Here are 100 books that Bitters fans have personally recommended if you like
Bitters.
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Nightclubs and country clubs figured in my father’s business distributing snack foods in post-WWII “Steel City,” Pittsburgh, where I was served “Shirley Temple” cocktails in martini glasses alongside my parents’ Manhattans. (To my five- and six-year-old eye, the trophy was the maraschino cherry.) Decades later, teaching American literature in the university, my interest deepened in Jack London’s writing, and my book on him demanded close attention to the history of US cocktails and other drinks. London’s memoir, John Barleycorn, frankly details his drinking and eventual capture by alcohol. As a scholar-researcher, I was “captured” by the backstory of US cocktail culture.
Whiskeys rule, but the modern bar dare not lack a battery of bitters that extend beyond from the familiar Angostura and Peychaud’s. By the “dash,” cocktails demand bitters which, all too often, appear to be an afterthought. (Yet my New Orleans-born Sazerac cocktail would taste “off” without Peychaud’s and my favorite Old Fashioned unthinkable without two dashes of time-honored Angostura.)
Bitters inducts us into the realm of these botanical “drugs” distilled from flowers, spices, citrus peels, tree bark—all originally dispensed in apothecary shops as cures for digestive woes, stomach troubles, even gout. By the Gilded Age, bitters transited to the bar under brands sounding sketchy (e.g. Flint’s Quaker Bitters), but Bitters opens a new botanical wonderland for my armchair imagining, and for others’ venturesome do-it-yourself distillation. Key Lime Bitters, anyone?
Gone are the days when a lonely bottle of Angostura bitters held court behind the bar. A cocktail renaissance has swept across the country, inspiring in bartenders and their thirsty patrons a new fascination with the ingredients, techniques, and traditions that make the American cocktail so special. And few ingredients have as rich a history or serve as fundamental a role in our beverage heritage as bitters.
Author and bitters enthusiast Brad Thomas Parsons traces the history of the world’s most storied elixir, from its earliest “snake oil” days to its near evaporation after Prohibition to its ascension as a…
I have always been drawn to YA novels – big feelings conveyed across shorter word counts, intense experiences, other worlds, characters finding their way in the world. For a long time in these books and across a range of genres, women and girls could only hope to be on the sidelines of these big stories. They were the maiden in the tower, the prospective bride or love interest of the hero. We’re incredibly lucky to live in a time where a wide range of female experiences can be found in our YA books, and these are always stories I seek to read and to tell.
This amazing Australian YA weaves such a delicate web. A quiet, introverted dystopia, and at its heart is the wonderful Hayley. Hayley is such an interesting female protagonist here not because she is deadly or combative, but because of her incredible perseverance and curiosity. Hive is the first in a truly compelling duology.
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.
Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.
(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)
A captivating novel told from the points of view of two unforgettable characters. In the suburb of Shyness, the sun doesn't rise. Wolfboy meets a stranger called Wildgirl, who dares him to be her guide through the endless night. There are things that can only be said in the dark.This is Shyness was shortlisted for a number of major Australian literary awards and named a Children's Book Council of Australia Notable Book.
Leanne Hall won the 2009 Text Prize for Young Adult and Children's Writing for this spellbinding debut for readers fourteen and up.
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.
It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.
I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his dog Rowdy for company.
He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage.
But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister,…
I got interested in the theme of a post-apocalyptic, dystopian world after hearing years of doomsday predictions, most of which never came true or were far from catastrophic. I wondered what some real threats to our way of life are and in 2015, started writing a novel, Defenders of Holt, about what a dystopian future might look like. After that book, I wanted to write about the events that led up to that dystopian world and settled on a coronal mass ejection (CME) as the apocalyptic event in the Teenage Survivalist series. I did many hours of research to back up my stories to make them as realistic as possible.
In this 2014 Next Generation Indie Book Awards Finalist book, a different scenario of an apocalyptic event—a meteor that slams into earth, causing a shift in the planet’s magnetic core—ushers in the end of the age of technology and the beginning of a dystopian future where knowledge is not only power, it is currency. I loved this book because it’s a clever and exciting take on a dystopian tale. Being set in Australia provides lots of interesting scenes and plot twists and the idea of using knowledge as currency brings new meaning to the phrase "knowledge is power." This is a thoroughly enjoyable story that is hard to put down. I highly recommend this book to anyone who likes a good adventure with just a touch of romance!
**2014 Next Generation Indie Book Awards Finalist** When a meteor slams into earth causing a shift in the planet’s magnetic core, the age of technology ends and economies across the globe crash. Years later, knowledge is not only power…it is currency. Bookkeepers are invaluable in this post-apocalyptic world.
