Here are 100 books that Closed Casket fans have personally recommended if you like
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The greatest mystery I face in life is, how is it that when I've just packed the dishwasher, I have to pack it yet again? But I love stories. There’s nothing more healing than a well-told story with characters and jokes and twists and turns. Each of these books contains some form of fictionalized domestic world where murders happen, but marriages and babies and falling in love do, too.We live in a time when the world is hard to navigate. All of these writers bring a mystery, the best of company, and the idea that even in the darkest of times, everything can turn out quite spiffingly.
As anyone who has ever grown up in Glasgow will tell you, don't mess with short people. A short, angry Scottish woman can have your proverbial eye out when riled. Especially if they’re meant to be enjoying themselves at the seaside. And that's exactly the case with Lady Hardcastle’s loyal sidekick, Flo. Granted, Flo is Welsh, and the duo lives in Edwardian England rather than 20th-century Scotland, but this pair can sort matters out faster than my mother and her wee pal, Margaret.
Elizabeth Knowelden brilliantly reads this rollicking romp about disappearances, espionage, ice cream, and donkey rides. I like any story with a fearsome female sidekick. Fearsome sidekicks have for too long been dominated by scary blokes with muscles.
July 1910. Lady Hardcastle and her tireless sidekick Flo have finally embarked on a long-overdue seaside break. But just as they're wavering between ice creams and donkey rides, their fellow guests start to go missing-and the duo find themselves with a hysterical hotel manager and a case to solve.
The first to disappear is Dr Goddard, a scientist doing something terribly top-secret for the government. Gone too are his strongbox and its mysterious contents. By the time Lady Hardcastle has questioned the horde of international guests, her number-one suspect has been dispatched in grisly circumstances-and then the others start vanishing…
The greatest mystery I face in life is, how is it that when I've just packed the dishwasher, I have to pack it yet again? But I love stories. There’s nothing more healing than a well-told story with characters and jokes and twists and turns. Each of these books contains some form of fictionalized domestic world where murders happen, but marriages and babies and falling in love do, too.We live in a time when the world is hard to navigate. All of these writers bring a mystery, the best of company, and the idea that even in the darkest of times, everything can turn out quite spiffingly.
I don't know if writer Clara Benson and narrator Gethyn Edwards are best pals, but they're matched so perfectly in this book; they should be. Anyway, here's a tip. If you're invited to a party in a rambling old country mansion with secret passages and dark histories, don't be a jerk. Because then you might find yourself dead in the library like Professor Coddington. Nobody is particularly upset at a killer being on the loose, except that sort of thing can ruin a party and a reputation.
Luckily, Freddie Pilkington Soames is on hand—the most ramshackle, thoroughly reprehensible, fabulous chap one could meet—to save the day. Clara Benson really knows how to write a great character. This book made me laugh out loud.
When the Duke of Purbeck throws a house party to celebrate his daughter's twenty-first birthday and present her with a family heirloom, nobody expects that the weekend will end in murder. The fabled Belsingham pearls have a history steeped in blood and slaughter dating back more than a century—and now it seems they've claimed another life, when the interfering and opinionated Professor Coddington is found dead in the library with the pearls clutched in his hand. It looks like a robbery gone wrong, but then why didn't the thief take the necklace? And how did he escape unnoticed, given that…
The greatest mystery I face in life is, how is it that when I've just packed the dishwasher, I have to pack it yet again? But I love stories. There’s nothing more healing than a well-told story with characters and jokes and twists and turns. Each of these books contains some form of fictionalized domestic world where murders happen, but marriages and babies and falling in love do, too.We live in a time when the world is hard to navigate. All of these writers bring a mystery, the best of company, and the idea that even in the darkest of times, everything can turn out quite spiffingly.
When I was a kid, my Mum loved Upstairs Downstairs—a TV show about a household in Victorian England and the lives of the gentry upstairs and the servants downstairs. Nobody was allowed to even whisper when it was on.
Well, the Mrs Jeffries Mysteries would have blown her mind. Because the servants in Detective Witherspoon’s household not only do regular servanting but also solve murders on the fly.
There are loads of great characters: Mrs Goodge, the surly cook, Smythe, the fierce-looking coachman with a heart of gold, and of course Mrs Jeffries herself, who’s like a sherry-guzzling Sherlock Holmes who can tidy.
