Fans pick 33 books like Walt Disney's Nine Old Men and the Art of Animation

This is the book- the one that helped me to understand why animation is and always will be important.

Maltin is thorough and impartial, explaining the strengths and weaknesses of classic animated films with clarity and skill. He has been the standard I have always sought to emulate in my own animation writing.

During the 1960s, a wonderful periodical called Funnyworld began to chronicle animation history with unprecedented depth and eloquence. It was the work of Michael Barrier, and as it continued, it offered glimpses of the research he was conducting for a book to be published by Oxford Press. The book was finally finished and published more than three decades later, and reflects Barrier’s depth of insight, the thoroughness of his methods, and his dogged perseverance; his research included interviews with literally hundreds of artists from every American cartoon studio. Hollywood Cartoons stands as a definitive study of its subject, an essential reference (and enjoyable read) for any lover or serious student of classic animation.

During the golden age of the Disney studio, the “concept artists” were those who created sketches and paintings to suggest mood, theme, and atmosphere for the inspiration of the production artists. Their works were used internally, during production, and sometimes were outstanding works of art in themselves, but were never seen by the public. Now Didier Ghez singles out four of those top concept artists, documents their careers, and provides a generous gallery of their drawings and paintings, almost all of them previously unpublished. If you enjoy this book—and you surely will—there’s more good news: this volume is the first of six, all retaining the same format and the same high standard of excellence, and following the trail of Disney history well into the 21st century.

Ordinarily I don’t believe in “greatest” comparisons, but this book is different. Animation historian extraordinaire Jerry Beck surveyed more than a thousand historians and animation professionals to ascertain their picks, compiled the results into a list of fifty “greatest” cartoons, and then created this book with a separate entry for each film. It’s both informative and an endless delight, with well-illustrated celebrations of classic cartoon gems from the Disney, Warner, Fleischer, and MGM studios as well as the smaller, more obscure companies. You may disagree with the rankings or the choices, but this is undeniably a deep dive into a cornucopia of treasures. And Jerry didn’t stop there; fifteen years later he followed up with a similar but more specialized volume, The 100 Greatest Looney Tunes.

This biography of Walt Disney is the first that I read. It is the official biography of Disney, and it gave me the foundational knowledge I needed to start digging deeper into the subject of Disney history.

I find it well-written, extremely clear, and easy to read. I also feel that it is extremely lively as the author relies on a great number of interviews to enrich his work with relevant anecdotes along with important facts about Disney’s life and career.

I recommend it as the perfect starting point for learning about Disney history. Soon after reading this one, I recommend reading The Animated Man: A Life of Walt Disney by Michael Barrier.

This is a book for animation aficionados who really want to think about the nuts and bolts of animation. As someone with a tendency to revel in the world building of the finished product of animation, be it a Miyazaki movie or a Disney film, this book re-orients me to the materiality of the medium itself. And yes, traditional animation is a material medium! Frank looked at thousands of animation cells, literally frame by frame, and in her book provides us with a glimpse of the enormous labor, expertise, and occasional mistakes that go into creating even a seven-minute short subject. She brings back from the past the many women who were the inkers and in-betweeners in American animation studios and makes us realize the enormous effort (and tedium) that went into producing the fluid and flexible cartoons that Hollywood is known for.

Along the way, Frank touches on the… show more.

This book celebrates the artistry and legacy of Walt Disney’s key talents not only in animation but in the theme park attraction design. Mary Blair’s influence can be seen in animated classics like Disney’s Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953) to Disneyland’s It’s a Small World and the mural at the Contemporary Resort at Walt Disney World, just to name a few. In a studio dominated by men, Blair rose to the top based on her talent for design and color styling. A wonderfully written book that showcases an artistic genius who brought magic to every project she worked on at Disney.   

This book is filled with artwork and sketches that are filled with energy. I love that Mark Davis offers a variety of different styles and development roughs that are so inspiring and make you want to sketch. The value I received from acquiring this book was giving me a greater sense of appreciation for playing with different mediums.

From the bright colors and mid-century modern style to the story behind a woman artist who created my favorite ride at Disneyland, there is so much I love about this fun picture book biography. With words like sienna, azure, and veridian, it is a great jumping off point for exploring color and color theory.

This book is also fantastic inspiration for designing your own colorful castles!

I have always been fascinated by the artists who created Disney’s shorts and animated features. I was also looking for a book showcasing pre-production artwork I had never seen before.

John Canemaker’s seminal book, which explores the lives and careers of Disney’s “concept artists,” made my dreams come true. It is a volume that is both an absolute delight to read (Canemaker is one of the very best writers alive) and a feast for the eyes. This is the book that inspired me to write my own art books.