Here are 100 books that Born on the Fourth of July fans have personally recommended if you like
Born on the Fourth of July.
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Alice K. Boatwright has lived in the US, England, France, and India – and her career as a writer about public health, education, and the arts has taken her around the world. She began writing short stories when she was young and holds an MFA in Writing Fiction from Columbia University. Her award-winning book about the Vietnam War era, Collateral Damage, was inspired by her own experiences during the war years in the US and the time she spent working on a project in Vietnam in 1993 and 1997. She is also the author of a short story chapbook, Sea, Sky, Islands; numerous stories published in journals, such as Calyx, Mississippi Review Online, America West, Penumbra, Stone Canoe, and Amarillo Bay; and the popular Ellie Kent mysteries, based on her experiences as an ex-pat living in an English village.
A memoir from the perspective of the other side, this book tells the story of a young girl in Central Vietnam who was recruited into the war and, by her teens, had suffered near-starvation, torture, imprisonment, and more, in addition to losing much of her family. Later she married an American and moved to this country, but since 1986, she has helped rebuild her homeland through the charitable organizations she established.
“One of the most important books of Vietnamese American and Vietnam War literature...Moving, powerful.” —Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer
In these pages, Le Ly Hayslip—just twelve years old when U.S. helicopters landed in her tiny village of Ky La—shows us the Vietnam War as she lived it. Initially pressed into service by the Vietcong, Le Ly was captured and imprisoned by government forces. She found sanctuary at last with an American contractor and ultimately fled to the United States. Almost twenty years after her escape, Le Ly found herself inexorably drawn back to the devastated country…
Alice K. Boatwright has lived in the US, England, France, and India – and her career as a writer about public health, education, and the arts has taken her around the world. She began writing short stories when she was young and holds an MFA in Writing Fiction from Columbia University. Her award-winning book about the Vietnam War era, Collateral Damage, was inspired by her own experiences during the war years in the US and the time she spent working on a project in Vietnam in 1993 and 1997. She is also the author of a short story chapbook, Sea, Sky, Islands; numerous stories published in journals, such as Calyx, Mississippi Review Online, America West, Penumbra, Stone Canoe, and Amarillo Bay; and the popular Ellie Kent mysteries, based on her experiences as an ex-pat living in an English village.
I loved this book because Fitzgerald is a journalist, not a historian, so her writing is vivid, fluent, and readable. This is so much more than a history of the war. She plunges into the complex story of Vietnam’s history and culture, setting the stage for America’s unfortunate involvement and the subsequent tragic events. Fitzgerald first went to Vietnam in 1966, and, when this book came out in 1972, it was the first history of Vietnam written by an American. The New York Times called it “A compassionate and penetrating account of the collision of two societies that remain untranslatable to one another.” Winner of the Pulitzer Prize, the Bancroft Prize, and the National Book Award, it was a bestseller.
Frances FitzGerald's landmark history of Vietnam and the Vietnam War, "a compassionate and penetrating account of the collision of two societies that remain untranslatable to one another." (New York Times Book Review)
This magisterial work, based on Frances FitzGerald's many years of research and travels, takes us inside the history of Vietnam -- the traditional, ancestor-worshiping villages, the conflicts between Communists and anti-Communists, Catholics and Buddhists, generals and monks, the disruption created by French colonialism, and America's ill-fated intervention -- and reveals the country as seen through Vietnamese eyes.
Originally published in 1972, Fire in the Lake was the first…
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
After my mother was committed, I went through five foster homes by sixteen. Wolff’s early years mirrored mine in some respects—broken home, high school dropout, military service a path forward. He even served in the Mekong Delta, arriving early in 1968 just as the Tet Offensive was trigged. I arrived one week later. Wolff’s tight dialogue and crazy exploits such as the color television resonated. But “Last Shot”—the last two pages really touched me as he reflects on a lost friend Hugh—no chance to live life and have a family. Many years ago my daughter went to Washington D.C. She asked if I knew anyone on the Wall. She returned with thirteen etchings. Each day I reflect on why I have lived so long and they never had a chance. Wolff shares that emotion so masterfully throughout his book.
Whether he is evoking the blind carnage of the Tet offensive, the theatrics of his fellow Americans, or the unraveling of his own illusions, Wolff brings to this work the same uncanny eye for detail, pitiless candor and mordant wit that made This Boy's Life a modern classic.
