Here are 100 books that Dragon Bones fans have personally recommended if you like
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As a child I was an avid reader, my brothers’ books, my mother’s magazines, and anything in the bookcase. The library was my favorite place to go and I was proud of my library card. Today, I am a romance and cozy mystery author who is passionate about writing books that feature strong, compassionate characters that I would want to be friends with in real life. I hope you enjoy the books I've recommended but remember to pace yourself as you read through these authors' extensive lists. Allow yourself to sink into their fictional worlds and save each story.
If you love crime fiction there is no one who writes it better than Agatha Christie. Each one of her books transports you on an adventure where you become part of the crime scene, working to solve the murder before he or she gets away. In Death on the Nile, the vivid descriptions of the ship, the pyramids and the slow winding journey, and even the funny Belgian detective is so well developed you can’t help but be transported. It’s like traveling to exotic locals via armchair.
The tranquillity of a cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish and beautiful. A girl who had everything... until she lost her life.
Hercule Poirot recalled an earlier outburst by a fellow passenger: 'I'd like to put my dear little pistol against her head and just press the trigger.' Yet in this exotic setting nothing was ever quite what it seemed...
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Although the film version is better known, Dickey’s gut-wrenching saga of four men who decide to take one last canoe trip in the remote North Georgia wilderness is one of my favorite novels of all time. I love Dickey’s vivid prose, which is at times poetic but never obtrusively so.
Simply put, To me, this book represents thriller storytelling at its finest.
“You're hooked, you feel every cut, grope up every cliff, swallow water with every spill of the canoe, sweat with every draw of the bowstring. Wholly absorbing [and] dramatic.”—Harper's Magazine
The setting is the Georgia wilderness, where the states most remote white-water river awaits. In the thundering froth of that river, in its echoing stone canyons, four men on a canoe trip discover a freedom and exhilaration beyond compare. And then, in a moment of horror, the adventure turns into a struggle for survival as one man becomes a human hunter who is offered his own harrowing deliverance.
I’ve always enjoyed time spent outdoors, and over the years I’ve done plenty of hiking and camping and some whitewater rafting and canoeing. As a result, I’m intrigued by books that excel in their portrayals of outdoor settings. A serious whitewater accident prompted me to include lots of kayaking scenes in my most recent book (Over the Falls), and so I thought it would be fun to pull together a list of other river-related books that offer suspense and/or mystery. I hope these suggestions help you add a few new stories to your reading list.
I’m always up for a page-turning thriller that’s set in the outdoors, and The River at Night kept me awake late and eager for more. This story follows four women who decide to jazz up their annual girls’ trip by whitewater rafting in the Maine wilderness. What could go wrong? Just about everything. When a freak accident leaves them stranded, they’re eager for help. But are their rescuers the saviors they first believe? Grab this book for an energizing read you won’t soon forget.
A “raw, relentless, and heart-poundingly real” (Ruth Ware, New York Times bestselling author) thriller set against the harsh beauty of the Maine wilderness, The River at Night charts the journey of four friends as they fight to survive the aftermath of a white water rafting accident.
Winifred Allen needs a vacation.
Stifled by a soul-crushing job, devastated by the death of her beloved brother, and lonely after the end of a fifteen-year marriage, Wini is feeling vulnerable. So when her three best friends insist on a high-octane getaway for their annual girls’ trip, she signs on, despite her misgivings.
I’ve always enjoyed time spent outdoors, and over the years I’ve done plenty of hiking and camping and some whitewater rafting and canoeing. As a result, I’m intrigued by books that excel in their portrayals of outdoor settings. A serious whitewater accident prompted me to include lots of kayaking scenes in my most recent book (Over the Falls), and so I thought it would be fun to pull together a list of other river-related books that offer suspense and/or mystery. I hope these suggestions help you add a few new stories to your reading list.
We’re back in the United States for this choice, whitewater rafting on the Rio Grande with National Park ranger Anna Pigeon. This trip is supposed to be a relaxing vacation, but when a student is swept overboard and murder enters the picture, the journey becomes anything but routine. If you haven’t yet discovered this mystery series, which sets each book in a different National Park, Borderline is a great way to start.
The New York Times bestseller starring Anna Pigeon from the author of Winter Study.
“Action-packed…a narrative that plunges readers into mystery [and] mayhem.”—The Denver Post
Hoping a raft trip in Big Bend National Park will lift her spirits, Anna Pigeon and her husband Paul go to southwest Texas, where the Rio Grande is running high. The beauty of the Chihuahuan Desert and the power of the river work their magic—until the raft is lost in the rapids and a young college student makes a grisly discovery. Caught in a strainer between two boulders—and more dead than alive—is a pregnant woman.…
A youthful summer with my grandparents transformed me into a voracious reader, but I don’t recall what turned me into becoming a lifelong writer and editor. My first two teenaged short stories concerned a rock and a stoplight. My writing got better, and I’ve never stopped reading. As a grad student teaching literature, I longed to see my name on a book cover. Today, it’s on 20 books. My career was in publishing; I wrote and edited nonfiction for decades until 2007, when I turned to writing novels. My most recent is a collection of my early poetry. I also enjoy helping writers become published on The Fictional Café.
