Here are 100 books that Cry of the People fans have personally recommended if you like
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I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.
Greg Grandin is a historian's historian, a brilliant researcher, a captivating writer. It's honestly hard to pick which of his books to feature here. But since The End of the Myth won the Pultizer Prize, I'll choose it as my favorite. What I loved about this book is that it gives me a new perspective about the history of my own country—about which, frankly, I do not know that much—and the region I have reported on for most of my life, Latin America. He makes connections and does so in a compelling fashion.
The book focuses on the United States and the border, but it sheds much light on how the myth of manifest destiny has shaped the way we think of ourselves and our relationship with our southern neighbors.
A new and eye-opening interpretation of the meaning of the frontier, from early westward expansion to Trump’s border wall.
Ever since this nation’s inception, the idea of an open and ever-expanding frontier has been central to American identity. Symbolizing a future of endless promise, it was the foundation of the United States’ belief in itself as an exceptional nation – democratic, individualistic, forward-looking. Today, though, America hasa new symbol: the border wall.
In The End of the Myth, acclaimed historian Greg Grandin explores the meaning of the frontier throughout the full sweep of U.S. history…
I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.
This book reads like a thriller. The first time I read it, I just couldn't put it down. And every time I reread it, as history unfolds in Latin America, I see how this classic book about the U.S. overthrow of the legitimately elected government in Guatemala in 1954 is actually describing the fundamental basis of intervention in the Cold War that laid the ground for so many of the region's dictatorship.
Bitter Fruit is a brilliant piece of investigation and a story well-told.
Bitter Fruit is a comprehensive and insightful account of the CIA operation to overthrow the democratically elected government of Jacobo Arbenz of Guatemala in 1954. First published in 1982, this book has become a classic, a textbook case of the relationship between the United States and the Third World. The authors make extensive use of U.S. government documents and interviews with former CIA and other officials. It is a warning of what happens when the United States abuses its power.
I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.
Mexican-born, Bogotá-based New Yorker writer Alma Guillermoprieto writes about Latin America in a vivid, compassionate way, using individual stories to tease out trends and shed a light on history. I've loved all of Guillermoprieto's books, including her wonderful chronicles about dancing in Cuba and Brazil, but this volume is a true classic. She captures the feeling of the spirit of Latin America and Latin Americans. Even when I've been to the places she describes, she makes me see them in a different way through her meticulous reporting and lush descriptions.
What I like best about Guillermoprieto is that she looks into ordinary lives, ranging from Mexican garbage pickers to the window-pane fixers who make a living in Bogotá after glass is shattered by bombs.
An extraordinarily vivid, unflinching series of portraits of South America today, written from the inside out, by the award-winning New Yorker journalist and widely admired author of Samba.
I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.
Despite its garish cover, How to Read Donald Duck is not about cartoons. It's a penetrating analysis from a Marxist and nationalist perspective that helped me understand the influence of Disney in particular and U.S. entertainment exports in general in Latin America. The book was originally published in Spanish as "Para Leer el Pato Donald." The book was considered so dangerous that the Chilean Navy dumped the entire third edition into the sea during the dictatorship.
The book was my first insight into what's known in leftist circles as U.S. cultural imperialism. A lot has changed and lot has not since the book was first written, but it makes me reflect on the role U.S. cultural products play in Latin America today.
First published in 1971, How to Read Donald Duck shocked readers by revealing how capitalist ideology operates in our most beloved cartoons. Having survived bonfires, impounding and being dumped into the ocean by the Chilean army, this controversial book is once again back on our shelves.
Written and published during the blossoming of Salvador Allende's revolutionary socialism, the book examines how Disney comics not only reflect capitalist ideology, but are active agents working in this ideology's favour. Focusing on the hapless mice and ducks of Disney, curiously parentless, marginalised and always short of cash, Ariel Dorfman and Armand Mattelart expose…
I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule.
Jimmy Carter is so frequently praised for his focus on human rights, at the same time many lament its unfulfilled promises.
Walker’s book brilliantly analyzes the various influences on his human rights policy in Chile and Argentina, particularly how activists in the US and abroad interacted with US policymakers over how to influence the behavior of foreign governments inflicting massive human rights violations on its own people, while still grappling with Cold War concerns and national security demands.
The analysis ultimately extends to both the Ford and Reagan presidencies to paint a nuanced portrait of the various challenges of policymaking during the late Cold War.
Vanessa Walker's Principles in Power explores the relationship between policy makers and nongovernment advocates in Latin America and the United States government in order to explain the rise of anti-interventionist human rights policies uniquely critical of U.S. power during the Cold War. Walker shows that the new human rights policies of the 1970s were based on a complex dynamic of domestic and foreign considerations that was rife with tensions between the seats of power in the United States and Latin America, and the growing activist movement that sought to reform them.
By addressing the development of U.S. diplomacy and politics…
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
This is the most up-to-date and comprehensive account of the politics of Latin America and delivers a scintillating analysis of its democratic systems of government. It is written by two of the most dynamic and original scholars working in Latin America today, who are working here to a set of rigorous analytical standards. Their argument is supported and extended by numerous links to primary and secondary written materials, as well as photo and video archives. The argument is both lucid and accessible.
