Here are 41 books that The Art and Flair of Mary Blair fans have personally recommended if you like
The Art and Flair of Mary Blair.
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I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.
Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.
The most complete book on the subject ever written, this is the fascinating inside story by two long-term Disney animators of the gradual perfecting of a relatively young and particularly American art from, which no other move studio has ever been able to equal.
The authors, Frank Thomas and Ollie Johnston, worked with Walt Disney himself as well as other leading figures in a half-century of Disney films. They personally animated leading characters in most of the famous films and have decades of close association with the others who helped perfect this extremely difficult and time-consuming art form. Not to…
I'm a student of animation and Disney history. As a Disney historian, I find much joy in writing the stories that intrigue and peak my curiosity. Stories that haven't been told or explored in-depth are exciting to bring to life because readers are hungry for new information on the Disney universe. And so am I. In choosing my writing projects it's important that no one else has written more than a cursory amount or nothing at all on the subject matter. I equally like to read books that shed new light on topics that I’m interested in and doing so in an authoritative voice. I hope you will enjoy the selection of books listed here.
This is an excellent book on understanding how Disneyland developed and some of the crazy things that Walt Disney was advised to do for his theme park. What I love about this book is the full behind-the-scenes look at how Disneyland came into being and the philosophy behind the decisions that were made in those early years.
While the success of Disneyland is largely credited to Walt and Roy Disney, there was a third, mostly forgotten dynamo instrumental to the development of the park - fast-talking Texan C. V. Wood. Three Years in Wonderland presents the never-before-told, full story of ""the happiest place on earth."" Using information from over one hundred unpublished interviews, Todd James Pierce lays down the arc of Disneyland's development from an idea to a paragon of entertainment.
In the early 1950s, the Disney brothers hired Wood and his team to develop a feasibility study for an amusement park Walt wanted to build in…
I'm a student of animation and Disney history. As a Disney historian, I find much joy in writing the stories that intrigue and peak my curiosity. Stories that haven't been told or explored in-depth are exciting to bring to life because readers are hungry for new information on the Disney universe. And so am I. In choosing my writing projects it's important that no one else has written more than a cursory amount or nothing at all on the subject matter. I equally like to read books that shed new light on topics that I’m interested in and doing so in an authoritative voice. I hope you will enjoy the selection of books listed here.
This insightful book gives a glimpse into CEO Michael Eisner’s reign at The Walt Disney Company. As one reviewer put it, “Stewart assembles a withering portrait of Eisner as a grasping, self-centered, manipulative, and ultimately self-destructive executive.” Having worked at Disney during this time period, Disney War is the closest account next to actually being there during those turbulent years. A must-read for students of Disney.
The Pulitzer Prize-winning author of Den of Thieves draws on extensive research and hundreds of interviews to document the fierce executive battle for control of the foremost entertainment company, in an account that discusses how Michael Eisner lost his chairmanship and how the conflict reflects modern-day American capitalism and popular culture. 250,000 first printing.
I'm a student of animation and Disney history. As a Disney historian, I find much joy in writing the stories that intrigue and peak my curiosity. Stories that haven't been told or explored in-depth are exciting to bring to life because readers are hungry for new information on the Disney universe. And so am I. In choosing my writing projects it's important that no one else has written more than a cursory amount or nothing at all on the subject matter. I equally like to read books that shed new light on topics that I’m interested in and doing so in an authoritative voice. I hope you will enjoy the selection of books listed here.
Wild Minds is a wonderful and engrossing history of the early days of the animation industry. From Winsor McCay to Otto Messmer, Max Fleischer, and Walt Disney, this book twists and turns weaving a fantastic tapestry of the talented and highly competitive artists that invented animation techniques that are still being used today. Read about the choices Fleischer and Disney made that ended the former and vaulted the latter into stardom. A wild read for any animation history buff.
The vivid and untold story of the Golden Age of classic animation and the often larger-than-life artists who created some of the most iconic cartoon characters of the twentieth century
In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as…
I’m an award-winning children’s author who lives in Australia. I love reading and writing picture books, and although I mostly write fiction, I also love writing biographies. I am drawn to stories about women who have achieved something inspirational and unexpected and who may have not received wide recognition at the time or that any recognition has faded from public knowledge. I find it exciting to work with a team, that is the illustrator and the publisher, to create books that will find their way to children and allow them to imagine and feel another person’s life, and to see that everyday people do amazing things.
This colorful and joyous cover enticed me to learn about Disney artist, Mary Blair. As a child, Disneyland was a regular part of my television viewing in Australia. Had I known back then that girls could be anything they wanted, I would have been excited by the possibilities. Mary Blair created eye-popping work full of delicious colors and adventurous ideas. Seen as too unusual, Mary’s work was stymied, and she left Disney. But then Walt Disney had a special project and he knew Mary was the perfect artist for the job. I love this book for its kid-friendly vibrant illustrations and I hope children will see that each one of them deserves to shine in their own way.
Amy Guglielmo, Jacqueline Tourville, and Brigette Barrager team up to tell the joyful and unique story of the trailblazing Disney artist Mary Blair.
Mary Blair lived her life in color: vivid, wild color.
