Here are 100 books that Emergence and Convergence fans have personally recommended if you like
Emergence and Convergence.
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I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
David Blitz offers both a comprehensive selection of broadly diverse themes investigated by various theorists and the specific elements of the diverse theories these authors espouse.
This is a perfect “first book” in an emergence-theory reading list because it provides an encyclopedic account of both the variety of issues that have arisen in this area, as well a variety of responses...by such theorists as Lloyd Morgan, Samuel Alexander, Henri Bergson, C. D. Broad, R. W. Sellars, J. C. Smuts, Donald T. Campbell, Roger Sperry, Mario Bunge, and others (numbering close to a hundred individuals in all).
This variety allowed me to develop a broad view of this entire problem area and identify those issues that were most relevant to my interests.
Emergent evolution combines three separate but related claims, whose background, origin, and development I trace in this work: firstly, that evolution is a universal process of change, one which is productive of qualitative novelties; secondly, that qualitative novelty is the emergence in a system of a property not possessed by any of its parts; and thirdly, that reality can be analyzed into levels, each consisting of systems characterized by significant emergent properties. In part one I consider the background to emergence in the 19th century discussion of the philosophy of evolution among its leading exponents in England - Charles Darwin,…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
This selection of essays focuses on the important concept of “downward causation” (a designation first employed by Donald T. Campbell), that is, the idea that, in addition to the “upward” causal influence of parts on wholes, which is the focus of stereotypical (bottom-up) reductionist views, wholes also exercise top-down emergent causal influences on their parts.
This has been a vital recurring issue and an identifying principle in most theories of emergence. Campbell and Mark H. Bickhard provide the culminating chapter in this book.
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
Clayton and Davies selected the diverse essays by various experts in this area of research to show the relevance of the emergentist paradigm to diverse areas of inquiry–including quantum physics, astronomy, cell biology, and primatology.
These lines of inquiry converge on the more provocative question of the emergence of consciousness from the brain...with an added discussion of the relevance of theological questions, including the relation between God and the world.
The thirteen essays of this study are divided into four broad areas: (1) The Physical Sciences, (2) The Biological Sciences, (3) Consciousness and Emergence, and (4) Religion and Emergence. Contributing authors include Jaegwon Kim, David J. Chalmers, and Arthur Peacocke. Here again, my perspective on this subject was broadened by the diversity of these treatments.
Much of the modern period was dominated by a `reductionist' theory of science. On this view, to explain any event in the world is to reduce it down to fundamental particles, laws, and forces. In recent years reductionism has been dramatically challenged by a radically new paradigm called `emergence'. According to this new theory, natural history reveals the continuous emergence of novel phenomena: new structures and new organisms with new causal powers. Consciousness is yet one more emergent level in the natural hierarchy. Many theologians and religious scholars believe that this new paradigm may offer new insights into the nature…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
This is a collection of twenty-four essays by thirty-six prominent researchers, demonstrating how important this topic has become for both scientific and philosophical research. In 2016 (after I had published ESSENTIAL DIFFERENCE: Toward a Metaphysics of Emergence [2012], where I discuss Paul Humphreys’ view on pp. 231-2), he published EMERGENCE: A Philosophical Account, Oxford University Press, New York.
What I find especially significant in this more recent (and more challenging) work is that, in effect, emergence theory has developed into both a metascience and a metaphilosophy–as is evident in Humphreys’ Chapters 2, “Ontological Emergence” and 5, “Conceptual Emergence,” as well as Chapters 6, “Philosophical Topics Related to Emergence,” and 7, “Scientific Topics Related to Emergence.” This parallels very closely my own perspective on both scientific and philosophical conceptions of emergence.
Contemporary classics on the the major approaches to emergence found in contemporary philosophy and science, with chapters by such prominent scholars as John Searle, Stephen Weinberg, William Wimsatt, Thomas Schelling, Jaegwon Kim, Daniel Dennett, Herbert Simon, Stephen Wolfram, Jerry Fodor, Philip Anderson, David Chalmers, and others.
Emergence, largely ignored just thirty years ago, has become one of the liveliest areas of research in both philosophy and science. Fueled by advances in complexity theory, artificial life, physics, psychology, sociology, and biology and by the parallel development of new conceptual tools in philosophy, the idea of emergence offers a way to understand…
I'm a philosopher and psychotherapist, with a Ph.D. in Philosophy from Princeton. From the beginning of my work in philosophy, I have been interested in the nature of agency: what is it to be an agent, and how is agency even possible in the first place? These questions naturally drew me to the metaphysics of free will, as well as related topics in the logic and semantics of agentive modality (that is, the kind of possibility and necessity that is characteristic of agents). Much of my recent work has been on more clinical issues, especially on understanding addiction. I continue to be fascinated by fundamental topics in metaphysics, and especially the question of free will.
This book, I would argue, is among the most innovative books on free will in years.
Its key insight – that humans are just one kind of animal, and so the key question about free will is whether animals generally have free will – overturns the anthropocentric bias that has governed much of the philosophical literature on free will.
