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I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
I first picked up this book hoping to find whether Western Europe ever had agrarian fertility rituals/beliefs equivalent to those I was studying in Eastern Europe. But then I simply couldn’t stop reading, because it was so compellingly written as well as chock full of fascinating information relating to my interests. Ginzburg presents both the historical records and his deeply perceptive insights into the processes by which age-old farmers’ customs (including dancing), aimed simply at having enough food for the year, were reinterpreted as evil witchery and Satanism by Roman Catholic officials attempting to eradicate everything outside the Christian church as they knew it. (Eastern Orthodox officials, with far more territory to convert, confined themselves largely to condemning murder, adultery, and incest, and reallocating people’s entrenched customs to Christian saints.)
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
I chose this book because it is such a wide-ranging compendium of Russian folk beliefs in general (in English!) as well as of Russian customs involved in trying to ensure the fertility and health of crops, farm animals, and women, all desperately needed for the survival of the community. It is these fascinating and picturesque customs that so often get incorporated into dances. Furthermore, the Dancing Goddesses were often pressed into service for divination of the future, especially by young girls worrying about whom they would marry and how many children they would have, or if they would die first. (I accidentally witnessed one of these ceremonies in Danzig in 1993—they have not died!)
The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the…
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
This book is a rich source of information about how certain attire, especially the “string skirt” and its variants, has traditionally been drafted in Europe to promote women’s health and fertility, a tradition that we can trace back, through evidence, for some 20,000 years. Wonderfully illustrated, the data here range from Greece and Turkey in the south, through Central Europe to Latvia and Norway in the far north, as well as occasionally deep into Eurasia. And of course, such apparel was particularly donned for dancing on occasions where the wearer would be seen by all. (Being a show-off runs deep in humanity!)
Shortlisted for the Katharine Briggs Folklore Award 2000.Relationships between dress and the body have existed in European and Anatolian folk cultures well into the twentieth century. Traditional cultures have long held the belief that certain articles of dress could protect the body from harm by warding off the 'evil eye,' bring fertility to new brides, or assure human control of supernatural powers. Ritual fringes, archaic motifs, and colors such as black and red were believed to have powerful, magical effects. This absorbing and interdisciplinary book examines dress in a broad range of folk cultures - from Turkey, Greece, and Slovakia…
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
I selected this book because it finally offered me some answers to questions I’d asked myself all my life: Why am I so driven to dance? Why does dancing make me feel so euphoric? McNeill found himself asking this last question when forced to go through endless military close-order drill (a sort of dance!) as a young draftee. Whence these surprisingly positive effects of “keeping together in time”? Over the course of his later life as a historian, he tracked down a fascinating array of anecdotal and cognitive answers. The relation of this phenomenon to unique details of how the human brain is put together was then further addressed by Oliver Sacks toward the end of his book Musicophilia, where I first learned of McNeill.
Could something as simple and seemingly natural as falling into step have marked us for evolutionary success? In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement--and the shared feelings it evokes--has been a powerful force in holding human groups together.As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William H. McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples to…
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
This is another story of a hapless, now unnamed, English academic in Eastern Europe, yet McGuinness’s Romanian novel couldn’t be more different from Bradbury’s Rates of Exchange, and not only for being tied to a very specific moment and place: Bucharest in the final months of 1989.
It captures the darkness and the deprivations of Ceaușescu’s regime just before its fall. It is a Cold War novel written by a poet and this shows in the richness of its melancholy and sinister atmosphere.
Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceausescu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and…
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
The Danube vies with the Rhine for the title of Europe's Amazon: a behemoth that spans a huge swathe of the continent, flowing from the Black Forest in Germany to the Black Sea in Romania. In this book, Andrew Eames travels along the river by bicycle, horse, boat, and on foot, meeting everyone from royals to boatmen and gypsies, and providing a sparkling history of south-eastern Europe on the way. Before Covid, I was planning to travel along the Danube myself and hopefully write something about it. If that ever happens, this will be in my backpack.
The Danube is Europe's Amazon. It flows through more countries than any other river on Earth - from the Black Forest in Germany to Europe's farthest fringes, where it joins the Black Sea in Romania. Andrew Eames' journey along its length brings us face to face with the Continent's bloodiest history and its most pressing issues of race and identity.
As he travels - by bicycle, horse, boat and on foot - Eames finds himself seeking a bed for the night with minor royalty, hitching a ride on a Serbian barge captained by a man called Attila and getting up…
I am an adventure traveller, author, blogger, and dog-ma. Tired of living life in thin slices, I quit work to live my dream. I wanted to travel meaningfully and get to know the countries I visit in a way that is not possible in a two-week mini-break. B.C. (Before Canines). I hurtled, slid, submerged, and threw myself off bits of every continent except Antarctica. A.D. (After Dog), Mark and I became Adventure Caravanners. Our aim: To Boldly Go Where No Van Has Gone Before. Against all advice, we toured Romania for three months and fell in love. Since then, I have been on a one-woman mission to set Romania’s record straight! My forthcoming books will chronicle our progress around Poland in a pandemic and our Brexit-busting plan to convert a 24-tonne army truck and drive to Mongolia.
Former BBC reporter Ormsby presents a compilation of anecdotes from his time living in Romania.
The stories vary between shocking, upsetting, and laugh-out-loud funny. They are authentic and absorbing sketches of the characters and hardships that make up everyday life in Romania before the country had shaken every vestige of its communist past.
