Here are 100 books that Educating for Shalom fans have personally recommended if you like
Educating for Shalom.
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I am a freelance journalist and have written on many topics related to Arabs, Muslims and immigrants. I also teach an intercultural communication class at the University of Toledo and have taught Arab culture in the past. I have a master’s degree in Education with a focus on teaching English as a second language.
I love In My Mosque by M.O. Yuksel and illustrated by Hatem Aly because of how authentic, vibrant and beautiful it is. I love how peaceful it feels and the beautiful lyrics describing the beauty of Mosques. I also love the back matter with so many different Mosques featured!
Step in and discover all the rituals and wonder of the mosque in this lyrical debut picture book from M. O. Yuksel, with gorgeous artwork from New York Times bestselling illustrator Hatem Aly. A great conversation starter in the home or classroom, this book is perfect for fans of All Are Welcome and The Proudest Blue.
No matter who you are or where you're from, everyone is welcome here. From grandmothers reading lines of the Qur'an and the imam telling stories of living as one, to meeting new friends and learning to help others, mosques are centers for friendship, community,…
Born at the base of the beautiful Wasatch Mountains, I began exploring and sketching the world—as most children do—at a very early age. I continued to pursue not only my artistic path through traditional schooling, higher education, and endless hours of practice, but also my love of storytelling. Intrigued by Science Fiction and Fantasy, many of my projects reflect elements of the fantastic, but I also appreciate the beauty and elegance in fine art masterpieces. I studied illustration and graphic design at Utah State University and the Academy of Art University in San Francisco. I currently live in Salt Lake City with my beautiful wife and four boys, where I continue to write, paint and draw regularly.
I’ve always felt that a foundational knowledge of human anatomy is an absolute necessity for anyone serious about becoming a figurative artist. It’s like learning how to dribble if you want to play for the NBA. Although I used a different anatomy book growing up, An Atlas of Anatomy for Artists by Fritz Schider, I feel that Anatomy for Artists is a more solid choice for today’s up-and-comers. It’s an extensive compendium of high quality, detailed photography, and drawings, showing the human figure in a variety of shapes, sizes, and poses. It consists of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human form.
Anatomy for Artists is an extensive compendium of high quality, detailed photography and drawings, showing the human figure in a variety of shapes, sizes and poses that can be used as a solid foundation for all character art.This thorough and detailed library of visual resources will consist of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human figure. Whether you're a traditional sculptor, oil painter or 3D digital artist, the resources within…
I am currently a Professor of Sociology at George Mason University, a Research I Institution, and have now published 9 books. Until I wrote the book Christianity and Sociological Theory, I was a traditional sociologist, one who abided by the tenet of the discipline to profess neutrality in one’s scholarly work. My book, The Not So Outrageous Idea of a Christian Sociology, is not only my most controversial book, given its criticism of contemporary sociology, but also my most personal book.
Since the recent passing of Peter Berger, Christian Smith is arguably the most well-known and influential sociologist working in the field of religion.
In this book, Smith lays the groundwork for his vision of what it means to be a person, something so often overlooked in the social sciences. Smith claims that humans have a particular set of capacities and proclivities that distinguish them from animals. Despite the vast differences in humanity across cultures and historical eras, Smith offers the possibility that human beings have a universal human personhood. Humans, who, though part of the animal kingdom, are spiritual beings that have a moral and spiritual dimension.
This is something that I have been struggling with for years, and Smith simplified it.
What kind of animals are human beings? And how do our visions of the human shape our theories of social action and institutions? In Moral, Believing Animals, Christian Smith advances a creative theory of human persons and culture that offers innovative, challenging answers to these and other fundamental questions in sociological, cultural, and religious theory.
Smith suggests that human beings have a peculiar set of capacities and proclivities that distinguishes them significantly from other animals on this planet. Despite the vast differences in humanity between cultures and across history, no matter how differently people narrate their lives and histories, there…
My interest in ignorance and uncertainty was sparked when I was an undergraduate mathematics student. I was taking my first courses in probability and then reading about Gödel’s incompleteness theorem, realizing that even mathematics contains untamed unknowns. Later, as a PhD student in sociology I read theories about how knowledge is socially constructed, the foundation of the “sociology of knowledge”. I wondered why there wasn’t also a “sociology of ignorance”. That ignited my interest, and the social construction of ignorance became my life-long research topic. I have since seen it grow from my solo efforts in the 1980s to a flourishing multidisciplinary topic of research and public debate.