Mrs. Jeffries and Inspector Witherspoon should be checking off their Christmas present lists but instead they’re listing murder suspects in this latest entry of the beloved Victorian Mystery series.
TIS THE SEASON FOR MURDER
Harriet Andover was a smart businesswoman who did not suffer fools gladly, yet somehow her house was full of them. With a husband who has no head for money and two grown stepchildren who would rather do anything than an honest day’s work, Harriet had every intention of righting the ship and putting her family back on the path to respectability. But she soon discovers that…
The greatest mystery I face in life is, how is it that when I've just packed the dishwasher, I have to pack it yet again? But I love stories. There’s nothing more healing than a well-told story with characters and jokes and twists and turns. Each of these books contains some form of fictionalized domestic world where murders happen, but marriages and babies and falling in love do, too.We live in a time when the world is hard to navigate. All of these writers bring a mystery, the best of company, and the idea that even in the darkest of times, everything can turn out quite spiffingly.
Who doesn't want to be Posey Parker? She’s smart, she eats loads, and never gets tubby. She’s always gorgeous, though she’s not at all arrogant about it. Give Posey a compliment or a sandwich; she’ll take the sandwich every time.
On the negative side, she lives in the 1920s with the world still reeling from the first world war, and women’s rights decidedly sketchy. Also, she’s trapped on the Night Train to Paris with a sense of impending doom. (I totally identify with that, having traveled on the Glasgow to London sleeper.)
L.B. Hatheway has crafted a book that offers the best kind of mystery and a great understanding of the time's history, and Clare Wille voices it flawlessly.
What if the City of Light holds nothing but darkness?
January, 1926
Invited aboard the glamourous Night Train to Paris, and tasked with investigating the disappearance of her best friend, Dolly Cardigeon, Posie Parker suddenly finds herself right in the middle of a murder!
Controversial society beauty, Lady Caroline Greenlow, is on her way to Paris Fashion Week. She always has a habit of rubbing people up the wrong way, but things take a dreadful turn when she is poisoned at dinner, and then another murder occurs soon after.
Just who exactly are their fellow passengers? Why is the Night…
I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior.
This book was an incredible ride all the way through. We have two narrators, one who is clearly dubious and the other is a detective telling the story of how his wife died of a serious illness. The same wife mysteriously turns up at his station asking for him several years after her death.
That premise alone pulled me in, but Weaver has a particular writing style that just flows, and it’s beautiful writing, darkly rich, questioning everything, and a creepy serial killer in the mix. Just the sort of book I love to read!
I have written seven novels to date that have at their heart the idea that there is a wider, unseen game afoot that is being played out in realms about which normal humans are unaware. Six of them form the Allie St Clair ‘Black’ series, and the seventh is a stand-alone novel called The Unforgiver. Why do I write about these things? Very probably my teenage reading of Stephen King’s early work, HP Lovecraft’s collection, and my personal connection to Satan. Just kidding. I’ve never read any Lovecraft. To be serious, how can you not gaze into the infinite cosmos above and not wonder if there’s a lot more going on than we comprehend?
U.K. author Stephen Leather has written so many books and in a variety of genres. His supernatural Detective Jack Nightingale series is of interest to me here. In Nightfall and subsequent Jack Nightingale novels, our hero is struggling against demonic forces brought into his orbit courtesy of his now-dead father. Unusual, certainly. Many readers, I suspect, enjoy the injection of a new element into the now-crowded police procedural genre.
'You're going to hell, Jack Nightingale': They are words that ended his career as a police negotiator. Now Jack's a struggling private detective -- and the chilling words come back to haunt him. Nightingale's life is turned upside down the day that he inherits a mansion with a priceless library; it comes from a man who claims to be his father, and it comes with a warning. That Nightingale's soul was sold at birth and a devil will come to claim it on his thirty-third birthday -- just three weeks away. Jack doesn't believe in Hell, probably doesn't believe in…
I’ve been a writer of nonfiction and fiction and full-time editor since my college years, and a publisher (Smart Rhino Publications). I’ve read horror and suspense fiction all my life, but it’s only been in the past decade or so that my reading has turned more and more toward police procedurals, noir, and crime fiction. It was only natural that I’d turn to writing a police procedural series, starting with Harvester of Sorrow. I hope you’ll read all the wonderful books I’ve recommended!