Since each chapter is a complete story, this is a great book to dip into for a little light entertainment. If you’re thinking of visiting Romania, it will help to give perspective on what makes the locals tick.
'Never Mind the Balkans, Here’s Romania' has been described as one of the best guide books on Romania. If you want to discover Romania with someone who knows it well, Mike Ormsby’s travel writing is for you. Whilst the average Romania travel guide provides details of places to visit, this writer takes a different approach. Ormsby gets up close and personal, blending journalistic objectivity with dry wit to craft true-life stories about the people who live in Romania: from friendly hikers and shepherds in Transylvania, to exasperated taxi drivers and bossy bureaucrats in Bucharest. Ormsby's bittersweet short stories are a…
I am an adventure traveller, author, blogger, and dog-ma. Tired of living life in thin slices, I quit work to live my dream. I wanted to travel meaningfully and get to know the countries I visit in a way that is not possible in a two-week mini-break. B.C. (Before Canines). I hurtled, slid, submerged, and threw myself off bits of every continent except Antarctica. A.D. (After Dog), Mark and I became Adventure Caravanners. Our aim: To Boldly Go Where No Van Has Gone Before. Against all advice, we toured Romania for three months and fell in love. Since then, I have been on a one-woman mission to set Romania’s record straight! My forthcoming books will chronicle our progress around Poland in a pandemic and our Brexit-busting plan to convert a 24-tonne army truck and drive to Mongolia.
Romania is not all Dracula and Olympic gymnasts. For example, did you know the original Tarzan, Johnny Weissmuller, was an ethnic Saxon from Transylvania?
During my time in Romania, I found her people bright and engaging. Simmer that in the melting pot of a turbulent multi-cultural history formed at a crossroads between powerful empires and it’s no surprise that the result is great insight, resilience, and wisdom. However, Romania’s minority language and time as a secretive Soviet state conspire to ensure their worldview has not been shared widely.
Besides introducing some famous names whom you might not associate with Romania, this book is genuinely inspirational and captures the country’s spirit, humour, and culture.
Romania. For most of the world, the name usually conjures up images of Dracula, Olympic gymnastics legend Nadia Comaneci—and not much else. Yet this country with a rich history stretching back thousands of years contains countless wonders and hidden gems, producing many people who’ve made a major impact on our world. Their Wisdom has remained hidden behind the barrier of a language spoken by less than 25 million people worldwide. All selections within this book are from people born in Romania, including: • Hollywood legends Edward G. Robinson, Bela Lugosi (the original Dracula), and Johnny Weissmuller (the original Tarzan) •…
I am a comic book writer, novelist, and vampire aficionado. I always want to learn the truth of a matter. I’ve moved in and out of the gothic subculture for years and spent time with members of the vampire subculture. I’ve found that most people’s understanding of vampires (and really, everything) is influenced by fiction. Even if you point out that their beliefs are only as accurate as a movie, they will still argue for them. As much as I love a good vampire movie, I want to shatter illusions and explore the myths and folklore that reflect our human experience in all of its horror and glory.
This book has engendered controversy for almost forcefully bridging the gap between the 15th Century Wallachian Prince Vlad III or Vlad the Impaler or Dracula. Stoker had already constructed his character, called “Count Wampyr,” before he learned of his future namesake. However, he quite clearly establishes a connection between the two through an explanation provided by Abraham Van Helsing. The Dracula of the eponymous novel is a heavily fictionalized version of the real-life figure, but so are most similarly positioned characters in literature, film, and television. Florescu and McNally provide a cursory overview of Slavic and Balkan vampire folklore, a biographical sketch of Vlad the Impaler, and illuminate the process by which Stoker adapted this violent, cunning, and sometimes brilliant nationalist and military tactician into a fictional monster.
The true story behind the legend of Dracula - a biography of Prince Vlad of Transylvania, better known as Vlad the Impaler. This revised edition now includes entries from Bram Stoker's recently discovered diaries, the amazing tale of Nicolae Ceausescu's attempt to make Vlad a national hero, and an examination of recent adaptations in fiction, stage and screen.
I am an author and natural navigator. I set up my natural navigation school in 2008 and am the author of award-winning and internationally bestselling books, including The Natural Navigator (2010) The Lost Art of Reading Nature’s Signs (2014), How to Read Water (2016), and The Secret World of Weather (2021), some of the world’s only books covering natural navigation. I have spent decades hunting for clues and signs in nature, across the globe, which may be why I am sometimes nicknamed: “The Sherlock Holmes of Nature”.
A unique book. Read this and you'll find yourself in a disappearing world. Northern Romania eschewed the modern conveniences and less delicate touches of capitalism for most of the twentieth century. Blacker shares a life wholly dictated by the rhythms of nature. This is a world where the locals recognise someone visiting from another village at a distance, not by their face or their clothes, but by the horse they are riding.
Chosen for the Duchess of Cornwall's online book club The Reading Room by HRH The Prince of Wales
When William Blacker first crossed the snow-bound passes of northern Romania, he stumbled upon an almost medieval world.
There, for many years he lived side by side with the country people, a life ruled by the slow cycle of the seasons, far away from the frantic rush of the modern world. In spring as the pear trees blossomed he ploughed with horses, in summer he scythed the hay meadows and in the freezing winters gathered wood by sleigh from the forest. From…
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