Emotion, in particular love, knows no bounds of race, culture, past, or future. I think love reaches uncommon heights in times of stress, which accounts for falling in love with abandon–like in wartime. Or when culture curbs or forbids love’s expression.
So here in this book, Lin Kong, a doctor, feels constrained during the Chinese Cultural Revolution–perhaps seeing through its façade of freedom, particularly in his own marriage. And upon that conundrum rests the plot: Lin’s waiting 18 years (by law) for divorce so he can be with the woman he desires. But the longer he waits, the more he desires her; then, once the waiting is over, desire leaves him.
Perhaps it is better for Lin to live in never-ending desire? Was his grass greener on the other side?
For more than seventeen years, Lin Kong, a devoted and ambitious doctor, has been in love with an educated, clever, modern woman, Manna Wu. But back in his traditional home village lives the humble, loyal wife his family chose for him years ago. Every summer, he returns to ask her for a divorce and every summer his compliant wife agrees but then backs out. This time, after eighteen years' waiting, Lin promises it will be different.
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
This novelized biography of a poet some consider China’s greatest pleases me over and over again. Rendering Li Po (sometimes Li Bai) as a libertine living on a barge, drinking too much and partaking with gusto in the pleasures of the flesh at the red-candle district near which he moors, really helps bring alive the great man’s life and work. There’s also a bit about his relationship with Du Fu, more of a straight arrow. Those two, along with Wang Wei really offer a picture of the Daoist life I so adore and the feeling of watching the world spin out of control in war but also the peace and solitude of a mountain retreat.
I became interested in China-Africa relations fifteen years ago when I realised that the rise of the former was going to have major and long-lasting effects on the politics and economics of the continent. In a sense, the rising role of China in Africa foretold its rise to global power and influence. Since then I have been fascinated by the ways in which China has restructured, or been involved in the restructuring, of African economies and politics and the ways in which that country’s global strategies and roles have continued to evolve and their impacts. I have written several books on the impacts of emerging powers in Africa.
The ascent to power of Xi Jinxing in China in 2013 heralded a new era in China’s overseas engagements and in its domestic politics and economic policy; what Elizabeth Economy has called the “third revolution.” This fascinating book by Large brings the story of China’s engagements in Africa up to date. It is packed with fascinating details and analysis and shows how China’s interests on the continent are shifting from being primarily economic to being more geopolitical. It is a detailed and nuanced analysis of the changed nature of relations.
China has gone from being a marginal to a leading power in Africa in just over two decades. Its striking ascendancy in the continent is commonly thought to have been primarily driven by economic interests, especially resources like oil. This book argues instead that politics defines the 'new era' of China-Africa relations, and examines the importance of politics across a range of areas, from foreign policy to debt, development and the Xi Jinping incarnation of the China model.
Going beyond superficial depictions of China's engagement as predatory or benign, this book explores how Africa is - and isn't - integral…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.
This is the first of a three-volume picaresque historical romance by China's best-loved author. It tells the story of Trinket, an irreverent and comic anti-hero, and his adventures through China and Chinese history, spanning more than twenty years at the beginning of the Qing dynasty.
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
An idyllic mountain town in Yunnan Province of the sort which drew Chinese artists and Western pot-smoking hippies several decades back (probably Dali or Lijiang before their tourist invasions) is the setting of an epic culture clash between older-generational locals and the motley crowd of foreigners and their teepees and incomprehensible ways. The characters and the narrative breathe with too much realism to be based on anything but real people and events, and we assume the first-person narrator to be the author himself thinly disguised. But whatever events inspired the story, Taylor succeeds in limning each scene and dialogue with archetypal significance, so that the novel transcends mere reportage dressed up as fiction for the sake of anonymity. It also makes a good companion piece to Carroll’s Up to the Mountains and Down to the Countryside.
I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.
Very few people outside China have even heard of Yuan Shikai, the last prime minister of the Qing Empire who became president of the Republic of China before briefly declaring himself to be a new emperor. If it hadn’t been for Yuan, however, China would look very different today. He held the country together for a few crucial years after the revolution but then took some decisions that split it apart. He has been vilified ever since as a buffoon and a dictator, but this book asks us to take him seriously as a neglected and important figure in China’s transition. Although the book focuses too much on trying to decide whether Yuan was a good or bad person, it does what it promises and ‘reappraises’ an important life.
Yuan Shikai (1859-1916) has been both hailed as China's George Washington for his role in the country's transition from empire to republic and condemned as a counter-revolutionary. Yuan Shikai: A Reappraisal sheds new light on the controversial history of this talented administrator and modernizer who endeavoured to establish a new dynasty while serving as the first president of the republic, eventually declaring himself emperor. Drawing on untapped primary sources and recent scholarship, Patrick Fuliang Shan offers a lucid, comprehensive, and critical new interpretation of Yuan's part in shaping modern China.
