman’s personal ventures deep into the complex concerns about life and death, fertility and health, found in related pre-Christian rituals in three areas of the Balkans: the Căluşari in SW Romania, the Rusaltsi in NW Bulgaria, and the Kraljevi—often with other names—just west in former Yugoslavia. (The word Rusaltsi comes from Rusalka, a Slavic name for the “dancing goddess”, as does Rusalii, the thrice-yearly festival in their honor.)  Her intriguing study comes from direct observation of the healing rituals, and on personal discussions with the dancers—including one who was particularly vulnerable to trance!  This is also true of L. Danforth’s remarkable account of the firewalkers of SE Bulgaria and northern Greece (Firewalking and Religious Healing). 

I selected this book because it finally offered me some answers to questions I’d asked myself all my life: Why am I so driven to dance? Why does dancing make me feel so euphoric? McNeill found himself asking this last question when forced to go through endless military close-order drill (a sort of dance!) as a young draftee. Whence these surprisingly positive effects of “keeping together in time”? Over the course of his later life as a historian, he tracked down a fascinating array of anecdotal and cognitive answers.  The relation of this phenomenon to unique details of how the human brain is put together was then further addressed by Oliver Sacks toward the end of his book Musicophilia, where I first learned of McNeill.

This archive-powered gem is about moments when people and things moved between Europe and the Middle East not harder than today. From Islamic laws to foreign affairs, slaves to pilgrims, archival sources to further study, it is for readers to observe the trees without losing sight of the Ottoman forestry. 

These days, the word fascist is pretty quickly pulled out as a handy insult. Orwell warned even back in the 1940s that the term was used so much that it was becoming meaningless. But when I listen to some of the race-obsessed autocratic leaders lurking in today's politics, I’m convinced “fascist” is a tailor-made description rather than an easy epithet.

I love this book because it helped me get past the hesitation with using that word and is, to my mind, the ultimate philosophical dissection of today’s fascism. For philosopher Alberto Toscano and the thinkers he discusses, fascism is a process at the heart of capitalism itself, "a dynamic that [even] precedes its naming."

His book describes the many aspects of fascism from well beyond Europe in the early twentieth century. If we look around, we can see the percolations of this process producing and reproducing "the racial fantasy of… show more.

This book trace the development of national identities in the early Middle Ages and beyond. In his careful reading of classical historians, their early medieval counterparts, and their modern interpreters, Geary challenges the traditional understanding of early medieval identity formation and its relations to the origins of modern European nations.

Geary demonstrates that the early Middle Ages were marked by a fluid and dynamic sense of identity and that rulers and policymakers deployed a plethora of strategies to create a sense of shared identity among their people. I particularly like Geary’s inference that the modern idea of the nation-state is, in fact, a nineteenth-century invention and any attempt to trace it back to the early Middle Ages is plain historical nonsense.

This provocative book covers 250 years of European history. I find something to argue with on pretty much every page but I have to admire Offen’s ambition in this sweeping narrative extending across the nations of Europe from Finland to Greece, from Portugal to Poland.

I so admired this book that I wrote to Karen Offen asking her if she would read some of the chapters of my book, which she did, making helpful suggestions which improved it no end.

Any time you pick up a book with Illuminated Manuscript anywhere in the title, you know you’re in for a visual feast. If you’re just starting out with this unique medieval art form, this book is an excellent introduction. It’s not too long, so it won’t overwhelm you. This book provided the foundation for my first steps into researching medieval illumination for my historical romantic novel. What is illumination? Why were books illuminated and what types of books were considered worthy of illumination? Who were some of the most famous medieval illuminators? (Perhaps my heroine’s father had studied with one.) What kind of patrons might my heroine have encountered in her father’s workshop?

This book ignited my imagination while helping me discover the best answers for my story. (NOTE: So much of this art has been digitized that most of the B&W photos are now easy to find in color… show more.

Ferguson shows us a neural network of another sort: the web of offshore finance and international co-investment that culminated in the First World War—not at Sarajevo but in the Middle East, where Great Britain and Germany faced off over railroad access to Britain’s prize possession, India. Wrapped in the thoroughly engaging family history of the far-flung Rothschilds and how they knit themselves together in an empire of their own, Ferguson embeds an equally enthralling history of what he calls “Globalization I,” the 19th-century race to connect the empires established in the preceding age of exploration with their European centers of power by commercial rather than military means, with railway and telecommunications lines as their primary instruments. I am indebted to him for inspiring insights into how, in the years preceding World War I, the great European railway race came down to the finish line, the last and crucial link connecting… show more.