Here are 100 books that Art & Fear fans have personally recommended if you like
Art & Fear.
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I have been enthralled with the idea of “dreams come true” for as long as I can remember. In middle school, I discovered the field of psychology. I made weekly trips to the library and read books on personal development, spirituality, and memoirs. This commitment to learning and growth has never wavered. Those early seeds that I planted and nurtured have bloomed into my long-standing career of professional coaching, facilitation, and leading transformational retreats. My passion is empowering others to believe in their dreams and goals and bring them to life.
This is another book that I consider a classic and, for years, has held a place of honor on my bookshelf. I go back to it from time to time. It's like visiting a wise friend who inspires you to be the most self-expressed you can be. Julia is a great guide, and I enjoy the author's writing style, which is easy to read and relate to. As a prolific author of dozens of books, she is intelligent and generous, and she encourages readers to go deeper and wider in their creative lives. She leads the reader through a twelve-week program in the book to unleash one's creative genius.
Her signature "field work" for readers is an exercise called "morning pages," a practice of writing down your unedited thoughts each morning to clear out the old thoughts and make space for new perspectives and ideas to come forth. I have…
The Artist's Way provides a twelve-week course that guides you through the process of recovering your creative self. It aims to dispel the 'I'm not talented enough' conditioning that holds many people back and helps you to unleash your own inner artist. Its step-by-step approach enables you to transform your life, overcome any artistic blocks you may suffer from, including limiting beliefs, fear, sabotage, jealousy and guilt, and replace them with self confidence and productivity. It helps demystify the creative process by making it a part of your daily life. Whatever your artistic leanings, this book will give you the…
I am through and through a storytelling creature and fell in love with books as a child. I first aspired to be a librarian, then an author. Life took me in other directions, and when I found songwriting as a teen, I figured it would be the closest I would ever come to my original dreams. It was not until I escaped from my abusive family as a young adult and dove headfirst into therapy that I realized my story was far darker than I had ever let myself admit. I am now a singer-songwriter and memoirist who believes that sharing our stories with one another will change the world.
Sent to me by a dear friend just when I needed it, this delightfully cheeky book about writing gave me the push to be courageous and truthful both in life and in my written endeavors.
Full of candid advice, hilarious anecdotes, and helpful information, this book is half manual and half a memoir of Lammott’s escapades in authorship. It speaks directly to the part of us that holds our deepest stories and silently longs to make them into something useful, beautiful, and meaningful–whether or not we plan to share them with the world.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times).
“Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review
For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom…
I was driven to become a veterinarian for as long as I could remember. Then, in high school, I developed a love of performance. I felt stuck. Should I choose art or science? I chose science, and despite a great career, I felt like something was missing. When I reconnected with my creativity through stand-up comedy, entrepreneurship and other non-artistic creative outlets, I found out what I had been missing. Why do we drop creativity for science? It was a common story. I dove into the research on creativity, and was blown away by how a bit of creativity can make us happier, more resilient, and make workplaces more effective.
As I read this book, I felt like the author was looking into my soul. I loved the short, punchy observations and challenges to anyone seeking to share their creativity. The Resistance is a force universal to everyone who is trying to share a little piece of themselves, and I love the way that it is broken down in this book.
I realized that when I could see what was holding me back from expressing myself, I was able to find strategies to mitigate that fear. This book was instrumental in my ability to express myself as an author and speaker.
A succinct, engaging, and practical guide forsucceeding in any creative sphere, The War ofArt is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do?
Why is there a naysayer within? How can we avoid theroadblocks of any creative endeavor—be it starting up a dreambusiness venture, writing a novel, or painting a masterpiece?
Bestselling novelist Steven Pressfield identifies the enemy thatevery one of us must face, outlines a battle plan to conquer thisinternal foe, then pinpoints just how to achieve the greatest success.