Alice K. Boatwright has lived in the US, England, France, and India – and her career as a writer about public health, education, and the arts has taken her around the world. She began writing short stories when she was young and holds an MFA in Writing Fiction from Columbia University. Her award-winning book about the Vietnam War era, Collateral Damage, was inspired by her own experiences during the war years in the US and the time she spent working on a project in Vietnam in 1993 and 1997. She is also the author of a short story chapbook, Sea, Sky, Islands; numerous stories published in journals, such as Calyx, Mississippi Review Online, America West, Penumbra, Stone Canoe, and Amarillo Bay; and the popular Ellie Kent mysteries, based on her experiences as an ex-pat living in an English village.
This classic 1985 novel is a favorite because it broadens the focus to the impact of the war on the families. Set in 1984, the protagonist Samantha Hughes never knew her father, who was killed in Vietnam before she was born. Her uncle, who survived the war, is living with PTSD from his experiences there, and teenage Sam is trying to make sense of it all. The expression “in country” refers to time served at the site of a military operation (in this case, metaphorically, in Vietnam). The Los Angeles Times called this novel "A moral tale that entwines public history with private anguish."
Bobbie Ann Mason’s debut novel—"a brilliant and moving book... a moral tale that entwines public history with private anguish." —Los Angeles Times Book Review
“How Ms. Mason conjures a vivid image of the futility of war and its searing legacy of confusion out of the searching questions or a naïve later generation is nothing short of masterful.” —Kansas City Star
Samantha “Sam” Hughes is in her senior year of high school in rural Kentucky. Her father, whom she never knew, was killed in Vietnam before she was born. Sam lives with her uncle Emmett, a veteran who appears to be…
Until today’s multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, “in war, there are no unwounded soldiers.” I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
“I think of language as our first music,” notes the celebrated poet Yusef Komunyakaa. His collection of Vietnam poems, Dien Cai Dau (Vietnamese for crazy) fuses images, sounds, and sights from Vietnam into a fearful, lyrical symmetry. Born James Brown in rural Bogalusa, Louisiana, he served in Vietnam as a correspondent and editor of The Southern Cross, the newspaper of the Army’s 23rd Infantry Division (Americal). “The Vietnamese knew what was happening in the American psyche when it came to race,” claims Komunyakaa, “and sometimes they expertly played on it.” The poem “Hanoi Hannah” in Dien Cai Dau is a perfect example of this: “Ray Charles!” His voice/ calls from waist-high grass/& we duck behind gray sandbags./ “Hello, Soul Brothers. Yeah,/Georgia’s also on my mind…Here’s Hannah again…"
“That gets your attention when you’re out in the middle of nowhere,” astutely observes Komunyakaa.
In 1965, I voluntarily enlisted in the Army as a draft exempt, 26-year-old high school teacher. After completing the infantry officer, airborne, ranger, jumpmaster, special forces, and jungle warfare courses, in 1967 I was assigned to a Special Forces A-team in I Corps, Vietnam. In 1968, I volunteered for SOG, a top-secret recon-commando unit at a small, remote SF jungle camp that was later attacked by 3,000 to 4,000 North Vietnamese Army troops. With a master’s degree in history, I have since studied all aspects of the Vietnam War. Gregory Sanders, also a Vietnam veteran, and I researched, wrote, and in 2019 publisheda unique tactical, operational, and strategic narrative and analysis of that battle titled BAIT: the Battle of Kham Duc.
The Vietnam War cannot be understood without understanding two opposing groups of historians of it: the orthodox and the revisionist. This is the most concise, balanced, and objective analysis of those contradictory versions of the war. The leftist version is an anti-war, anti-U.S. military, anti-South Vietnamese government interpretation that sees the war as unwinnable and morally shameful U.S. imperialism. It rejects all revisionist arguments to the contrary, such as the difference between the U.S. political failure in America and the U.S. military success in Vietnam, as "conservative counterfactual speculation".
