Here are 100 books that Birds and Us fans have personally recommended if you like
Birds and Us.
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I have been fascinated by “nature” since childhood, growing up on an island south of Iceland and spending summers on a farm. As a teenager, I would explore my island in the company of friends, often with a binocular and a camera at hand. There was much to explore: a towering volcano above the local community, ancient lava flows, stormy seas – and an amazing variety of seabirds. I witnessed an island being born nearby during a stunning volcanic eruption. My life and career have been heavily informed by this experience, as an anthropologist and a writer I have always somehow engaged with connections between people and their environments.
Haraway’s book struck me like lightning. Here was a book that seemed to address relations between species in terms usually restricted to humans.
Many people, including social historians, have meaningfully described social formations in terms of various kinds of dependency and collaboration, for instance, slavery, feudalism, and companionship. After all, human-animal relations deserve a similar perspective. Human relations with dogs, cats, and birds, for instance, could be described in terms of a diversity of ranks and hierarchies. For other contexts involving domestic animals (including cows, reindeer, and horses), the language of slavery and servitude might be more relevant.
Haraway’s approach not only helps to illuminate complex nuances of modern biotechnology, to me it also seems vital at a time of escalating extinctions caused by humans.
"When Species Meet is a breathtaking meditation on the intersection between humankind and dog, philosophy and science, and macro and micro cultures." -Cameron Woo, Publisher of Bark magazine
In 2006, about 69 million U.S. households had pets, giving homes to around 73.9 million dogs, 90.5 million cats, and 16.6 million birds, and spending over $38 billion dollars on companion animals. As never before in history, our pets are truly members of the family. But the notion of "companion species"-knotted from human beings, animals and other organisms, landscapes, and technologies-includes much more than "companion animals."
I have been fascinated by “nature” since childhood, growing up on an island south of Iceland and spending summers on a farm. As a teenager, I would explore my island in the company of friends, often with a binocular and a camera at hand. There was much to explore: a towering volcano above the local community, ancient lava flows, stormy seas – and an amazing variety of seabirds. I witnessed an island being born nearby during a stunning volcanic eruption. My life and career have been heavily informed by this experience, as an anthropologist and a writer I have always somehow engaged with connections between people and their environments.
I was thrilled to read this book, with its moving environmental tales (one for a letter of the alphabet), beautifully illustrated by Wesley Allsbrook.
Here, Kolbert – an author who usually dives into science stories focusing on alarming cases – adopts an even more engaging style, still telling good stories but aiming for a broader readership. It seems to me that works of this kind are vital for the current age, providing accessible and authentic accounts of where humanity stands.
While the twenty-six pieces provide a bleak picture of a planet on the brink of collapse, possibly within the lifetime of a generation, I was captivated by the humanitarian tone and the emphasis on hope. For me, the narrative is gripping. I repeatedly get back to it, wishing I had more stories.
In twenty-six essays—one for each letter of the alphabet—the Pulitzer Prize-winning author of The Sixth Extinction takes us on a hauntingly illustrated journey through the history of climate change and the uncertainties of our future.
Climate change resists narrative—and yet some account of what’s happening is needed. Millions of lives are at stake, and upward of a million species. And there are decisions to be made, even though it’s unclear who, exactly, will make them.
In H Is for Hope, Elizabeth Kolbert investigates the landscape of climate change—from “A”, for Svante Arrhenius, who created the world’s first climate model in…
I have been fascinated by “nature” since childhood, growing up on an island south of Iceland and spending summers on a farm. As a teenager, I would explore my island in the company of friends, often with a binocular and a camera at hand. There was much to explore: a towering volcano above the local community, ancient lava flows, stormy seas – and an amazing variety of seabirds. I witnessed an island being born nearby during a stunning volcanic eruption. My life and career have been heavily informed by this experience, as an anthropologist and a writer I have always somehow engaged with connections between people and their environments.
I was deeply moved reading this book, a treatise about impending species death written by a fellow anthropologist facing her own death. The text freely moves back-and-forth between abstract reflections about life on the edge and observations on the mutual relations between indigenous Australians and flying-foxes (the only flying mammals in existence), now seriously threatened by both global warming and human encroachment.
This is not only a unique near-extinction saga; its language and framing took me straight into some of the biggest issues of our time, of what the author calls deathwork, the living dead, and double death, where death piles up by some domino effect. The book itself, to paraphrase its title, offers a shimmering light into the ethics and politics of species protection and the threat of extinction.
'I was called to flying-foxes. My research questions led me into multispecies ethnographic work involving wildlife carers and academically trained scientists in eastern Australia. The people I met were at the front line in the work of holding flying-foxes back from the edge of extinction. I continued to visit the north, and I revisited my notebooks from several decades of research with Aboriginal people. The research was exhilarating, and then again at times deeply disheartening. I was to encounter more passion, intimacy, cruelty, horror, complexity, generosity and wild beauty than I could ever have imagined. Living with flying-foxes, I came…
I have been fascinated by “nature” since childhood, growing up on an island south of Iceland and spending summers on a farm. As a teenager, I would explore my island in the company of friends, often with a binocular and a camera at hand. There was much to explore: a towering volcano above the local community, ancient lava flows, stormy seas – and an amazing variety of seabirds. I witnessed an island being born nearby during a stunning volcanic eruption. My life and career have been heavily informed by this experience, as an anthropologist and a writer I have always somehow engaged with connections between people and their environments.