Nevel can never tell anyone he is a bookkeeper. His photographic memory is his secret. With a dystopian government that keeps all known books under lock and key looming as a constant threat and with parents involved as agents in the U.B.M. (Underground Book Movement) to protect that secretly exist, Nevel is…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This book equally moved and unnerved me because its premise is all too possible. It’s a brilliantly written end-of-the-world story with an understated sense of menace and an unmistakable Australian flavour.
The novel offers an intimate and fascinating first-person view of what happens to a ‘normal’ neighbourhood when life as we know it irrevocably changes – in this case through a nuclear winter. Often, apocalyptic/dystopian stories skim over the transition from order to chaos/social breakdown, and Claire handles it in a way that’s unsettling by its understatement.
I cared deeply about these characters. And while this novel is gritty, it’s also a story of hope and what it means to survive.
This haunting dystopian novel thrillingly and realistically looks at a nuclear winter from an Australian perspective.
For Fin it’s just like any other day—racing for the school bus, bluffing his way through class, and trying to remain cool in front of the most sophisticated girl in his universe. Only it’s not like any other day because, on the other side of the world, nuclear missiles are being detonated. When Fin wakes up the next morning, it’s dark, bitterly cold, and snow is falling. There’s no internet, no phone, no TV, no power, and no parents. Nothing Fin’s learned in school…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
While every single attempt at socialism in human history has failed, usually leading to the murder of millions of people, it is being revived by those who think they can “do it right this time.” I’ve been writing about American principles and American values for newspapers and magazines for years. The threat to the exceptional American experiment that has led so many people of all backgrounds to success and happiness, led me to write this novel. I hope that it is fun enough and interesting enough that many readers will enjoy it, and more importantly learn from it. And take action to preserve the values and principles of America that have uplifted and inspired so many for over two centuries.
This is another book that stuck with me for many years. What happened if animals suddenly had increased intelligence and the power of speech? They would need to start a society from scratch. How would they accomplish this? This unique premise just fascinated me, and I think it is a very underrated classic science fiction novel.
As an author who, in my ‘other’ life, has studied psychology and social work, I love to write about the impact of change on individuals and communities – what do my characters grieve, what relationships become important to them, what are the roles or goals that motivate them now and what do they need to do to survive, both individually and in their new society. And I love to be able to write about a place – a location – that I know well, hence the Sunshine Coast Hinterland as a setting for The Rise. I hope you enjoy the books that I’ve recommended as much as I have!
Set in a world where there’s water everywhere from the rising sea levels, but fresh water is a much-needed commodity, I loved that this story was about family. There’s a lovely mix of characters who are still kind – still human – and those that are out for survival and control, which kept me wanting to read to see if the main character, Baz, would find his family again. And I loved that there were places I recognised – it’s always nice to have those ‘I’ve been there!’ moments.
Six years after the Rise, Australia's coastal towns are gone, lost under the ocean's unstoppable advance. The survivors have retreated to a series of newly formed islands off the coast of New South Wales, seeking to rebuild their lives with limited resources, destructive weather, and fierce competition amongst communities.
And not all are successful . . .
Baz is a fresh water merchant, desalinating saltwater and bartering this valuable commodity throughout the struggling island communities. But his real mission is something closer to his heart, the one thing that has plagued him since the catastrophic rise in water levels: he…
The first book I read on my own was the Little Golden Book of Puppies and Kittens. I decided then, aged three, that the best books have animals in them…and I haven’t changed my mind. While fantasy novels with animals are among my all-time favorites, I’ve developed a deep love for dystopian novels which leave room for hope. I especially love the stories that show more than just humans living on Planet Earth. What better species to represent all that’s good on Earth but dogs? I can’t imagine ever writing a story without a dog in it.
Worldshifter is a fabulous science fiction story full of wonderful characters. You will laugh out loud at times, and your heart will race as the action careers across the galaxy.
On a very degraded and hostile planet, the lowest remnants of humanity slave away for the powerful alien races. I loved every page of this adventure with sweet, simple, giant-hearted Klom who hasn’t got a nasty bone in his oversized body. His compassion for the strange, doglike alien – who he calls Tugger -- contrasts brilliantly with the harshness of the world where Klom lives. Klom and his companions chase across planets and star systems to rescue Tugger, and on the way, they find the answer to life's greatest mystery. Long live Tugger, who’s not strictly a dog (because he’s an alien), but certainly embodies all that canine perfection of character. I do hope there are more stories from this…
A high-octane tale of sweeping scope and and imagination packed into the pages of a breathless novella. Reminiscent of Jack Vance at his best in its sweep and imagination, but wholly Di Filippo in its execution.
Klom is a big, simple man who works in the salvage yards on the planet Asperna as a shipbreaker. One day, while deep in the bowels of an antique ship, Klom discovers an active organic stasis pod. He splits it open and out tumbles a large quadruped that seems friendly, harmless, but non-sapient. Klom adopts it as a pet and names it Tugger. Little…
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