Fans pick 97 books like CDB!

This book is an ode to the pleasures of words - their sound, look, and meaning. It consists of lists of words such as "words to read backward" including drows, mulp and gubdeb. Or "heavy words" such as duffle, blunderbuss, and galoshes. "Words for times of day" include dusk, owl cry, dewfall, and gloaming.

It is perfectly illustrated by Ben Shahn with black and white line drawings. The scratchy, uneven, expressive lines perfectly capture both the humor and gravity of the words. I have loved these books since I was a child and The Wordy Book sprang out of that love.

Martha Speaks is a classic for good reason. How can you not get attached to a dog who is fed vegetable soup that goes to her brain, not her stomach, and then is able to speak--incessantly? This fun book is the basis for the Emmy-nominated PBS TV series of the same name. Read and watch away!

Alphamaniacs is subtitled: Builders of the 26 Wonders of the Word. Fleischman profiles 26 people who explore and delight in language. The book is a kind of gateway drug for language lovers. After reading this book I had to look for more books. I needed to see Anguish Languish by Howard Chace. Anguish Languish is almost the English Language: the words make up stories that you know, but the individual words have different meanings than you expect. Can you recognize the story of "Ladle Rat Rotten Hut"? Hint: the hut is part of a red cape, and the story includes a big bad woof.

Chace is just one eccentric wordsmith of the many introduced by Fleischman. Sweet’s collaged and painted illustrations play with the ideas in the book and use words as part of the imagery. The art is lovely and smart.

Jeanne Steig wrote a giddy delightful poem for each letter of the alphabet. The poems are replete with weird and wonderful words. The goofy illustrations by William Steig tickle your eyes. One of my favorite poems is "Mishmash". Notice all of the many M words in Mishmash: mallet, misguided, minimize, mix, milk. Could Myron majestically mash potatoes? Mmmm, no.

Mishmash
Making mashed potatoes, Myron?
Must you mix them with the hammer?
This bizarre, misguided method
Causes quite a katzenjammer.

Might you add the milk and butter
In a more majestic manner?
Might a mallet not be better?
That would minimize the clamor.

Research shows that babies in utero hear and remember rhymes and rhythms they hear from inside the womb. The more frequently the rhymes and rhythms are repeated, the more responsive babies are to these familiar sounds when they are born. So if you’re going to be reading a book to your baby over and over again, it ought to be a fun, makes-you-laugh-out-loud one like Moo, Baa, La La La. This story is chock full of silly, catchy rhymes that you won’t mind repeating time and time again. Of course, Sandra Boynton’s illustrations are fabulous, too, so when your baby arrives, she will be delighted to meet the kooky animals she’s been listening to for months! Trust us, you can’t go wrong with any book authored by Sandra Boynton. Their lively illustrations and all-around silliness are bound to become cherished additions to your child’s read-aloud repertoire.

I enjoy this book because it teaches artists of all ages how to draw various simple facial cartoons in a twelve-step sequential style that is easy to follow. How to draw people with different expressions is essential for any cartoonist. I like how this book takes the artist from drawing happy faces to surprised faces while covering a variety of nationalities. There are many components to drawing faces, such as eyes, a nose, a mouth, ears, and hair, and I like how this book covers it thoroughly in 400 different variations of faces. “Face” the fact that I never take a book at “face” value.

I really like this book because, while it doesn’t teach much about the actual drawing, it does give the young artist a jumpstart to begin drawing and telling their own stories. The authors include pages and pages of drawn-out panels with word balloons ready to go. I’ve always believed in letting kids find their own path with drawing style, and this book is perfect for that.

Fun Home is Alison Bechdel’s most famous work (and it is phenomenal), but this one captured my heart. While the former focuses on her father, here Bechdel turns her focus on her relationship with her mother, weaving in a lot of psychoanalysis and modernist literature.

Bechdel’s characteristic intricacy and attention to detail are on full display, and the frequent inclusion of dreams and their interpretation (a particular interest of mine) make the whole book feel almost surreal yet completely grounded.

I owe so much to this book. Aline Kominsky-Crumb pulls her art and comics from multiple decades of her life into this huge collection, making an incredible mixed-media autobiography that captures so much of who she was. Her unfiltered honesty set the bar high for what autobiographical comics could be. 

A fact lost in their massive success in children’s books is that Stan and Jan Berenstain started as cartoonists.

In the 1940s and 1950s their work appeared in the likes of the Saturday Evening Post, Collier’s, and McCall’s, and they had a series of best-selling “cartoon essay” books. Their famous bears debuted in 1962 as part of Beginner Books, a line created by Theodor “Dr. Seuss” Geisel, Helen Palmer Geisel, and Phyllis Cerf.

With 1978’s The Spooky Old Tree, The Berenstains created the quintessential early reader, using repetition and predictability, prepositional phrases, rich visuals, and high drama to captivate their young audience (and their parents). “Do they dare? Yes. They dare.”