This is a wonderful book. The iconic song of the blackbird takes the author into a series of exciting reflections that complicate a whole range of concepts often applied to birds, such as dance, space, and territory. I was repeatedly struck by her insights into the lives of birds.
I am amazed by the way she brings bird biographies into focus. At a time when birds (and other animals) are still often seen either as empty categories or simply good to think with, such a perspective feels like a fresh wind. As Despret observes, bird songs are in the process of vanishing. I am inclined to think of her powerful book, with its metaphoric uses of the song of the blackbird, as echoes from Rachel Carson’s warnings in Silent Spring.
In the first days of spring, birds undergo a spectacular metamorphosis. After a long winter of migration and peaceful coexistence, they suddenly begin to sing with all their might, varying each series of notes as if it were an audiophonic novel. They cannot bear the presence of other birds and begin to threaten and attack them if they cross a border, which might be invisible to human eyes but seems perfectly tangible to birds. Is this display of bird aggression just a pretence, a game that all birds play? Or do birds suddenly become territorial - and, if so, why?…
I’m an American environmental historian with specialties in food and horticulture. I mostly write on alcohol, wine, garden history, and orchids, but I’ve also kept a small flock of backyard chickens since early 2020. In my preparation for my brood, I read every single chicken history and chicken-keeping book available. Here’s the best of the best.
Why Did the Chicken Cross the World? might be the worst title of all time, but it is a wonderfully surprising and fascinating book. There are tasty nuggets here for everyone (sorry/not sorry for the pun). Did you know that Mexicans eat more eggs per capita than any other people in the world? Or how many different slang terms and metaphors there are for chickens through time? (“Biology can’t explain why our favored slang word for the male organ refers to a bird that lacks one.” Ha!)Or that in the mid-nineteenth century, Britain and America were absolutely obsessed with raising exotic “fancy” chickens? And that pound for pound, chicken releases only one-tenth the greenhouse gases of red meat such as hamburgers? Read up on the world’s favorite bird and laugh while you’re at it with Lawler’s book.
Queen Victoria was obsessed with it. Socrates' last words were about it. Charles Darwin and Louis Pasteur made their scientific breakthroughs using it. Hailed as a messenger of the gods, powerful sex symbol, gambling aid, all-purpose medicine and handy research tool, the humble chicken has been also cast as the epitome of evil, and the star of the world's most famous joke. Beginning with the recent discovery, that the chicken's unlikely ancestor is the T. Rex, How the Chicken Crossed the World tracks the chicken from its original domestication in the jungles of Southeast Asia some 10,000 years ago to…
I have been fortunate to be able to turn my childhood birdwatching into a career in ornithology. Scientists are sometimes accused of being cold and heartless, but most of the ornithologists I know are driven by a passion to protect and understand birds. At school, I only really liked biology and art. I hated history, but later in life I discovered the vast riches embedded in the history of ornithology and I am fascinated by how we know what we know about birds. This in turn has sparked ideas that have allowed me to discover and explore new areas of bird study. Above all, I love telling people about birds.
The history of ornithology is an extraordinarily rich topic and one full of interest and rewards. This book is a celebration of the beginnings of our ornithological knowledge. A classics scholar and ornithologist, Jeremy Mynott has translated all the numerous texts here himself, and in so doing providing a consistent, knowledgeable, highly readable text. One of the things that comes across so vividly in this book is how much of our knowledge about birds — including, for example, the fact that young birds, like the nightingale, acquire their song by listening to their father — were so well established so long ago!
Birds pervaded the ancient world. They impressed their physical presence on the daily experience and imaginations of ordinary people in town and country alike, and figured prominently in literature and art. They also provided a fertile source of symbols and stories in their myths and folklore, and were central to the ancient rituals of augury and divination. Jeremy Mynott's Birds in the Ancient World: Winged Words brings together all this rich and fascinating material for the modern reader.
Using quotations from well over a hundred classical Greek and Roman authors, all of them translated freshly into English, and nearly a…
My father was a life-long falconer. When I was a child, spending time with my father meant spending time with a menagerie of winged friends like goshawks, peregrine falcons, parrots, owls, and even vultures. I didn’t know it back then, but as I went hawking with my dad and helped him care for his beautiful birds, I was gathering a nest of passion and ideas for the writer and poet I would become. Today, I enjoy sharing my love of birds, nature, and books with children (and children at heart).
