100 books like Conquered, Not Defeated

When I was in my early 40’s I walked into the hospital room of a 99-year-old near-death relative who mistook me for my father’s brother who had been killed on the beachhead in Normandy during World War II. I was always a history buff, but this moment changed my life. I directed my energies to military history, starting with memoirs and writing a column for Armchair General magazine when it was in circulation. Published official histories (American Iliad, Aachen, Old Hickory) followed that were reliant on well-expressed memoirs written by participants, so full circle I’ve come back to my passion for writing, and reading war memoirs.

When I was in my early 40’s I walked into the hospital room of a 99-year-old near-death relative who mistook me for my father’s brother who had been killed on the beachhead in Normandy during World War II. I was always a history buff, but this moment changed my life. I directed my energies to military history, starting with memoirs and writing a column for Armchair General magazine when it was in circulation. Published official histories (American Iliad, Aachen, Old Hickory) followed that were reliant on well-expressed memoirs written by participants, so full circle I’ve come back to my passion for writing, and reading war memoirs.

When I was in my early 40’s I walked into the hospital room of a 99-year-old near-death relative who mistook me for my father’s brother who had been killed on the beachhead in Normandy during World War II. I was always a history buff, but this moment changed my life. I directed my energies to military history, starting with memoirs and writing a column for Armchair General magazine when it was in circulation. Published official histories (American Iliad, Aachen, Old Hickory) followed that were reliant on well-expressed memoirs written by participants, so full circle I’ve come back to my passion for writing, and reading war memoirs.

When I was in my early 40’s I walked into the hospital room of a 99-year-old near-death relative who mistook me for my father’s brother who had been killed on the beachhead in Normandy during World War II. I was always a history buff, but this moment changed my life. I directed my energies to military history, starting with memoirs and writing a column for Armchair General magazine when it was in circulation. Published official histories (American Iliad, Aachen, Old Hickory) followed that were reliant on well-expressed memoirs written by participants, so full circle I’ve come back to my passion for writing, and reading war memoirs.

I’ve been fascinated by spy stories since childhood, never sure which character is a friend or foe within the stories. As I grew older, I became interested in fictional mysteries, including those with settings in the Medieval era, turn-of-the-century England, and World War II. Unsure of who to trust is a theme through my Detective Henry Ike Pierce series, of which I'm working on the third book now. False hearts abound in my stories, and Detective Pierce must sort through a seemingly flexible definition of trust, including uncertainty of his closest colleagues’ loyalty. If you're a fan of seeking the truth, I hope these books are as enjoyable to you as they were to me.

I am the granddaughter of Irish and Italian immigrants, raised Catholic, and educated by nuns. Years ago, I heard a friend’s story about his parents: an Italian prisoner of war and a French Quarter Sicilian woman who met during World War II in New Orleans. I became determined to find out more, and connected with scholars, researchers, and families who’ve been piecing together the little-known stories of some of the 51,000 Italian POWs held in the US from 1943-1945. Their stories, and the plight of women working on the home front, inspired The Italian Prisoner.

Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life. 

I’m a Canadian author and I set my novels here. When I first attempted to write a book, I chose historical fiction because I thought it would be easier to get my characters into trouble—without cell phones and other modern conveniences to bail them out. I wasn’t wrong. However, the research involved with writing good historical fiction soon gave me a whole new appreciation for the genre and I was hooked. I find the WWII era far enough in the past to provide historical insight into humanity’s many weaknesses and strengths, yet near enough to make it relatable. I’ve been thrilled with the feedback on my faith-based stories.

I’ve been fascinated by history my whole life, and have been reading historical fiction for as long as I can remember. I have a particular passion for the history of Italy, in all its complicated, bloody, and dazzling glory, from the politics to the music to the art to, of course, the food and wine. There is so much within Italian history that captivates, and as a woman of Italian descent it holds a special interest for me. I try to capture the drama, beauty, and complexity of Italy in my own historical novels, and the books on this list all do that in the most compelling way.

I am teaching Theater studies at the Hebrew University of Jerusalem. Among my courses, “The World of Theater in the Reflection of Cinema" was a notable one. My favorite film was Children of Paradise. However, I was taken aback when a friend questioned the film's alleged anti-Semitic elements. I scrutinized the character of the Old-Clothes Man, Josué, noticing his stereotypical Jewish traits. As my research went further, I discovered the original 1942 script, where Josué played a more significant role as an overt Jewish traitor, ultimately slain by the film's hero, Deburau. This revelation prompted extensive research in Paris and Jerusalem, uncovering veiled Jewish portrayals in other French films made during the German occupation.