Here are 100 books that Before the Animation Begins fans have personally recommended if you like
Before the Animation Begins.
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I am a Disney historian, author, and editor of 50 books about Disney. I became passionate about Disney's history when I realized how rich the history of Disney is and how talented the artists who worked for Disney were and still are. Early on, I realized that when Disney built his studio in the 1930s, thanks to the Great Depression, he was able to hire the best artists from around the world (who were then unemployed). I also noticed that little was known about them. Since those artists have been revolutionizing the popular arts for 100 years, I could not help but be fascinated by their talent and their stories.
For years, I was frustrated to see Disney historians focus primarily on the role that male artists played at the Walt Disney Studio. I always felt that someone should, one day, write a full book about the many women artists who worked at Disney.
When historian Mindy Johnson filled this important gap, she did it with this massive (and beautifully illustrated) volume, which immediately became one of the most important reference books about Disney history that I own (and I own hundreds). It is a huge book, which is also an easy read!
From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets.
With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now.
Walt Disney's pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many "firsts" for women within the entertainment industry along the way. Focusing on…
I am a Disney historian, author, and editor of 50 books about Disney. I became passionate about Disney's history when I realized how rich the history of Disney is and how talented the artists who worked for Disney were and still are. Early on, I realized that when Disney built his studio in the 1930s, thanks to the Great Depression, he was able to hire the best artists from around the world (who were then unemployed). I also noticed that little was known about them. Since those artists have been revolutionizing the popular arts for 100 years, I could not help but be fascinated by their talent and their stories.
This biography of Walt Disney is the first that I read. It is the official biography of Disney, and it gave me the foundational knowledge I needed to start digging deeper into the subject of Disney history.
I find it well-written, extremely clear, and easy to read. I also feel that it is extremely lively as the author relies on a great number of interviews to enrich his work with relevant anecdotes along with important facts about Disney’s life and career.
I recommend it as the perfect starting point for learning about Disney history. Soon after reading this one, I recommend reading The Animated Man: A Life of Walt Disney by Michael Barrier.
This is the Commemorative Edition of one of the most trusted and respected nonfiction books about Walt Disney ever written!
Includes 4 commemorative essays; a photo insert with more than 60 behind-the-scenes images; and an endnotes section with insightful passages from 15 Disney historians and authors to provide further context for modern audiences.
Walt Disney is an American hero. From Mickey Mouse to Disneyland, he changed the face of American culture. His is a success story like no other: a man who developed animated film into an art form and made a massive contribution to the folklore of the world.…
I am a Disney historian, author, and editor of 50 books about Disney. I became passionate about Disney's history when I realized how rich the history of Disney is and how talented the artists who worked for Disney were and still are. Early on, I realized that when Disney built his studio in the 1930s, thanks to the Great Depression, he was able to hire the best artists from around the world (who were then unemployed). I also noticed that little was known about them. Since those artists have been revolutionizing the popular arts for 100 years, I could not help but be fascinated by their talent and their stories.
In order to really understand Disney history, I felt that I had to learn more about all of the ideas that Disney has explored and shelved. I could not believe my eyes when I discovered Charles Solomon’s volume on that very subject.
This book is one of a handful that changed my life as it led to a life-long fascination for the “hidden art” of Disney. Along with John Canemaker’s Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists, it is one of the two books that led me to write my own artbooks. I still re-read it from time to time up to this day.
Disney artists worked on many projects, both shorts and feature-length films, and their rich and varied work - whether in the form of concept art, animation drawings, storyboards, or gags - is a testament to the quality and innovation the studio achieved, even on unfinished projects. After a brief Introduction examining how the studio operated during Walt Disney's day, Solomon surveys the many categories of uncompleted film, illustrating each with beautiful examples of work by the staff artists: Mickey, Donald, and Goofy shorts; Fairy Tale Projects like Hans Christian Andersen tales and the ambitious feature Chanticleer and Reynard; wartime propaganda…
I am a Disney historian, author, and editor of 50 books about Disney. I became passionate about Disney's history when I realized how rich the history of Disney is and how talented the artists who worked for Disney were and still are. Early on, I realized that when Disney built his studio in the 1930s, thanks to the Great Depression, he was able to hire the best artists from around the world (who were then unemployed). I also noticed that little was known about them. Since those artists have been revolutionizing the popular arts for 100 years, I could not help but be fascinated by their talent and their stories.
I have a strong personal connection to Latin America, having lived there for several years and being married to a Brazilian.
This also means that Disney’s Latin American features (Saludos Amigos and The Three Caballeros) have always been among my favorites. Therefore, a book about the making of those movies must rise to the top of my list, especially since the book is also written by one of the best Disney historians, the esteemed JB Kaufman.
Stephen Silver has been a professional working artist, character designer, and teacher in the industry for over 30 years. He developed intellectual properties for some of the largest media companies in the world; such as Disney, Warner Bros., Nickelodeon, Sony, MAD Magazine, Reel FX, Bento box, Hasbro, Universal, DreamWorks, and more. Stephen is responsible for the visual character development and design of some of animation’s most iconic shows; including Disney’s Kim Possible, Nickelodeon’s Danny Phantom, and Disney’s Clerks: The Animated Series, to name a few.
This book is filled with artwork and sketches that are filled with energy. I love that Mark Davis offers a variety of different styles and development roughs that are so inspiring and make you want to sketch. The value I received from acquiring this book was giving me a greater sense of appreciation for playing with different mediums.
