Here are 100 books that Family Matters fans have personally recommended if you like
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Aged seventeen, I set off for Istanbul on what turned into several decades of travels across the Muslim world. From the last nomad tents of Iran to the Sufi shrines of Pakistan and Afghanistan and the ancient cities of Syria and Yemen, I’ve met all kinds of fascinating and complex people. Although I write about the past, those living experiences always shape my approach to writing. As a biographer, I write about individuals who are intriguing but complicated—like all of us, only more so. And as a historian drawn to encounters between cultures, I write about how different parts of the world understand (and misunderstand) each other.
I am a historian by day. But I have always believed that artists—whether writers, painters, or musicians—capture the human experience of history and, moreover, convey it in an enduring form for future generations far more effectively than historians.
Historians have to present a single line of analysis or argument, which inevitably and properly makes events of a particular historical period meaningful to the particular moment in time when they are writing. A true artist can transcend both of those times. In my view, Rushdie’s book achieves that for the period, or generation, after Indian independence in 1947.
I have lived in India and written a lot about Indian history myself, including a book about Bombay, where Rushdie was partly raised. So, I have enjoyed and admired many of his earlier books, but this one remains his great achievement as a work of historical art.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
This collection of short stories by another Parsi writer paints an affection and compassionate picture of the metropolis, as seen from the eyes of its motley crew of residents—a laundryman, a writer, a cab driver. Shroff’s generosity and love for his city come through in every story.
This book, with its powerful evocation of the city and its description of the minutia of everyday life, left me nostalgic and breathless for Bombay.
Shortlisted for the 2009 Commomwealth Writers' Prize
Shroff's vibrant narratives in this concept collection of 14 stories set in contemporary Bombay feature a range of beautifully drawn characters in fascinating situations: from the laundrywallas' water shortage problems, to the doomed love affair of a schizophrenic painter and his Bollywood girlfriend, to the wandering thoughts of a massagewalla at Chowpatty Beach, to the heart-warming relationship of a carriage driver and his beloved horse. Each of these stories is richly crafted and arranged against the grand chaotic backdrop of life that is Bombay. Shroff's love for his hometown shines through, but so…
I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I first read this book over a decade ago, and it has remained one of my favorites ever since. It is moving and exquisitely written, offering a close view of a community living on the edge of one of India’s biggest cities and exploring what it means to live on the cusp of wealth but mired in poverty.
Mostly, it is deeply human and a real page-turner. I expect this will remain my Holy Grail of writing and storytelling for a long time.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE
“Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care.”—People
“A tour de force of social justice reportage and a literary masterpiece.”—Judges, PEN/John Kenneth Galbraith Award
ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • O: The Oprah Magazine • USA Today •…
I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
Mehta’s propulsive, strangely entertaining nonfiction book takes us into subterranean Bombay—into the underworld gangs, the bar dancers, the pavement dwellers. Despite its oft-times grim subject matter, the book exudes an energy and excitement that is reflective of the maximum city itself. As someone who grew up in a genteel, middle-class household in Bombay and was not familiar with the world described by Mehta, this eye-opening book served as a guide to places I have never been and roads I have never traveled.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.
As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty…
I've been thinking and writing about food ever since I spent a year in the Soviet Union many decades ago and discovered that food is a wonderfully immediate way to enter into another culture. My first cookbook led to a stint as a spokesperson for Stolichnaya vodka when it was first introduced to the US—a fascinating exercise in cross-cultural communication during the Cold War. In 2001 I founded Gastronomica: The Journal of Food and Culture, which deepened my interest in culinary cultures around the world. Cookbooks aren't just about recipes. For me, the best ones include personal stories and history that transport you to other realms.
Until picking up this book I knew nothing about Parsi food, a distinctive way of cooking practiced by the descendants of the Zoroastrians who fled Persia for India around the 8th century. And what a cuisine it is! This book engages all your senses, immersing you in the aromas, colors, and tastes of Parsi kitchens. Niloufer King's descriptions are beguiling, her language deft as she evokes dishes like the "wobbly" cauliflower custard of her childhood and its "trembling delicacy," or a hot green chutney that is "raucous" rather than refined. King brings family and friends to life through anecdotes that reveal the long history and continuing evolution of this distinctive manner of cooking.
The Persians of antiquity were renowned for their lavish cuisine and their never-ceasing fascination with the exotic. These traits still find expression in the cooking of India's rapidly dwindling Parsi population - descendants of Zoroastrians who fled Persia after the Sassanian empire fell to the invading Arabs. The first book published in the United States on Parsi food written by a Parsi, this beautiful volume includes 165 recipes and makes one of India's most remarkable regional cuisines accessible to Westerners. In an intimate narrative rich with personal experience, the author leads readers into a world of new ideas, tastes, ingredients,…
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
A young woman is found dead only a few yards behind the stands where hundreds of students gathered to watch the Prince of Wales’ parade on his 1922 visit to Bombay. When lawyer Pervin Mistry realizes it’s the same woman who consulted her only days ago, she’s driven by guilt and determined to help the Parsi family through the awful process of the coroner's inquiry.
