Here are 100 books that Breath, Eyes, Memory fans have personally recommended if you like
Breath, Eyes, Memory.
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Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.
From the Sunday Times bestselling author of The Vanishing Half.
The Mothers is a dazzling debut about young love, a big secret in a small community and the moments that haunt us most.
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.
It's the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes…
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
What sticks with me most about this beautiful book is the fiercely tender bond between Dana Lynn and her mother, Gwen. Right from the opening lines, I was all in on their emotionally complex mother-daughter relationship. In some ways, Dana Lynn and her mom are like sisters, the two of them keeping a whopping secret for Dana Lynn’s father, and yet, they are always aware of their position as mother and daughter.
Gwen grieves the ways her husband’s secret plunders their daughter’s innocence, even as Dana Lynn struggles to make peace with what their world would look like if the truth were out. As a reader, I mourned with them and rejoiced, too, that they had each other.
From the New York Times Bestselling Author of An American Marriage
“A love story . . . Full of perverse wisdom and proud joy . . . Jones’s skill for wry understatement never wavers.” —O: The Oprah Magazine
“Silver Sparrow will break your heart before you even know it. Tayari Jones has written a novel filled with characters I’ll never forget. This is a book I’ll read more than once.” —Judy Blume
With the opening line of Silver Sparrow, "My father, James Witherspoon, is a bigamist," author Tayari Jones unveils a breathtaking story about a man's deception, a family's complicity,…
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
The Star Side of Bird
Hill is about two sisters, one a preteen and the other on the verge of
womanhood, sent from Brooklyn to Barbados to spend a summer with their
grandmother. This temporary arrangement becomes permanent when their severely
depressed mother kills herself. The children of Bird Hill are still friends in
the making. Their grandmother is an unbending woman with strange ways, not the
adored woman who raised them. Adapting to a new home takes time and reluctant
willingness. I spent my earliest years with my grandparents on my mother’s side on
the island of Anegada while my parents set up roots in NY before bringing me to
a new home. This gave me an immediate connection to Naomi Jackson’s wonderful
novel. Her skillful writing did the rest.
Two sisters are suddenly sent from their home in Brooklyn to Barbados to live with their grandmother, in this stunning debut novel
This lyrical novel of community, betrayal, and love centers on an unforgettable matriarchal family in Barbados. Two sisters, ages ten and sixteen, are exiled from Brooklyn to Bird Hill in Barbados after their mother can no longer care for them. The young Phaedra and her older sister, Dionne, live for the summer of 1989 with their grandmother Hyacinth, a midwife and practitioner of the local spiritual practice of obeah.
Dionne spends the summer in search of love, testing…
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
A girl is haunted by events that shaped her destiny early on. A father who vanished without a trace. A mother who took her own life along with those of her other children by leaping from the roof of a building. There is a witness and a survivor, and this beautiful novel is the latter's story, as well as an examination of race. She is her father's Black and her mother's White daughter. Her racial identity therefore is both and neither, dependent on how one sees her, or how she chooses to see herself on any given day. Exploration of racial as well as family dynamics are themes that I am strongly drawn to read as well as write about. Durrow blends the two masterfully.
"The Girl Who Fell from the Sky can actually fly." —The New York Times Book Review
Rachel, the daughter of a Danish mother and a black G.I., becomes the sole survivor of a family tragedy after a fateful morning on their Chicago rooftop.
Forced to move to a new city, with her strict African American grandmother as her guardian, Rachel is thrust for the first time into a mostly black community, where her light brown skin, blue eyes, and beauty bring a constant stream of attention her way. It’s there, as she grows up and tries to swallow her grief,…
I’ve been fascinated by the transformational power of travel ever since my husband and I unexpectedly signed a lease to an apartment on the Italian Riviera instead of divorce papers. The power of that year abroad saved our marriage, united our family of four in a sacred way, and introduced us to the many cultures of Europe. I learned the crucial difference between taking a trip and embarking on a journey. Capturing a travel experience on the page for those who can’t journey to a destination themselves is a joy and a privilege I don’t take lightly. Publishing this memoir allowed me to pivot in my career to a full-time writer and writing coach/editor.
Three friends, each on the brink of a quarter-life crisis, make a pact to quit their high-pressure New York City media jobs and leave behind their friends, boyfriends, and everything familiar to embark on a year-long backpacking adventure around the world.
From the first chapter when they were invited to dance with the Maasai in Kenya, I was swept along with them for an unforgettable journey!