If you’d like to take a relatively straightforward but sophisticated tour through ignorance, this book is for you.
Frankly, it’s a book I would like to have written. The author is a philosopher and I’m not, so his viewpoint and voice differ from mine, but his book echoes, parallels, and expands my own work and a host of others’ writings on ignorance. DeNicola uses four engaging metaphors as vehicles for his tour: ignorance as a place, a boundary, a limit, and a horizon.
His treatment of ignorance nicely avoids the usual negative bias against it. Like me, he recognizes that ignorance has its uses and even can be beneficial or virtuous. And his footnotes and bibliography provide plenty of material if you want to find out more.
An exploration of what we can know about what we don't know: why ignorance is more than simply a lack of knowledge.
Ignorance is trending. Politicians boast, “I'm not a scientist.” Angry citizens object to a proposed state motto because it is in Latin, and “This is America, not Mexico or Latin America.” Lack of experience, not expertise, becomes a credential. Fake news and repeated falsehoods are accepted and shape firm belief. Ignorance about American government and history is so alarming that the ideal of an informed citizenry now seems quaint. Conspiracy theories and false knowledge thrive. This may be…
Timothy Williamson is a professor of philosophy at Oxford University and a visiting professor at Yale. He writes on metaphysics and epistemology because he doesn’t know how not to care about them. Metaphysics asks fundamental questions about what reality is and how it is structured; epistemology asks fundamental questions about what and how we can know about reality.
This is my favourite introduction to epistemology. It relates questions about knowledge and scepticism to human psychology, human knowledge to other animals’ knowledge, and the development of Western epistemology to epistemology elsewhere, such as ancient India. Amongst leading epistemologists today, Jennifer Nagel probably has the deepest understanding of relevant work in psychology.
What is knowledge? How does it differ from mere belief? Do you need to be able to justify a claim in order to count as knowing it? How can we know that the outer world is real and not a dream?
Questions like these are ancient ones, and the branch of philosophy dedicated to answering them - epistemology - has been active for thousands of years. In this thought-provoking Very Short Introduction, Jennifer Nagel considers these classic questions alongside new puzzles arising from recent discoveries about humanity, language, and the mind. Nagel explains the formation of major historical theories of…
I’m a Harvard professor of psychology and a cognitive scientist who’s interested in all aspects of language, mind, and human nature. I grew up in Montreal, but have lived most of my adult life in the Boston area, bouncing back and forth between Harvard and MIT except for stints in California as a professor at Stanford and sabbatical visitor in Santa Barbara and now, Berkeley. I alternate between books on language (how it works, what it reveals about human nature, what makes for clear and stylish writing) and books on the human mind and human condition (how the mind works, why violence has declined, how progress can take place).
When I wrote Rationality, I mentioned Hume 32 times. He didn’t think of everything, but he explained an astonishing range of topics related to rationality, including causation versus correlation, is versus ought, and individual versus collective self-interest.
His follow-up, An Enquiry Concerning Human Understanding, explained why we shouldn’t believe in miracles. He explored all of these topics with clarity and wit, putting modern academic writing to shame.
"One of the greatest of all philosophical works, covering knowledge, imagination, emotion, morality, and justice." — Baroness Warnock, The List Published in the mid-18th century and received with indifference (it "fell dead-born from the press," noted the author), David Hume's comprehensive three-volume A Treatise of Human Nature has withstood the test of time and has had enormous impact on subsequent philosophical thought. Hume — whom Kant famously credited with having "interrupted my dogmatic slumber and gave my investigations in the field of speculative philosophy a quite new direction" — intended this work as an observationally grounded study of human nature.…
Thanks to developing interests in both psychoanalysis and German idealism during my time as a student, I came across Slavoj Žižek’s writings in the mid-1990s. Žižek immediately became a significant source of inspiration for my own efforts at interfacing philosophies with psychoanalysis. By the time I began writing my dissertation – which became my first book, Time Driven: Metapsychology and the Splitting of the Drive – I had the great fortune to meet Žižek. He soon agreed to serve as co-director of my dissertation and we have remained close ever since. I decided to write a book demonstrating that Žižek is not dismissible as a gadfly preoccupied with using popular culture and current events merely for cheap provocations.