We have been coaching and learning about peak performance for four decades. To learn from playing golf ourselves, coaching others to play better, and continuously staying curious and learning from others is a mix that we want to keep alive. It’s not only to perform well that matters to us, but that we also grow as a human being. It’s about excellence and wellbeing. What skills, what culture, and what foundation can make that a possibility? Our deepest wish is for all of us to access our own unique possibilities to be good and happy.
This book both confirmed and encouraged the best mindset to optimize growth. It’s about learning to create a growth mindset instead of a fixed mindset. Studies have shown that it’s a better way to be successful and happy in life.
“Qualities can be nurtured; our potential is unknown, and failure does not define you. Deal with it, learn, and praise the process."
The main keys are that it’s all about learning, learning, learning…no matter what happens to you. “Yet” is a key word, and hard work is required to succeed. Setbacks are opportunities for growth.
From the renowned psychologist who introduced the world to “growth mindset” comes this updated edition of the million-copy bestseller—featuring transformative insights into redefining success, building lifelong resilience, and supercharging self-improvement.
“Through clever research studies and engaging writing, Dweck illuminates how our beliefs about our capabilities exert tremendous influence on how we learn and which paths we take in life.”—Bill Gates, GatesNotes
“It’s not always the people who start out the smartest who end up the smartest.”
After decades of research, world-renowned Stanford University psychologist Carol S. Dweck, Ph.D., discovered a simple but groundbreaking idea: the power of mindset. In this…
I’ve been obsessed with the creative process since I was 8 and read Harriet the Spy and realized her writing saved her and after I spied on one of my parent’s cocktail parties and wondered why everybody was so dull (I was so cheeky). Still, it’s the quest that drives me: how do we be fully ourselves in this world and how does creativity help? I explore this question on my podcast Create Out Loud and in my weekly newsletter, and these books have helped me formulate, if not answers, creative and mindful practices that sustain me daily. I hope they inspire you too.
This is one of those secret gems of a book that hardly anybody has heard of but after you read it, you’ll be giving multiple copies away to every creative you know. Rich with real-life examples from working artists and writers, and Priscilla’s long history as a working creative and teacher, I have underlined an idea or suggestion on almost every page.
Minding the Muse is a practical handbook for the artist or writer—highly experienced, aspiring, or somewhere in between. Long draws from her extensive background as a poet, writer, and master teacher, but also gathers the insights and practices of a wide range of high-achieving artists, including mystery writer Raymond Chandler, choreographer Twyla Tharp, poet and performance artist Patti Smith, and the painter Joan Miró. Beginning with the first sparks of artistic creation—“Gathering, Hoarding, Conceptualizing”—Long moves through the various stages to “Completing Works” and “Poet as Peddler, Painter as Pusher: Marketing.” Every creative worker will find something here to take to…
I came to writing after twenty years of working with dreams, so I already had lots of techniques for coming and going easily between the everyday world and the inner worlds of imagination, and I’m sure that’s why I’ve never suffered from any creative blocks or anxieties. In a career spanning 30 years, I have written about 150 books, both fiction and non-fiction, for children and adults, and scores of articles including a monthly column in Writing Magazine. I have taught creative workshops for major writing organisations such as The Society of Authors, The Arvon Foundation, and The Scattered Authors’ Society, and I offer a varied programme of courses independently throughout the year.
This is one of only a few books I’ve found that looks directly at the way writers can use dream awareness in their creative practice. It’s a collection of interviews with twenty-six well-known authors compiled by dream researcher and radio-show host Naomi Epel, in which they talk about specific dreams that have inspired them and their thoughts about dreaming in general. I bought a copy to dip into on the train to London for a meeting but found it so fascinating, I abandoned my plan to do some sightseeing afterward, and made instead for the nearest bench and takeaway coffee, to spend the afternoon reading.
As they discuss their dreams--both sleeping and waking--with Naomi Epel, the 26 writers in this intriguing book create a portrait of the creative process that is more candid than most autobiographies and more inspiring than any guide to writing.