“A triumphant journey about losing yourself, finding yourself and coming home again. Hitch yourself to their ride: you’ll embark on a transformative journey of your own.” — Allison Winn Scotch, New York Times bestselling author of The One That I Want and Time of My Life
Three friends, each on the brink of a quarter-life crisis, make a pact to quit their high pressure New York City media jobs and leave behind their friends, boyfriends, and everything familiar to embark on a year-long backpacking adventure around the world in The Lost Girls.
With their thirtieth birthdays looming, Jen, Holly, and…
I’m Mary Sisson, award-winning writer blah-blah-blah, and when I need to pry myself off the feeds before my head explodes, I reach for a particular sort of book: story-driven with a lot of adventure, a dash of humor, another of romance, andset in a well-developed, immersive fictional world. While all of these titles can be read alone (I hate books that were clearly written to sell a sequel—600 pages of filler ending with a cliffhanger? No thank you!)they all also form parts of series, because when my head is about to shoot right off my neck, it helps me to know that I have the remedy at hand. Enjoy!
Katie Chandler has moved to New York City hoping for a life of glamour and excitement, only to find herself lonely, frustrated, and deeply baffled that those jaded New Yorkers keep ignoring all the weird things that keep happening. Then she discovers that the average New Yorker can’t see what she sees—she is the rare true mundane, completely unaffected by all magic, including magical camouflage. Her special abilities lead her to a new job for a magical company, and the book leads the reader into a delightful series of adventures that hilariously combine wizardry and enchantment with corporate intrigue and the tropes of Chick Lit.
“A totally captivating, hilarious, and clever look on the magical kingdom of Manhattan, where kissing frogs has never been this fun.”—Melissa de la Cruz, author of The Au Pairs
Katie Chandler had always heard that New York is a weird and wonderful place, but this small-town Texas gal had no idea how weird until she moved there. Everywhere she goes, she sees something worth gawking at and Katie is afraid she’s a little too normal to make a splash in the big city. Working for an ogre of a boss doesn’t help.
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
Stansell’s book brings to life the lives and experiences of working-class women in New York City, a group often ignored by historians. She creates a vivid portrait of the hardships that these women endured as they struggled to survive and often had to make their living in occupations such as domestic service or sex work.
Stansell doesn’t paint them as victims, though, as Stansell points to their agency and strength. Her research is remarkable for its rigor and depth. After reading this book, I had a very different understanding of New York City in this period.
Before the Civil War, a new idea of womanhood took shape in America in general and in the Northeast in particular. Women of the propertied classes assumed the mantle of moral guardians of their families and the nation. Laboring women, by contrast, continued to suffer from the oppressions of sex and class. In fact, their very existence troubled their more prosperous sisters, for the impoverished female worker violated dearly held genteel precepts of 'woman's nature' and 'woman's place.'
City of Women delves into the misfortunes that New York City's laboring women suffered and the problems that resulted. Looking at how…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.
I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.
This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines!
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Adler’s book depicts a woman’s life through a series of moments, incidents, bits of speech that come at the journalist narrator. The short passages perfectly capture the neurotic energy, humor, and horror of New York City. When I first read it, I was blown away. It showed there is great latitude in ways to approach writing. The short, choppy format is the closest a book has come to mirror my experience as a writer who seeks to find meaning and/or humor in everyday life. It’s a jagged mosaic of a book when put together is a delightful treasure.
When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David…
History is my passion as well as my profession. I love a good story! Because understanding the past can be a powerful tool to improving the future, I have written dozens of op-eds and give public talks (some of which can be found in the C-SPAN online library as well as on YouTube). Most of my work focuses on the Gilded Age and Progressive Era (1877-1920) and includes two award-winning biographies, Fighting Bob La Follette: The Righteous Reformer, and Belle La Follette Progressive Era Reformer. I’m also the co-editor of A Companion to the Gilded Age and Progressive Era and author of Beyond Nature’s Housekeepers: American Women in Environmental History.
It’s easy to forget that many women, as well as men, actively opposed women’s suffrage. Susan Goodier details the anti-suffrage movement in New York State, but her analysis of its motives, victories, and ultimate defeat reveals much about the philosophies and implications of conservative movements nationwide. This is a fascinating study of the women who joined together in a political movement to keep women out of politics. A highlight is how these women fared after the vote was won.
No Votes for Women explores the complicated history of the suffrage movement in New York State by delving into the stories of women who opposed the expansion of voting rights to women. Susan Goodier finds that conservative women who fought against suffrage encouraged women to retain their distinctive feminine identities as protectors of their homes and families, a role they felt was threatened by the imposition of masculine political responsibilities. She details the victories and defeats on both sides of the movement from its start in the 1890s to its end in the 1930s, acknowledging the powerful activism of this…