In Žižek’s view, philosophy as we know it today does not well and truly begin until the late-eighteenth century, with Kant’s critical-transcendental “Copernican revolution.” The Critique of Pure Reason inaugurates this revolution. It insists on the ineliminable centrality of the structures and dynamics of minded subjectivity for the constitution of what we experience as objective reality. Moreover, on Žižek’s psychoanalytic rereading of Kant’s epoch-making 1781/1787 masterpiece, Kant anticipates, among many other things, Lacan’s idea of an internally divided subject as the ultimate unconscious condition of possibility for how we humans register and understand ourselves and our world. Moreover, the Kant of the first Critiqueis crucial for Žižek as the inspiration for the entire tradition of post-Kantian German idealism so central to Žižek’s own philosophical program.
This entirely new translation of Critique of Pure Reason is the most accurate and informative English translation ever produced of this epochal philosophical text. Though its simple and direct style will make it suitable for all new readers of Kant, the translation displays an unprecedented philosophical and textual sophistication that will enlighten Kant scholars as well. This translation recreates as far as possible a text with the same interpretative nuances and richness as the original. The extensive editorial apparatus includes informative annotation, detailed glossaries, an index, and a large-scale general introduction in which two of the world's preeminent Kant scholars…
My name is Daniel Robert McClure, and I am an Associate Professor of History at Fort Hays State University in Hays, Kansas. I teach U.S., African diaspora, and world history, and I specialize in cultural and economic history. I was originally drawn to “information” and “knowledge” because they form the ties between culture and economics, and I have been teaching history through “information” for about a decade. In 2024, I was finally able to teach a graduate course, “The Origins of the Knowledge Society,” out of which came the “5 books.”
This is an anchor book for my course on the “Knowledge Society.” I jokingly refer to this book as “the history of everything,” as it covers everything from art to astronomy to linguistics to science and mathematics.
It is both dense as well as exhilarating to read, as you work through the essence of patterns and principles humans have mobilized to shape and store information and knowledge for thousands of years.
A comprehensive account of the methods of knowledge production throughout human history and across the globe.
The idea that the world can be understood through patterns and the principles that govern them is one of the most important human insights-it may also be our greatest survival strategy. Our search for patterns and principles began 40,000 years ago, when striped patterns were engraved on mammoths' bones to keep track of the moon's phases. What routes did human knowledge take to grow from these humble beginnings through many detours and dead ends into modern understandings of nature and culture? In this work…
Barrie is an historian specializing in early Christianity. Today we now know that there were many different movements within the first few centuries, each claiming to be Christian. James’ Jewish group differed from Paul’s Christ religion and both differed from Gnostic Christianity which saw Jesus as a teacher of insight. None was dominant. The discovery of the Dead Sea Scrolls and the Gnostic writings add an intriguing overlay. The books selected are those that open up new ways of understanding the historical development of Christianity. Each in its own way has created a paradigm shift.
If we only had Paul to rely on for our knowledge of Jesus’ life, all we’d know is that he was born, was Jewish, had brothers and died. Written by a British academic, The Mythmaker is a break-through book that shows how Paul created Christianity by developing a mythology/theology about the significance of the death of Jesus as a Christ. Maccoby’s thought is further developed in my book, How Jesus Became Christian (2008) that demonstrates how different Paul’s religion was from that of Jesus.
The question I have for Christian authors is this: are we Christian authors or authors who are Christian? The realm of horror is the perfect genre to explore the human condition in all of its depravity. Why do Christians avoid this genre when at the end of the day? I grew up watching horror movies with my grandmother and I enjoy the thrills and chills, the questions the genre asks, and the various ways horror can be depicted. Christians understand the dark forces that underlie our natural world. And we understand the darkness within ourselves. But unlike Hollywood horror, we know what the solution – Christ. So that’s why this is a passion of mine.
I call him HIM is an apocalyptic horror story about a man who is a fighting machine.
Hell has come to earth and wreaked havoc. Demonic beings lurk everywhere, feasting off of humanity. Our main character is simply called Him. He has no name, but only rage as he kills demonic hordes with his sword and his strength.
Where is God in a world filled with demonic influences? Where is God when the cry of humanity reaches out for answers? This thought consumes Him, but there may be a light. A young girl who may be the key.
Scott Kimak blends this horror, apocalyptic story with gritty violence, intense action scenes, coarse language, but also themes of redemption and sacrifice.
In a post-apocalyptic world, a warrior and his family are driven underground, fighting for their very survival. When they do emerge, the futuristic planet they discover is very different from the one they left behind. Ruled by an evil presence which dominates and controls what is left of mankind, Earth has been reduced to a violent place of darkness, grief and destruction.I call him HIM follows the journey of this unnamed warrior as he loses both his family and his mind. As he hits rock bottom, all he can think of is his insatiable yearning for revenge until he meets…