I began exploring the topic of creativity after my mother’s death in 2010. Mom was an extremely creative woman. The mother of ten children, living in poverty, she was a self-taught artist who managed to beautify her simple home with her art, building a home business selling paintings, woodcarvings, wall hangings, and quilts she created. When I began speaking to groups of women about creativity, I was shocked to discover just how few of them saw themselves as creative. Thus began my odyssey into creativity research and therapeutic art, and the resulting book and workshops that inspire and encourage others to discover their creative self.
This book is perfect for anyone who likes to see research that supports what they believe. There’s science behind the study of creativity and Wired to Create does an excellent job explaining it. Based on psychologist Scott Barry Kaufman’s groundbreaking research, this book offers a glimpse inside the “messy minds” of highly creative people. Kaufman and Carolyn Gregoire study the latest findings of neuroscience and psychology, and the practices of well-known “creatives,” concluding that we are all, in some way, wired for creating, and everyday life presents endless opportunities to express that.
Is it possible to make sense of something as elusive as creativity?
Based on psychologist Scott Barry Kaufman’s groundbreaking research and Carolyn Gregoire’s popular article in the Huffington Post, Wired to Create offers a glimpse inside the “messy minds” of highly creative people. Revealing the latest findings in neuroscience and psychology, along with engaging examples of artists and innovators throughout history, the book shines a light on the practices and habits of mind that promote creative thinking. Kaufman and Gregoire untangle a series of paradoxes— like mindfulness and daydreaming, seriousness and play, openness and sensitivity, and solitude and collaboration –…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.
This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.
“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith
“The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood
“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace
By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.…
After “the environmental crisis” came to popular attention in the 1960s, American Indians were portrayed as having a legacy of traditional environmental ethics. We wanted to know if this were true. But how to gain access to ideas of which there is no written record? Answer: analyze stories, which have a life of their own, handed down from one generation to the next going all the way back to a time before European contact, colonization, and cultural, as well as murderous, genocide. And the stories do reveal indigenous North American environmental ethics (plural). That’s what American Indian Environmental Ethics: An Ojibwa Case Study demonstrates.
Before there was money, people bartered one kind of stuff they had in abundance for another kind that they needed (or wanted). That may be true, but little appreciated in our market-oriented Western worldview, there was once an even older gift economy.
The Gift, among other related topics, explores the gift economy, which characterized the lifeways of many American Indian peoples. Hyde provides the key to understanding many of the stories in our book.
Hunters are portrayed as “visiting” the lodges of beavers, moose, and bear. They come bearing gifts that only humans can create through artifice or cultivation: knives and tobacco, for example—things much prized by the animal recipients.
In turn—but not necessarily in return—the animals give the humans their flesh and fur. The bones are their somatic souls, which should not be broken, but returned to the element from which they came—earth or water—to be reclothed in flesh…
I taught at Yale for 33 years and I hold advanced degrees from the Sorbonne. I am interested in literature as lessons for life, but I am mostly a passionate letter writer, especially to the great authors who have marked me. They are never really dead. I carry them around with me.
I selected the category of Offbeat Memoirs because I have written one. I also have an Italian alter-ego, Donatella de Poitiers, who authors a blog in which she muses about how a lifelong Francophile could have forsaken la Belle France for la dolce vita in the Umbrian countryside, where the food and fresh air are way better than the roads.
What do the writers you are drawn to reveal about you? Why at certain points in our lives do we become “attached” to certain authors? The process of attachment is mysterious. As we age (and change) some things remain constant. Our attachment to a particular author may have begun in our youth, but evolved as we have. To reconnect with a favorite author can put us in touch with our younger self in unexpected ways. Mead shows how much Middlemarch has “spoken” to her throughout her life. This book is perhaps more in harmony with my own than any on the list. I have come to love books that underscore how what we read can be inseparable from the person we become.
A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories.
Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described…