Walt Disney once said of Marc Davis, “Marc can do story, he can do character, he can animate, he can design shows for me. All I have to do is tell him what I want and it’s there! He’s my Renaissance man.” As such, Davis touched nearly every aspect of The Walt Disney Company during his tenure. He began as an animator, whose supporting work on Snow White and the Seven Dwarfs and Bambi inspired Walt to promote him to full animator.
In the ensuing years, Davis breathed life into a bevy of iconic Disney characters, including Cinderella, Alice (in…
I'm a student of animation and Disney history. As a Disney historian, I find much joy in writing the stories that intrigue and peak my curiosity. Stories that haven't been told or explored in-depth are exciting to bring to life because readers are hungry for new information on the Disney universe. And so am I. In choosing my writing projects it's important that no one else has written more than a cursory amount or nothing at all on the subject matter. I equally like to read books that shed new light on topics that I’m interested in and doing so in an authoritative voice. I hope you will enjoy the selection of books listed here.
This book celebrates the artistry and legacy of Walt Disney’s key talents not only in animation but in the theme park attraction design. Mary Blair’s influence can be seen in animated classics like Disney’s Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953) to Disneyland’s It’s a Small World and the mural at the Contemporary Resort at Walt Disney World, just to name a few. In a studio dominated by men, Blair rose to the top based on her talent for design and color styling. A wonderfully written book that showcases an artistic genius who brought magic to every project she worked on at Disney.
For more than a dozen years, a soft spoken, unassuming woman dominated design at The Walt Disney Studios with a joyful creativity and exuberant color palette that stamped the look of many classic Disney animated features, including Cinderella and PeterPan. Favorite theme park attractions, most notably the It's A Small World boat ride, originally created for the 1964-1965 New York World's Fair, were also among her designs. Now the story behind one of Walt's favorite artists is celebrated in this delightful volume of whimsical art and insightful commentary. In her prime, Mary Blair was an amazingly prolific American artist who…
There is something so magical about creating art and bringing an idea to life. As a writer and an art teacher, I love watching artists of any age find their own inspiration and joy in creating. I have used these books to launch all kinds of projects, from paintings to pottery, for every age and stage of artist. I hope you will find inspiration in these pages, too!
From the bright colors and mid-century modern style to the story behind a woman artist who created my favorite ride at Disneyland, there is so much I love about this fun picture book biography. With words like sienna, azure, and veridian, it is a great jumping off point for exploring color and color theory.
This book is also fantastic inspiration for designing your own colorful castles!
Amy Guglielmo, Jacqueline Tourville, and Brigette Barrager team up to tell the joyful and unique story of the trailblazing Disney artist Mary Blair.
Mary Blair lived her life in color: vivid, wild color.
From her imaginative childhood to her career as an illustrator, designer, and animator for Walt Disney Studios, Mary wouldn’t play by the rules. At a time when studios wanted to hire men and think in black and white, Mary painted twinkling emerald skies, peach giraffes with tangerine spots, and magenta horses that could fly.
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
During the golden age of the Disney studio, the “concept artists” were those who created sketches and paintings to suggest mood, theme, and atmosphere for the inspiration of the production artists. Their works were used internally, during production, and sometimes were outstanding works of art in themselves, but were never seen by the public. Now Didier Ghez singles out four of those top concept artists, documents their careers, and provides a generous gallery of their drawings and paintings, almost all of them previously unpublished. If you enjoy this book—and you surely will—there’s more good news: this volume is the first of six, all retaining the same format and the same high standard of excellence, and following the trail of Disney history well into the 21st century.
As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about…
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
An Academy Award®-winning animator in his own right, John Canemaker has combined his firsthand knowledge of the craft with superior writing skills to produce a series of outstanding books on animation history. You can pretty much close your eyes, pick any one of Canemaker’s books at random, and come up with a winner. But I’m highlighting this one as the definitive study of the “Nine Old Men,” the Disney artists widely recognized as the leading masters of animation. For each of the nine, Canemaker provides a detailed biography and a cogent analysis of the artist’s work, heavily illustrated. It’s a fitting testament to a royal legacy of talent.
Noted film historian John Canemaker brings to life the team whose combined individual genius defined the art of character animation. Think of your favorite moments and characters in Disney films from the thirties to the seventies and chances are most were animated by one of Walt Disney's "Nine Old Men." Through the span of their careers, these nine highly skilled animators exhibited an unparalleled loyalty to their employer. This book explores their artisitic breakthroughs, failures, and rivalries, and their individual relationships with each other and with Walt.
I am the Goldthwaite Professor of Rhetoric and Japanese at Tufts University. I’ve lived in Japan for 8 years beginning when I was 17 when I travelled to Tokyo and lived on my own, teaching English, and studying Japanese. I became a scholar of Japanese literature, and then in the 1990s became interested in Japanese animation (anime) and in animation in general. I’ve written five books on either Japanese literature or anime-related subjects, and I am currently working on a project comparing the animated films of the Walt Disney Studio with the films of Studio Ghibli.
This is a book for animation aficionados who really want to think about the nuts and bolts of animation. As someone with a tendency to revel in the world building of the finished product of animation, be it a Miyazaki movie or a Disney film, this book re-orients me to the materiality of the medium itself. And yes, traditional animation is a material medium! Frank looked at thousands of animation cells, literally frame by frame, and in her book provides us with a glimpse of the enormous labor, expertise, and occasional mistakes that go into creating even a seven-minute short subject. She brings back from the past the many women who were the inkers and in-betweeners in American animation studios and makes us realize the enormous effort (and tedium) that went into producing the fluid and flexible cartoons that Hollywood is known for.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.
In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and…