From her imaginative childhood to her career as an illustrator, designer, and animator for Walt Disney Studios, Mary wouldn’t play by the rules. At a time when studios wanted to hire men and think in black and white, Mary painted twinkling emerald skies, peach giraffes with tangerine spots, and magenta horses that could fly.
Stephen Silver has been a professional working artist, character designer, and teacher in the industry for over 30 years. He developed intellectual properties for some of the largest media companies in the world; such as Disney, Warner Bros., Nickelodeon, Sony, MAD Magazine, Reel FX, Bento box, Hasbro, Universal, DreamWorks, and more. Stephen is responsible for the visual character development and design of some of animation’s most iconic shows; including Disney’s Kim Possible, Nickelodeon’s Danny Phantom, and Disney’s Clerks: The Animated Series, to name a few.
This book is filled with artwork and sketches that are filled with energy. I love that Mark Davis offers a variety of different styles and development roughs that are so inspiring and make you want to sketch. The value I received from acquiring this book was giving me a greater sense of appreciation for playing with different mediums.
Walt Disney once said of Marc Davis, “Marc can do story, he can do character, he can animate, he can design shows for me. All I have to do is tell him what I want and it’s there! He’s my Renaissance man.” As such, Davis touched nearly every aspect of The Walt Disney Company during his tenure. He began as an animator, whose supporting work on Snow White and the Seven Dwarfs and Bambi inspired Walt to promote him to full animator.
In the ensuing years, Davis breathed life into a bevy of iconic Disney characters, including Cinderella, Alice (in…
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
During the golden age of the Disney studio, the “concept artists” were those who created sketches and paintings to suggest mood, theme, and atmosphere for the inspiration of the production artists. Their works were used internally, during production, and sometimes were outstanding works of art in themselves, but were never seen by the public. Now Didier Ghez singles out four of those top concept artists, documents their careers, and provides a generous gallery of their drawings and paintings, almost all of them previously unpublished. If you enjoy this book—and you surely will—there’s more good news: this volume is the first of six, all retaining the same format and the same high standard of excellence, and following the trail of Disney history well into the 21st century.
As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about…
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
An Academy Award®-winning animator in his own right, John Canemaker has combined his firsthand knowledge of the craft with superior writing skills to produce a series of outstanding books on animation history. You can pretty much close your eyes, pick any one of Canemaker’s books at random, and come up with a winner. But I’m highlighting this one as the definitive study of the “Nine Old Men,” the Disney artists widely recognized as the leading masters of animation. For each of the nine, Canemaker provides a detailed biography and a cogent analysis of the artist’s work, heavily illustrated. It’s a fitting testament to a royal legacy of talent.
Noted film historian John Canemaker brings to life the team whose combined individual genius defined the art of character animation. Think of your favorite moments and characters in Disney films from the thirties to the seventies and chances are most were animated by one of Walt Disney's "Nine Old Men." Through the span of their careers, these nine highly skilled animators exhibited an unparalleled loyalty to their employer. This book explores their artisitic breakthroughs, failures, and rivalries, and their individual relationships with each other and with Walt.
I am the Goldthwaite Professor of Rhetoric and Japanese at Tufts University. I’ve lived in Japan for 8 years beginning when I was 17 when I travelled to Tokyo and lived on my own, teaching English, and studying Japanese. I became a scholar of Japanese literature, and then in the 1990s became interested in Japanese animation (anime) and in animation in general. I’ve written five books on either Japanese literature or anime-related subjects, and I am currently working on a project comparing the animated films of the Walt Disney Studio with the films of Studio Ghibli.
This is a book for animation aficionados who really want to think about the nuts and bolts of animation. As someone with a tendency to revel in the world building of the finished product of animation, be it a Miyazaki movie or a Disney film, this book re-orients me to the materiality of the medium itself. And yes, traditional animation is a material medium! Frank looked at thousands of animation cells, literally frame by frame, and in her book provides us with a glimpse of the enormous labor, expertise, and occasional mistakes that go into creating even a seven-minute short subject. She brings back from the past the many women who were the inkers and in-betweeners in American animation studios and makes us realize the enormous effort (and tedium) that went into producing the fluid and flexible cartoons that Hollywood is known for.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.
In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and…
I have published over 50 books, including award-winning and bestselling titles. I am also a publishing executive and editor with 20+ years of professional experience. My latest The Twins of Auschwitz: The Inspiring True Story of Young Girl Surviving Mengele’s Hell, with Eva Kor, got a stellar review by Archbishop Desmond Tutu and is an international bestseller. As well as spearheading four publishing startups, I have run my own business, Editorial Services of L.A. I was Editorial/Publishing Director for Golden Books, Price Stern Sloan, Intervisual Books, Hooked on Phonics, and more. I am also the Publisher & Editor in Chief of NY Journal Of Books, the premier online-only book review site.
This old standby is one of the most memorable picture board books; I still recall reading it when I was four. Illustrating babies in all spaces and of all colors, Fujikawa makes the reader yearn to play with them. Fujikawa (1908–1998), designed many books for the Walt Disney Company, including promotional work on the movie Fantasia. But her work in Babies is not so cartoony as much as illustrated pen and ink. A keeper.