Taking a fresh thematic approach to politics and society in Latin America, this introductory textbook analyzes the region's past and present in an accessible and engaging style well-suited to undergraduate students. The book provides historical insights into modern states and critical issues they are facing, with insightful analyses that are supported by empirical data, maps and timelines. Drawing upon cutting-edge research, the text considers critical topics relevant to all countries within the region such as the expansion of democracy and citizenship rights and responses to human rights abuses, corruption, and violence. Each richly illustrated chapter contains a compelling and cohesive…
I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule.
So many books about the Pinochet dictatorship in Chile focus on the particularities of violence during that awful period in the country’s history.
Yet, Bread, Justice, and Liberty looks at a longer trajectory of the struggle for human rights in the country that focuses on socioeconomic justice that began long before the coup of September 11, 1973, and also continued much further afterward.
It is a beautifully written monograph that focuses on shantytown communities’ experiences and activism and expands our understanding of Chilean politics and human rights.
Winner of the SECOLAS Alfred B. Thomas Book Award Named Best Social Science Book, LASA Southern Cone Studies Section
In Santiago, Chile, poverty and state violence have often led to grassroots resistance movements among the poor and working class. Alison J. Bruey offers a compelling history of the struggle for social justice and democracy during the Pinochet dictatorship. Deeply grounded by both extensive oral history interviews and archival research, Bread, Justice, and Liberty provides innovative contributions to scholarship on Chilean history, social movements, popular protest and democratization, neoliberal economics, and the Cold War in Latin America.
I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule.
The oldest book on my list, it is still my go-to for understanding and writing about how human rights are understood by activists and organizations working in complex conditions of ongoing conflict and violence.
The stories Tate tells are compelling and a reminder amid the country’s continued grappling with this period of violence of what has been at stake and the uphill battles activists have faced for decades.
At a time when a global consensus on human rights standards seems to be emerging, this rich study steps back to explore how the idea of human rights is actually employed by activists and human rights professionals. Winifred Tate, an anthropologist and activist with extensive experience in Colombia, finds that radically different ideas about human rights have shaped three groups of human rights professionals working there - nongovernmental activists, state representatives, and military officers. Drawing from the life stories of high-profile activists, pioneering interviews with military officials, and research at the United Nations Human Rights Commission in Geneva, "Counting the…
Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
This book studies the anti-imperialist dialog between twentieth-century Latin American and Filipino intellectuals, writers, and diplomats who, in her view, appropriated brotherly discourses of Latinidad and Hispanidad as part of their resistance versus US imperialism. This book opened my eyes to the fact that, as late as the twentieth century, Filipino intellectuals still saw themselves as an intrinsic part of the Hispanic world and took for granted that it was beneficial for their country to keep a cultural and sociopolitical alliance with Latin America if they wanted to rid themselves of the new imperial yoke: the United States.
As a nation, the Philippines has a colonial history with both Spain and the United States. Its links to Latin/o America are longstanding and complex. Intercolonial Intimacies interrogates the legacy of the Spanish Empire and the cultural hegemony of the United States by analyzing the work of twentieth-century Filipino and Latin/o American writers and diplomats who often read each other and imagined themselves as kin. The relationships between the Philippines and the former colonies of the Spanish Empire in the Americas were strengthened throughout the twentieth century by the consolidation of a discourse of shared, even familiar, identity. This distinct…
I’m an archaeologist at Boston University with a transatlantic family that spans Spain and Latin America. My research has primarily focused on Mesoamerica, and prehispanic central Mexico more specifically, but the deep roots of these transatlantic entanglements have always fascinated me personally and as a historically minded scholar.
The great Mexican author Carlos Fuentes wrote this book as a commemorative reflection of an earlier quincentennial, that of 1492-1992. Fuentes’ book is transatlantic in scope and considers the fraught history of Hispanic heritage in the Americas. The title metaphorically employs the mirror—both of the kind fashioned from obsidian by the Aztecs and the one bringing the viewer into Diego Velázquez’s masterpiece of Spanish golden-age painting, Las Meninas—in reflecting on this mixed inheritance five centuries later. Cultural mixing, or mestizaje, defines the creation of Latin America and its millennial-deep roots in the exchange networks, migrations, political alliances, and colonialism on the part of Mesoamerican and Iberian peoples, on both sides of the Atlantic. Fuentes is a gifted writer and Buried Mirror is what first got me thinking about these historical entanglements when I read it as a college student.
A best-selling and lavishly illustrated history of Hispanic culture from the "Balzac of Mexico," The Buried Mirror is a classic in its field.
The renowned novelist Carlos Fuentes has crafted a unique history of the social, political, and economic forces that created the remarkable culture which stretches from the mysterious cave drawings at Altamira to the explosive graffiti on the walls of East Los Angeles.
“A bittersweet celebration of the hybrid culture of Spain in the New World…Drawing expertly on five centuries of the cultural history of Europe and the Americas, Fuentes seeks to capture the spirit of the new,…
