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I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Graham's village mysteries are dark reflections of the villages found in Agatha Christie, and she is especially good at looking under the rocks and finding what's crawling behind the idyllic villages. Chief Inspector Barnaby is the perfect British sleuth, both tough and intelligent. She does a terrific job of finding the problems that drive us in everyday lives, in this case, the secret passions that hide at an amateur production.
Actors do love their dramas, and the members of the Causton Amateur Dramatic Society are no exception. Passionate love scenes, jealous rages'they're better than a paycheck (not that anyone one in this production of Amadeus is getting one). But even the most theatrically minded must admit that murdering the leading man in full view of the audience is a bit over the top. Luckily, Inspector Tom Barnaby is in that audience, and he's just the man to find the killer. With so many dramas playing out, there's no shortage of suspects, including secret lovers and jealous understudies galore.
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
MacLeod gives us one of the most delightful and intriguing couples with art investigators Sarah Kelling and Max Bittersohn. Although the plots are fun, with a kind of loopy charm, the real joy is the delightful characters, mostly from the widespread and eccentric Kelling clan. The Kellings are in fine form backstage of a Gilbert & Sullivan operetta. Every character here is indelible.
Murder upstages a Kelling family theatrical production—and Boston’s art sleuths are on the case. “The screwball mystery is Charlotte MacLeod’s cup of tea” (Chicago Tribune). Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling’s Aunt Emma has supervised these annual productions—from The Pirates of Penzance to The Mikado—and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Marsh was one of the great mystery novelists, but her great love was theatre, and in this book, they come together. Few mysteries delve so deeply into the details of the theatre world. In this case, the play is Macbeth, and the murders behind the scenes eerily echo the violent play itself. The scene and setting are so gripping that it's impossible to stop reading and the ending is both surprising and satisfying.
The bad news: This is the last in Ngaio Marsh's marvelous Inspector Alleyn" series. The good: It's one of her very best. The secret to Light Thickens' success may lie in its combination of some of Marsh's greatest passions, including her native New Zealand -in the person of, unusually, a Maori character - and the theater. Indeed, the plot centers on a production of...well, let's skirt disaster by calling it the Scottish play," a play that Dame Ngaio produced and directed several times. Among theater folk, the Scottish play is considered unlucky, so much so that tradition requires anyone who…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Historical setting is the main draw here. Benjamin Franklin is in 1750s London, and the interest comes from the history. Franklin becomes involved in the lively theater scene of the era, and we get to see the sage's particular genius at work. The great joy here comes from all the period details and the delightful descriptions of the theatre world in Georgian England.
When a heckler at the Drury Lane Theatre topples to his death, Ben Franklin--in the Pennsylvania colony on business--probes into the theater's backstage intrigue.
Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.
Charles Finch grabbed my attention with his wonderful character Charles Lenox, an English Gentleman with a penchant for detection.
Finch creates Victorian mystery at its most unyielding moments. He delivers wonderful scenes of London, so real you can almost feel the fog settling on the city. And Lenox proves his mettle, despite being the second son of a titled father. Early London habits and culture give this book an engaging backstory that draws me in as a reader.
It's 1876, and Charles Lenox, once London's leading private investigator, has just given up his seat in Parliament after six years, primed to return to his first love, detection. With high hopes he and three colleagues start a new detective agency, the first of its kind. But as the months pass, and he is the only detective who cannot find work, Lenox begins to question whether he can still play the game as he once did.
Then comes a chance to redeem himself, though at a terrible price: a friend, a member of Scotland Yard, is shot near Regent's Park.…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
“Absolutely gripping and darkly compelling,” says the blurb—and for once, it’s right! This book is both of those things and so much more. A hell of an introduction to a series that started out as a small-press publication and has gone on to sell in the millions—and deservedly so.
Even the darkest secrets can’t stay buried forever…Five figures gather round a shallow grave. They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood … Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country. But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual…
I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.
Many get obsessed with cold cases involving Jane and John Does, and Sue Grafton was no exception. After a chance encounter with the forensic pathologist who investigated a Jane Doe who had been discovered near a quarry in Santa Barbara County, California, in 1969, Grafton incorporated the true story into one of her iconic works of fiction.
Sue Grafton delivers an intensely gripping mystery based on an actual unsolved murder in this #1 New York Times bestseller featuring private investigator Kinsey Millhone.
She was a "Jane Doe," an unidentified white female whose decomposed body was discovered near a quarry off California's Highway 1. The case fell to the Santa Teresa County Sheriff's Department, but the detectives had little to go on. The woman was young, her hands were bound with a length of wire, there were multiple stab wounds, and her throat had been slashed. After months of investigation, the murder remained unsolved...
Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.
In this book, a murder takes place in a manor house just like in my novel, but during Christmas time. There is a connection to a diamond mine in South Africa, and how that played a part in the murder of the patriarch of the family. Detective Hercule Poirot has to delve into the family’s past to connect the dots and determine the motive and the identity of the killer. For those who like murders set during Christmas time, this is a novel for you.
It is Christmas Eve. The Lee family reunion is shattered by a deafening crash of furniture, followed by a high-pitched wailing scream. Upstairs, the tyrannical Simeon Lee lies dead in a pool of blood, his throat slashed.
But when Hercule Poirot, who is staying in the village with a friend for Christmas, offers to assist, he finds an atmosphere not of mourning but of mutual suspicion. It seems everyone had their own reason to hate the old man...
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
Okay, so this main character is Private Investigator, but I loved this book. A good flawed, dubious, tough-guy main character, a sexy femme fatale, dangerous mobsters, and lots of keep-you-guessing plot twists and turns. This page-turner, with great, witty, wise-guy banter, fulfills all that this Neo-Noir Crime Novel fan craves for.
PI Pete Fortunato, half-Italian, half-Jewish, who suffers from anger management issues and insomnia, wakes up one morning with a bad taste in his mouth. This is never a good sign. Working out of a friend’s downtown real estate office, Fortunato, who spent a mysteriously short, forgettable stint as a cop in a small upstate New York town, lives from paycheck to paycheck. So, when a beautiful woman wants to hire him to find her husband, he doesn’t hesitate to say yes. Within a day, Fortunato finds the husband in the apartment of his client’s young, stud lover. He’s been shot…
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
Agatha Christie has got to be considered as one of the master craftsmen of the “whodunnit”. In this novel, she presents us with an intriguing mystery and brings in her famous character, Hercule Poirot to solve it. As always, Poirot faces a varied array of possible suspects and the highly-credible reasons as to why he/she may be the guilty party. The pace is consistent and keeps the reader turning the page and trying to guess until the unmasking at the very end.
Hercule Poirot is called on to investigate the murder of a brother and sister, in this classic Agatha Christie mystery now available in an updated edition with a foreword Sophie Hannah.
“He was murdered, wasn’t he?”
When Cora Lansquenet is savagely murdered, the extraordinary remark she had made the previous day at her brother Richard’s funeral suddenly takes on a chilling significance. At the reading of Richard’s will, Cora was clearly heard to say, “It’s been hushed up very nicely, hasn’t it. But he was murdered, wasn’t he?”
Did Cora’s accusation a dark truth that sealed her own fate? Or…