I’ve always enjoyed Bill Pronzini’s work (including his work with wife Marcia Muller). The Flimflam Affair is the first book I read from his Carpenter and Quincannon series. This is a perfect example of how to embed historical fact into crime fiction. Although this is not a police procedural novel (the lead characters are private detectives), procedural elements are certainly included throughout. I’m envious of Pronzini’s ability to use the beginning of the 20th century as a backdrop for this fine series.
The Flimflam Affair is the latest charming historical mystery in Mystery Writers of America Grand Master Bill Pronzini's detective series.
Carpenter and Quincannon, Professional Detective Services is a fixture in San Francisco at the dawn of a new century. While the future is unclear, Sabina and John know one thing for certain; they will protect their clients from flimflammers, thieves, and murderers, and do whatever it takes to run these dregs of society into the arms of the law.
Sometimes, that requires a subtle touch. Professor A. Vargas, self-styled medium extraordinaire, and his partner Annabelle, use guile and trickery to…
I love morally complex sci-fi noir books because they tend to ask the hard questions that I find interesting. What is the point of seeking justice in an unjust world? How can we judge others when we ourselves are corrupt? Often, we think of noir as being dark—and it is—but it’s the pinpricks of light that make the shadows fascinating to me. I try to blend this complexity into my own writing, whether it’s in a tense relationship with religion, rampant corruption, or a struggle to do the right thing when there just aren’t any options left.
I love this book because it perfectly blends the surreal with noir and science fiction and comes together with its own brand of dark humor. While parts of this book are unsettling and strange, there’s a solid throughline of the investigator seeking the truth in a broken world.
Of all the books here, I think this one has the most damaged society, and the main character, Conrad Metcalf, is a match for it. Drugs that make you forget everything and be complacent. Baby heads. Uplifted animals. The book is never afraid to get stranger, but it also tackles some pretty heavy themes. This is a world where asking questions is taboo, and the moral and ethical implications of that shape the entire world in which Metcalf lives.
The first novel by Jonathan Lethem (author of the award-winning Motherless Brooklyn) is a science-fiction mystery, a dark and funny post-modern romp serving further evidence that Lethem is the distinctive voice of a new generation.
Conrad Metcalf has problems. He has a monkey on his back, a rabbit in his waiting room, and a trigger-happy kangaroo on his tail. (Maybe evolution therapy is not such a good idea). He's been shadowing Celeste, the wife of an Oakland urologist. Maybe falling in love with her a little at the same time. When the doctor turns up dead, Metcalf finds himself caught…
I grew up in a troubled, violent family in a violent, Mafia-controlled neighborhood. I did a tour in the Air Force and spent some time in Vietnam, surrounded by unseen enemies. When I got out, I stayed in London, surrounding myself with unsavory characters, narrowly avoiding trouble and wondering if I would ever see the twenty-first century. Having lived through so many troubled times, I can identify with those people in history who have overcome overwhelming odds to accomplish their goals, and I enjoy reading about them. They give me the strength to face each day.
I like reading Mosley’s mystery novels because they are about people overcoming extreme difficulties, and this book is one of his best. I couldn’t put it down.
The main character is an African-American private detective working in Los Angeles in the 1950s and 1960s, and Mosley paints a realistic picture of LA during that time. There are always a few women in distress and white policemen who don’t like the black detective and constantly make his efforts more difficult.
Easy is out of " the hurting business" and into the housing (and the favor) business when a racist IRS agent nails him for tax evasion. FBI Special Agent Darryl T. Craxton offers to bail him out if he agrees to infiltrate the First African Baptist Church and spy on alleged communist union organizer Chaim Wenzler. That's when the murders begin...
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.
Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.
"It has the delicious irresponsibility of a Wodehouse plot. . . . It's one of the funniest books we've read in a long time. It contains a great deal of shrewd satire."—The New York Times Multimillionaire and philanthropist Hugo Weiss is known in every capital of the Western world as a munificent patron of the arts. When Weiss suddenly vanishes while on a visit to Paris, his disappearance sets the stage for this uncommonly witty and urbane mystery. Homer Evans, an intrepid American detective, turns his keen intellect and remarkable intuition toward solving the puzzle of the financier's disappearance. Assisted…
