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Death of a Hollow Man.
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I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Few authors could delver more perfectly into characters than Allingham. Although she created excellent puzzles, the beauty of her books is in the incisive portrayals. Here, she does a magnificent job of stripping away the glamour and finding the pride and jealousy behind the lively theater world. And it's impossible not to be engaged by the shrewd and mysterious sleuth, Albert Campion.
When song-and-dance star Jimmy Sutane falls victim to a string of malicious practical jokes, there's only one man who can get to the bottom of the apparent vendetta against the music hall darling - Albert Campion.
Soon, however, the backstage pranks escalate and an ageing starlet is killed.
Under pressure to uncover the culprit and plagued by his growing feelings for Sutane's wife, Campion finds himself uncomfortably embroiled in an investigation which tests his ingenuity and integrity to the limit.
"Allingham's work is always of the first rank." (New York Times)
"The real queen of crime." (Guardian)
"Allingham captures her…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
MacLeod gives us one of the most delightful and intriguing couples with art investigators Sarah Kelling and Max Bittersohn. Although the plots are fun, with a kind of loopy charm, the real joy is the delightful characters, mostly from the widespread and eccentric Kelling clan. The Kellings are in fine form backstage of a Gilbert & Sullivan operetta. Every character here is indelible.
Murder upstages a Kelling family theatrical production—and Boston’s art sleuths are on the case. “The screwball mystery is Charlotte MacLeod’s cup of tea” (Chicago Tribune). Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling’s Aunt Emma has supervised these annual productions—from The Pirates of Penzance to The Mikado—and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Marsh was one of the great mystery novelists, but her great love was theatre, and in this book, they come together. Few mysteries delve so deeply into the details of the theatre world. In this case, the play is Macbeth, and the murders behind the scenes eerily echo the violent play itself. The scene and setting are so gripping that it's impossible to stop reading and the ending is both surprising and satisfying.
The bad news: This is the last in Ngaio Marsh's marvelous Inspector Alleyn" series. The good: It's one of her very best. The secret to Light Thickens' success may lie in its combination of some of Marsh's greatest passions, including her native New Zealand -in the person of, unusually, a Maori character - and the theater. Indeed, the plot centers on a production of...well, let's skirt disaster by calling it the Scottish play," a play that Dame Ngaio produced and directed several times. Among theater folk, the Scottish play is considered unlucky, so much so that tradition requires anyone who…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Historical setting is the main draw here. Benjamin Franklin is in 1750s London, and the interest comes from the history. Franklin becomes involved in the lively theater scene of the era, and we get to see the sage's particular genius at work. The great joy here comes from all the period details and the delightful descriptions of the theatre world in Georgian England.
When a heckler at the Drury Lane Theatre topples to his death, Ben Franklin--in the Pennsylvania colony on business--probes into the theater's backstage intrigue.
I grew up reading Agatha Christie, Dorothy Sayers, and everything British. My first novel celebrated American literature and small towns, and my first murder mystery was a love letter to England. I once spent twenty days visiting almost thirty bookshops and reading my way all over England, and let me tell you, I learned a thing or two about murders.
Everyone has probably seen an episode (or two hundred) of that favorite British detective series, Midsomer Murders. But not everyone knows that the series about what has to be the most depleted part of England is, in fact, based on seven novels by Caroline Grahams.
This is the first book, but they are all definitely worth a read. It’s easy to see how the books turned into a beloved TV series, with its unique blend of cozy English villages and twisted English villagers.
Badger's Drift is an ideal English village, complete with vicar, bumbling local doctor, and kindly spinster with a nice line in homemade cookies. But when the spinster dies suddenly, her best friend kicks up an unseemly fuss, loud enough to attract the attention of Detective Chief Inspector Tom Barnaby. And when Barnaby and his eager-beaver deputy start poking around, they uncover a swamp of ugly scandals and long-suppressed resentments seething below the picture-postcard prettiness. In the grand tradition of the quietly intelligent copper, Barnaby has both an irresistibly dry sense of humor and a keen insight into what makes people…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
Ian Rankin’s Rebus is a superb creation. We are in the modern era of the flawed investigator. Rebus is a brilliant detective but fails to gain promotion because of his refusal to obey authority. This culminates in Rebus being sent to the Scottish Police College for retraining after throwing a cup of tea at his Chief Superintendent. It is all too plausible, but he is really working undercover to investigate some senior officers suspected of a crime.
They are assigned to investigate a murder, about which Rebus already knows too much. This is vintage Rebus, where his keen detective instincts put him in personal danger, and his unorthodox past comes back to haunt him.
His newly-promoted side-kick, Siobhan Clarke, provides a great foil, taking on a murder involving Rebus’s arch-enemy.
The thirteenth Inspector Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES
'No one in Britain writes better crime novels' Evening Standard
'This is Rankin at his best, and, boy, that's saying something' TIME OUT
Rebus is off the case - literally. A few days into the murder inquiry of an Edinburgh art dealer, Rebus blows up at a colleague. He is sent to the Scottish Police College for 'retraining' - in other words, he's in the Last Chance Saloon.