A Metaphysics for Freedom argues that agency itself-and not merely the special, distinctively human variety of it-is incompatible with determinism. For determinism is threatened just as surely by the existence of powers which can be unproblematically accorded to many sorts of animals, as by the distinctively human powers on which the free will debate has tended to focus. Helen Steward suggests that a tendency to approach the question of free will solely through the issue of moral responsibility has obscured the fact that there is a quite different route to incompatibilism, based on the idea that animal agents above a…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Like Golding, Garner is best known for his children’s books – tales that spring from the ancient mythology of his local Cheshire and wander into realms of high fantasy. But it is this slim novella, a collection of four stories binding as many generations of Garners (they have inhabited the region for centuries and they were, all of them - up until Alan, craftsmen, builders, laborers) that moves me to raptures. Beginning with a wide-eyed child’s discovery of cave drawings, the stories haul stone up above ground to lay out the longwalls of Garner’s mason progenitors and erect the spire of the local church, worn by Garner’s grandfather "like a dunce-cap.” The imagery and wordplay are stunning, binding dialect and landscape like a spell.
A classic work of rural magic realism from one of Britain's greatest children's novelists
Four interconnected fables of a way of living in rural England that is now disappeared.
Craftsmen pass on, or withhold, secrets of their relationship with the natural world, which gives them the material from which they create useful and beautiful things. Smiths and chandlers, steeplejacks and quarrymen, all live and work hand in hand with the seasons, the elements and the land. There is a mutual respect and a knowledge of the magical here that somehow, somewhere was lost to us. These fables beautifully recapture and…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Golding was living in Salisbury when he wrote The Lord of the Flies, and his day job as a teacher at a local boys' school left a clear imprint on his dystopic view of young men left to their own hierarchical devices. But the classroom also provided a very literal view of the inspiration for The Spire, a dense and disturbing parable in which rationality and physics crumble under evangelical mania and corporal lust. It is the story of Jocelin, Dean of a medieval cathedral, who, obsessed with a divine “vision in stone,” insists that the spire be raised to impossible heights. There is no happy ending in this cautionary tale of construction hubris, yet I return to it regularly in search of solace.
Succumb to a churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, introduced by Benjamin Myers (narrated by Benedict Cumberbatch as an audiobook).
There were three sorts of people. Those who ran, those who stayed, and those who were built in.
Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and…
That’s the eternal question, isn’t it? Out here in the manifestation, I am Duff McDonald, author and journalist, father of Marguerite, husband of Joey, and general man about town. I’m a Canadian who moved to the U.S. to go to college and never went back. But who am I, really? I am the same thing as everyone else, a speck of consciousness in the possibility machine, a perfect creation. This whole thing has divine origins, something I only realized not that long ago, and it set me free. I can’t wait to see what happens next. I have, of late, discovered that maximizing one’s awareness is the main quest of a human life.
Sri Aurobindo is, in my opinion, the greatest writer of them all. His poetic prose hypnotizes while swirling around the most profound ideas of all — What is the divine? How can we know the truth? What is the best way to live? The Life Divine is Aurobindo’s magnum opus, his articulation of the path to self-realization and how to use it to make the world a better place. In other words, it’s everything you need to know.
The Life Divine explores for the Modern mind the great streams of Indian metaphysical thought, reconciling the truths behind each and from this synthesis extends in terms of consciousness the concept of evolution. The unfolding of Earth's and man's spiritual destiny is illuminated, pointing the way to a Divine Life on Earth. Index.
From dancing on a crane in a meteor shower, to earning a history degree at the top program in my country; bathing under a waterfall to cradling the dying as a physician—I’ve always straddled the line between adventure and hunger for the truth beyond. Some books are the same way: they pull you in with fun and plot, and colors, and they leave you with bigger thoughts and questions about the Universe at large. All genres have this capacity for surprise and depth, but space opera’s best—here’s a list of reads with that special metaphysical power.
I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.” With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!) Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent…
FINALIST FOR HUGO AWARD FOR BEST NOVEL 2019 FINALIST FOR LOCUS AWARD FOR BEST SCIENCE FICTION NOVEL 2019
IN SPACE EVERYONE CAN HEAR YOU SING
A century ago, intelligent space-faring life was nearly destroyed during the Sentience Wars. To bring the shattered worlds together in the spirit of peace, unity and understanding, the Metagalactic Grand Prix was created. Part concert, part contest, all extravaganza, species far and wide gather to compete in feats of song, dance and/or whatever facsimile of these can be performed by various creatures who may or may not possess, in the traditional sense, feet, mouths, larynxes…
When I realized years ago that the universe isn’t merely a concrete reality, I turned to metaphysical/visionary books to understand my experience. There weren’t that many books, but the ones I found became dear friends. Now, after decades as a freelance editor, I am writing fiction in this genre because I believe stories can be as powerful as expository writing for awakening consciousness. However, I’ve noticed many metaphysical writers discourage the engagement and commitment needed to make this world a better place. For this reason, I seek to gather—and contribute to—writing that is visionary and also advocates for democracy and social justice.
The worn and dog-eared copy of Strange News From Another Star has graced my bookshelf for almost 50 years. (Note that this and not the more recent edition, which is missing some of the best original stories, is what I’m recommending.)
Hesse spoke to me at a time in my life when I didn’t realize fiction existed that could reflect my own metaphysical experiences. His stories mirrored my own dreams and visions and confirmed that I wasn’t alone in the world. And he did this in a timeless way that embraced the philosophical along with the political.
