Fans pick 16 books like Ounce Dice Trice

Another book by Steig! Yes! This book was written and illustrated by Wm. Steig. It does not contain CDB oils. It doesn’t actually contain words either. It only contains letters. When you read the letters out loud you hear words. Some of the sentences would be confusing, but Steig’s illustrations help you to figure out the meaning.

For example, C D B means See the Bee.
He talks about emotions: I N-V U
He describes situations: D N S 5 X. That one might be confusing if it didn’t have a picture of the hen and the x that she just laid.

This book makes you hear and see words differently, and it is funny. If you find this book X-L-R-8-N then you will be happy to know that there is a sequel - C D C! Dip your toes into the deep blue C of letters and sounds.

Martha Speaks is a classic for good reason. How can you not get attached to a dog who is fed vegetable soup that goes to her brain, not her stomach, and then is able to speak--incessantly? This fun book is the basis for the Emmy-nominated PBS TV series of the same name. Read and watch away!

Alphamaniacs is subtitled: Builders of the 26 Wonders of the Word. Fleischman profiles 26 people who explore and delight in language. The book is a kind of gateway drug for language lovers. After reading this book I had to look for more books. I needed to see Anguish Languish by Howard Chace. Anguish Languish is almost the English Language: the words make up stories that you know, but the individual words have different meanings than you expect. Can you recognize the story of "Ladle Rat Rotten Hut"? Hint: the hut is part of a red cape, and the story includes a big bad woof.

Chace is just one eccentric wordsmith of the many introduced by Fleischman. Sweet’s collaged and painted illustrations play with the ideas in the book and use words as part of the imagery. The art is lovely and smart.

Jeanne Steig wrote a giddy delightful poem for each letter of the alphabet. The poems are replete with weird and wonderful words. The goofy illustrations by William Steig tickle your eyes. One of my favorite poems is "Mishmash". Notice all of the many M words in Mishmash: mallet, misguided, minimize, mix, milk. Could Myron majestically mash potatoes? Mmmm, no.

Mishmash
Making mashed potatoes, Myron?
Must you mix them with the hammer?
This bizarre, misguided method
Causes quite a katzenjammer.

Might you add the milk and butter
In a more majestic manner?
Might a mallet not be better?
That would minimize the clamor.

The works of Dr. Seuss are known for their imaginative creatures, landscapes, and language. Why, his name has even led to the creation of the adjective “Seussian” to describe something playful, inventive, fantastical, or whimsical. Possibly the most purely Seussian Seuss is “There’s a Wocket in my Pocket” which consists solely of imaginary creatures, rhyming nonsense, and nothing else getting in the way. Some of the great words you’ll encounter: Wasket, Woset, Bofa, Yottle, and Nooth Grush

So, if builders go to Bunnings to find their tools and I go to Rogets for mine, well then, Merriam-Webster is just another brand of hardware store for writers. But let’s call this one Mitre Ten.

This is a staple of a home office when writing. Have it sitting there in plain sight all day long while you write.

Try to get your hands on the original 1963 edition that made Richard Scarry‘s fortune and allowed him to move his family to Switzerland, for the skiing. It’s a fabulous book that’s crowded with scenes of purpose and industry, and with labeled pictures that bespeak the world’s exciting wideness. There are birds (the quail, pheasant, wren, bittern), buildings (a cathedral, pyramid, fort, skyscraper), flowers (clover, pansies, asters, foxgloves), and houses (the igloo, grass house, half-timbered house, chalet). Over time, subsequent editions were stripped of this eccentric specificity and of Scarry’s courtly depictions of traditional social roles (gone, for instance, are the “handsome pilot” and the “pretty stewardess”).

A builder has a tool belt. In that belt, he has a hammer, a drill, a level, a tape measure, and so on. He needs those tools to build whatever he is going to build. 

A writer has a tool belt tool. In that belt, the writer has words. The writer uses those words to build, too–not houses but stories. And unless you are planning on building a shabby shack, you need to fill that tool belt of yours with as many words as you can find. 

I’ve been writing for 23 years, but I still try to add at least five new words to my tool belt every day. Builders go to Bunnings to find their tools. I go to Rogets.

I first read this as a teenager, and its wise counsel has stayed with me ever since. Gowers’ book was originally written as a guide for British government workers, to help them avoid the perils of jargon and ‘officialese’ and write in a way that colleagues and (more importantly) the person in the street could actually understand. 

The fact that I could immediately apply the ideas to my school essays shows you why this book has been continuously in print since the 1950s, and why generations of writers have found it so useful in shaping their own style. 

Practicing exactly what he preaches, Gowers lays down the principles of plain English, in plain English. Read and see why this deserves to be called a classic.

This is one of those books I thought about long after I’d finished reading. Through human greed and global warming, the resulting decimation of the planet means food and water are rationed for survival…but so are words. Noa, the leader of the community, believes that words and how they were used, led to the downfall of humanity so allows people to only use a list of specific words. Except for the wordsmiths, who are allowed to know them all. 

As an author whose life is all about words, this was a really interesting book to read – what does it do to a society when ideas, thoughts, creativity are stifled by lack of words? And when everything is rationed – water, food, words, enjoyment – what does that do to a community?