I started this book with a whole host of questions, which grew more dire as the number of suspects rose. Finely etched characters abound. Pervin is torn between a natural patriotism and desire to see justice and her own family’s interests. As she learns more, she realizes that the young female student has a sort of dangerous honesty (a term the author Sujata Massey used when I interviewed her) which complicates matters and shows the difficulty of being a dutiful daughter while staying true to…
Bombay’s first female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.
November 1921. Edward VIII, Prince of Wales and future ruler of India, is arriving in Bombay to begin a fourmonth tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But…
As the author of Hicky's Bengal Gazette: The Untold Story of India's First Newspaper I have great interest in journalism and history in the Indian subcontinent. There are relatively few books that explore these topics in a narrative nonfiction way. It is my hope that this shortlist will help readers find a few good books to start with.
Faleiro’s book is an impressive piece of investigative journalism. She followed the life of one woman, a teenage girl who worked as an exotic dancer in Mumbai. Faleiro paints a sobering image of Mumbai’s sex industry, especially dealing with government corruption and mafia-like figures. Her writing will keep you engrossed from start to finish.
Already published in India to great acclaim and named a Time Out Subcontinental Book of the Year and an Observer Book of the Year, Beautiful Thing is a stunning piece of reportage that offers a rare firsthand glimpse into Bombay’s notorious sex industry.
Sonia Faleiro was a reporter in search of a story when she met nineteen-year-old Leela, a charismatic exotic dancer with a story to tell. Leela introduced Sonia to the underworld of Bombay’s dance bars: a world of glamorous women; of fierce love, sex, and violence; of gangsters, police, prostitutes, and pimps. When an ambitious politician cashed in…
The first time I left home, at 21, I ran out of money after three months, but I was so dead set on staying abroad that I pushed on. I ended up being gone for 18 months and traveled through 40 countries. Before I turned 30, I completed 10 six-month trips abroad, each with a long overland journey built-in, and hit close to 100 countries. Most of my travel was in the last decade before cell phones and the internet. I’ve been a member of The Explorers Club for twenty+ years and chair its Southwest Chapter.
I’ve spent a few years traveling around India and Nepal, a lot of it, pre-internet, and I always wanted to find that experience captured in literature.
Although I enjoyed writing on the area, from City of Joy by Lapierre to Kim by Kipling, nothing came close to the India I stumbled through until I read Shantaram.
I was never hooked on heroin or part of the mafia, but I recognized the smell of the streets and the beautiful personalities that flourished there, and when I read that book, it was like I was there again, in the mix.
Now a major television series from Apple TV+ starring Charlie Hunnam!
“It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured.”
An escaped convict with a false passport, Lin flees maximum security prison in Australia for the teeming streets of Bombay, where he can disappear. Accompanied by his guide and faithful friend, Prabaker, the two enter the city’s hidden society of beggars and gangsters,…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.
Prior to her death in 2015, photojournalist Mary Ellen Mark had published over 20 collections of her work spanning her storied career, but few hit the reader in the gut like her debut Falkland Road. Taken during visits to Mumbai (Bombay) in the 1970s, Mary was able to gain the trust of sex workers being pimped out in the Indian city’s notorious red-light district. The images are dark, disturbing, and bleak, but their intimacy and tenderness are what separates Mary from her peers.
Mark's extended photo essay on the prostitution district of Bombay is one of the landmarks of color photojournalism. Small half-inch tear at base of spine. Slight scuffing and fading to cover. Interior and photographs are clean and unmarked.
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
The main character in this novel is really a community – Hindu refugees who fled Pakistan for India at the time of Partition and ended up in a Bombay apartment block called Sadhbela. Many South Asian novels mix tragedy and comedy beautifully, and what I love about this one is how Chand mixes this cocktail within her female characters; as usual, there is more to laugh about in the older women than in the young. Like Gardam, Chand sneaks moving moments of self-awareness into her colourfully flawed protagonists. I’m particularly enamoured of illiterate, superstitious (but nonetheless married to a retired journalist) Mrs. Hathiramani.
In March Saturn is coming into the House of the Sun. Saturn is strong and will bring trouble. [...] Wear a sapphire, then nothing can harm you, Bhai Sahib, the priest, warns Mrs Hathiramani, reading her horoscope in his temple on the second floor of Sadhbela, a Bombay apartment block.
Forty years before, at the time of Partition, the residents of Sadhbela were Hindu refugees from the rival towns of Rohri and Sukkur. In Sadhbela now these Sindhi exiles live as one family, fortunes drastically changed. Before blown out of the House of the Sun in a monsoon squall, the…