It's never too early to introduce children to the world of birds! This colorful board book with simple information about our feathered friends is a perfect choice. "Peck Peck Peck, the noisy woodpecker is looking for food inside a tree trunk."—curious babies and toddlers will learn animal names, behaviors, and habitats in this sturdy take-along book that is just the right size for little hands!
Young children love watching birds. Now here’s a Hello, World! board book that teaches toddlers all about our feathered friends—with colors, shapes, sizes, and super-simple facts.
Hello, World! is a series designed to introduce first nonfiction concepts to babies and toddlers. Told in clear and easy terms (“Peck, peck, peck! This noisy woodpecker is looking for food inside a tree trunk”) and featuring bright, cheerful illustrations, Hello, World! makes learning fun for young children. And each sturdy page offers helpful prompts for engaging with your child. It’s a perfect way to bring science and nature into the busy world of…
I’m the author of more than 25 award-winning books for children, including Mama Built a Little Nest, illustrated by Steve Jenkins, and I Love Birds! 52 Ways to Wonder, Wander and Explore Birds with Kids, illustrated by Alexander Vidal. When not writing, I help rehabilitate injured and orphaned songbirds, I study bird behavior, and I further my knowledge about birds through books and scholarly journals. Birds offer a constant source of discovery and wonder. I hope the books I’ve recommended offer a source of discovery and wonder for your young readers, too!
Not only is this book stunning – sculpted paper illustrations that appear 3D – it offers a flock-full of information about birds and the many types of beaks one may find on them. A beak isn’t just a beak, after all. With over 10,000 bird species in the world, it’s not surprising to learn that bird beaks come in many shapes and sizes, each with a specific purpose to a bird’s habitat necessary for survival in this big, wide world. Although geared for young readers, this book will inspire readers of all ages to take notice of bird beaks. Anytime we can encourage young readers to engage with nature and the world around them, that’s a good thing, don’t you think?
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author picked
Beaks!
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Young naturalists explore a variety of birds, their habitats, and how their beaks help them build, eat, and survive. From the twisted beak of a crossbill to the color changing bill of a seagull, readers will learn fun facts about how beaks are designed and used as tools by birds of all shapes and sizes. Bright, bold cut-paper illustrations create amazingly realistic tableaus of birds in their natural environments with their beaks in action. Back matter includes a comprehensive quiz, a bibliography, and a list of related websites.
Nature has been my grounding force from the time I could climb the elm tree in my Kentucky backyard. Snuggling down in the branches, listening to the leaves and birds was my happy place. Eventually, nature became a defining element in my work. It started with an Information & Education job at the Washington State Wildlife department and expanded from there to influence my career as a writer. I take great joy in writing about the natural world, my most patient teacher and oldest friend.
A little girl takes a book from a shelf and plunges into an imaginary encounter with a beautiful polar bear. Poetically written and gorgeously illustrated, the book teaches us all about polar bears and their lives: Where they live, what they eat, how big their paws are, and about the birth of bear cubs. As the book jacket copy rightly says, the book engages the reader’s interest in amazing facts, while filling them with a deep sense of wonder.
A gorgeously illustrated nonfiction book about the polar bear, this is a factually accurate as well as a poetic exploration of polar bear bodies, habits, and habitats. Working in a painterly, expressive way, Jenni Desmond creates landscapes and creatures that are marked by atmosphere and emotion, telling a story about bears that engages the reader's interest in amazing facts as well as their deep sense of wonder. A graduate of the renowned MA program in Children's Book Illustration at the Cambridge School of Art (ARU), Jenni Desmond works from her studio in London, UK. This, her second book for Enchanted…
I was an avid reader from the age of six. Books inspired me and, as a shy girl, stories helped me find the confidence to be myself. I felt amazed and inspired by reading – finding out about parts of the world I had never been to. Especially as an adult, I’ve been blessed with wonderful, female friends. These are the themes I explore now in my books. I hope to inspire young readers to be themselves and celebrate friendship. I love travelling and nature. I've lived in various parts of the US and England. Through my writing, I hope to share the wonder of different cultures and natural settings.
Asha is a wonderfully brave character who sets out on a dangerous adventure to find her father. She connects with a lamagaia bird, which she believes is the spirit of her grandmother. This bird leads her from her village at the foothills of the Himalayas through India. I loved the exotic setting and the realistic challenges Asha faces. She rises to each challenge with bravery and continues on with loyalty for her friends and family. A beautiful, inspiring book.
Winner of the Costa Children's Book Award 2019 Winner of the Times/Chicken House Children's Fiction Competition 2017 Shortlisted for the Waterstones Children's Book Prize 2020 Longlisted for the Jhalak Prize 2019 Chosen as one of the Guardian's Best Books of 2019
'This book is such a light-filled, huge-hearted delight of an adventure.' KATHERINE RUNDELL
'An evocative debut novel ... satisfyingly classic in feel' GUARDIAN
'A heartfelt and mystical children's adventure story.' TELEGRAPH
Asha lives in the foothills of the Himalayas. Money is tight and she misses her papa who works in the city. When he suddenly stops sending his wages,…