Going beyond the dominant orthodox narrative to incorporate insight from revisionist scholarship on the Vietnam War, Michael G. Kort presents the case that the United States should have been able to win the war, and at a much lower cost than it suffered in defeat. Presenting a study that is both historiographic and a narrative history, Kort analyzes important factors such as the strong nationalist credentials and leadership qualities of South Vietnam's Ngo Dinh Diem; the flawed military strategy of 'graduated response' developed by Robert McNamara; and the real reasons South Vietnam collapsed in the face of a massive North…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
My book is a story about what often happens to some soldiers after a war, in today's lingo, PTSD. As one who is a veteran himself, I’ve always been conflicted about soldiering, war, the aftermath of war, and the American penchant for war. One book put it all into perspective for me, Enduring Vietnam by historian James Wright. Wright gives you the historical context that brought about the war; the politics that influenced the war; and the battles fought during the war. But he tells it all from the perspective of the soldiers who fought the war, from our fellow Americans and allies in South Vietnam, but also from the perspective of the enemy soldiers, the Vietcong and North Vietnamese.
The Vietnam War is largely recalled as a mistake, either in the decision to engage there or in the nature of the engagement. Orboth. Veterans of the war remain largely anonymous figures, accomplices in the mistake. Critically recounting the steps that led to the war, this book does not excuse the mistakes, but it brings those who served out of the shadows. Enduring Vietnam recounts the experiences of the young Americans who fought in Vietnam and of families who grieved those who did not return. By 1969 nearly half of the junior enlisted men who died in Vietnam were draftees.…
As a child in New England, I climbed over stone walls wondering about the lives of those who built them. I devoured biographies and historical fiction, but I never imagined that I'd become a writer of such books for kids 8-14. First, I became a social studies teacher and, later, a librarian. I wanted my students to read about honorable characters striving to make the best of difficult but often little-known, historical situations. I demanded reliable details, a challenging conflict, and a resolution filled with hope for a better future. That is now my goal as a writer of children's books – and as a reader. These books meet those high standards. Enjoy!
Reading a novel in letters feels like snooping into someone's private thoughts, and that's exactly how I felt as I read Until Tomorrow, Mr. Marsworth. Reenie, age 11, writes letters that highlight the conflict between those who supported the Vietnam War and those who opposed it. Her letters ultimately reveal the situation faced by her family and by Mr. Marsworth. They are funny and heartfelt. History and family drama mix together in Reenie's letters and Mr. Marsworth's occasional response. O'Connor does a fabulous job of presenting controversial history in an engaging way.
Set against the backdrop of the Vietnam War, one young girl is determined to save her brother from the draft—and gets help from an unlikely source—in this middle-grade tale, perfect for fans of The Wednesday Wars
When eleven-year-old Reenie Kelly’s mother passes away, she and her brothers are shipped off to live with their grandmother. Adjusting to life in her parents’ Midwestern hometown isn’t easy, but once Reenie takes up a paper route with her older brother Dare, she has something she can look forward to. As they introduce themselves to every home on their route, Reenie’s stumped by just…
Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
If you like graphic memoirs and want one on the Vietnam War, Marcelino Truong’s Such a Lovely Little War is for you.
It’s an autobiographical tale of Truong’s life as the son of a Vietnamese diplomat working for the South Vietnam government and a French mother. We see the war through his eyes, but we also see the world he encountered as a teenager in London, Washington, and then back in Saigon.
The dialogue and the graphics are superb. The juxtaposition between his family and this “lovely little war” turning around it makes this memoir of the Vietnam War a highly original one.
This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy's father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called "Commies." The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem's personal interpreter; as the growing conflict between…
I served as an infantry platoon leader, reconnaissance platoon leader, and rifle company commander in Vietnam and observed the direct results of snipers. I am the author of 30 non-fiction books on the military (six specifically about the Vietnam War), sports, and health that have sold more than 1.1 million copies in 15 countries and 12 languages.
Contains the history, along with exceptional pictures and illustrations, of Army and Marine snipers in Vietnam. Along with history it details the fielding of rifles, scopes, and suppression devices. More technical than “war story” it provides an excellent base document on which to build an education on long range shooting by American soldiers and Marines in the Vietnam War.
This is the most complete report ever on the U.S. military's unprecedented use of snipers and sniping equipment in Vietnam. Highlighted are the fielding of the XM21 sniper rifle and the Adjustable Ranging Telescope, plus the application of sound suppression devices and special carbines so typical of the unconventional warfare in SE Asia. 8 1/2 x 11, hardcover, photos, illus., 280 pp.