Rebus is assigned to an old, unsolved case, but there are those in his team…
I’m a South African crime fiction author. My books are published in 27 languages in more than 40 countries worldwide. Two of my books were turned into international TV series. Accolades for my books include Le Grand Prix de Littérature Policière from France, the Deutsche Krimi Preis, the Swedish Martin Beck Award, and the Barry Award for Best Thriller in the USA.
The late, great Ed McBain inspired a whole generation of crime fiction authors (including me) and influenced television too. Hill Street Blues was based on his character-driven novels and changed cop shows forever.
Ten Plus One is just one of the many in the 87th Precinct series, and as close to the perfect crime fiction novel that a mere mortal can get.
When Anthony Forrest walked out of the office building, the only thoughts on his mind were of an impending birthday and a meeting with his wife for dinner. And a deadly bullet saw to it that they were the last thoughts on his mind.
The problem for Detectives Steve Carella and Meyer Meyer of the 87th Precinct is that Forrest isn’t alone. An anonymous sniper is unofficially holding the city hostage, frustrating the police as one by one the denizens of Isola drop like flies. With fear gripping the citizenry and the pressure on the 87th mounting, finding a killer…
I enjoy authors who craft twisty mystery plots with vivid historical settings filled with memorable characters. I enjoy them even more when they make me laugh out loud. When I read for pleasure, I don’t want books filled with gritty realism or tragic stories. I want a bit of fun, but my dry sense of humor is left wanting by many novels purported to be funny. I often find their main characters either annoyingly frivolous or painfully cynical. Give me intelligent characters, stories filled with hope, and an occasional one-liner that tickles my funny bone. I hope this list has introduced you to authors who do just that.
If you love underdog stories, this one offers a double helping. First, Inspector Witherspoon’s career is threatened by ambitious and unscrupulous men who want to see him fail. Secondly, his household staff are the real heroes, tracking down clues that they cleverly feed to their unsuspecting employer to help him solve murder cases. Each staff member has unique methods for uncovering information, and together they make an effective team. I chuckle at their close calls as they scramble to hide their secret sleuthing from the inspector and the rest of the police force.
This first novel gives the backstory: what’s at stake for the inspector and his household, plus why his housekeeper (Mrs. Jeffries) is a plausible and capable sleuth.
This charming series of Victorian murder mysteries features mild-mannered Inspector Witherspoon of Scotland Yard and, more importantly, Mrs Jeffries, his housekeeper. A policeman's widow herself, her quick wits allow her to nudge the Inspector in the right direction to solve the crime.
When a doctor is discovered dead in his own office, Mrs Jeffries is on the look-out for a prescription for murder, determined to discover the culprit, despite how her employer feels about interviewing suspects . . . "He hated questioning people. He could never tell whether or not someone was actually lying to him, and he knew, shocking…
I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
Maple was the architect of the tactics that allowed the NYPD to lower homicides by 60% in two miraculous years from 1990–1992. This book is easy to read and often funny, which doesn’t obscure Maple’s tactical genius. The story of how a lowly transit cop who fancied suits, vests, bow ties, and homburgs became Assistant Commissioner of Police in New York is astonishing. You can only regret that Maple was never able to use his fake “Gun-Sniffing Dog” ploy to flush suspects with concealed firearms. It was sheer genius.
Former NYPD Deputy Commissioner Jack Maple was a man in a bow tie and homburg--he was also on a mission to revolutionize the way crime is fought: how cops go after crooks, and how they prevent crime in the first place. And he succeeded.
But Maple is not satisfied. In The Crime Fighter, he shows how crime can be attacked all across America. Laced with fascinating, incredible, and often very funny tales of Maple's adventures as a cop, the book is as entertaining as it is informative. Anyone interested in how criminals think and act, and how the police should…
I have always had a passion for anything crime fiction—books, movies, podcasts, or TV shows. It didn’t matter. I loved it all. It was probably because I grew up in a family with six police officers that seldom talked about anything unrelated to policing. I was like a sponge and picked up some terminology and learned about different police procedures they would discuss. There was rarely a family gathering that didn’t have some type of story or anecdote being shared by each of them and I always found myself being drawn right in. For those reasons, I fell in love with trying to figure out the who’s, how’s and why’s of any story.
Kathy Mallory is a character unlike any other. Kathy was a child of the streets who had the good fortune of being adopted into the loving home of a police officer who saw her brilliance and resourcefulness even at a young age. Years later, Kathy has become an NYPD officer who brings justice to victims through her own sense of right and wrong. She is a street-hardened, lone wolf who doesn’t stop until she gets what she wants. I love the complexity of this tough-as-nails female officer who bends all the rules in her pursuit of justice. This book is so well written I immediately read every book I could find by this author.
Jonathan Kellerman says Mallory's Oracle is "a joy." Nelson DeMille and other advance readers have called it "truly amazing, " "a classic" with "immense appeal." It is all of that, and more: a stunning debut novel about a web of unsolved murders in New York's Gramercy Park and the singular woman who makes them her obsession.
At its center is Kathleen Mallory, an extraordinary wild child turned New York City policewoman. Adopted off the streets as a little girl by a police inspector and his wife, she is still not altogether civilized now that she is a sergeant in the…
