Here are 72 books that The 50 Greatest Cartoons fans have personally recommended if you like
The 50 Greatest Cartoons.
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I am a freelance writer from Winnipeg, Manitoba, Canada, specializing in media history and speculative fiction. I have been enchanted by animation since childhood and followed many series avidly through adulthood. My viewing inspired my MA thesis on the history of animation, out of which grew two books on the history and theory of animation on television, America 'Toons In: A History of Television Animation (available from McFarland and Co.) and The Encyclopedia of American Animated Television Shows (available from Rowman and Littlefield). Hopefully, others will follow.
This is the book- the one that helped me to understand why animation is and always will be important.
Maltin is thorough and impartial, explaining the strengths and weaknesses of classic animated films with clarity and skill. He has been the standard I have always sought to emulate in my own animation writing.
Film historian Leonard Maltin recreates a whole era of Hollywood cartoons, from Betty Boop to Spielberg's "An American Tail". It also brings the reader up to date on the modern work of Walt Disney and the Warner Bros studio, plus new developments in animation. The book includes a filmography of cartoons and sources for video rental.
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
An Academy Award®-winning animator in his own right, John Canemaker has combined his firsthand knowledge of the craft with superior writing skills to produce a series of outstanding books on animation history. You can pretty much close your eyes, pick any one of Canemaker’s books at random, and come up with a winner. But I’m highlighting this one as the definitive study of the “Nine Old Men,” the Disney artists widely recognized as the leading masters of animation. For each of the nine, Canemaker provides a detailed biography and a cogent analysis of the artist’s work, heavily illustrated. It’s a fitting testament to a royal legacy of talent.
Noted film historian John Canemaker brings to life the team whose combined individual genius defined the art of character animation. Think of your favorite moments and characters in Disney films from the thirties to the seventies and chances are most were animated by one of Walt Disney's "Nine Old Men." Through the span of their careers, these nine highly skilled animators exhibited an unparalleled loyalty to their employer. This book explores their artisitic breakthroughs, failures, and rivalries, and their individual relationships with each other and with Walt.
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
During the 1960s, a wonderful periodical called Funnyworldbegan to chronicle animation history with unprecedented depth and eloquence. It was the work of Michael Barrier, and as it continued, it offered glimpses of the research he was conducting for a book to be published by Oxford Press. The book was finally finished and published more than three decades later, and reflects Barrier’s depth of insight, the thoroughness of his methods, and his dogged perseverance; his research included interviews with literally hundreds of artists from every American cartoon studio. Hollywood Cartoonsstands as a definitive study of its subject, an essential reference (and enjoyable read) for any lover or serious student of classic animation.
In Hollywood Cartoons, Michael Barrier takes us on a glorious guided tour of American animation in the 1930s, '40s, and '50s, to meet the legendary artists and entrepreneurs who created Bugs Bunny, Betty Boop, Mickey Mouse, Wile E. Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites. Beginning with black-and-white silent cartoons, Barrier offers an insightful account, taking us inside early New York studios and such Hollywood giants as Disney, Warner Bros., and MGM. Barrier excels at illuminating the creative side of animation-revealing how stories are put together, how animators develop a character, how technical innovations enhance the…
Like so many others, I discovered Disney in childhood. When I was five years old my parents took me to see a Disney movie in a theater, and the experience was so overwhelming that I still recall it vividly. It was the beginning of a lifelong passion for classic films, a passion that has led me to a career as a film historian. For me, writing a book about a film is mainly an excuse to do the research, to get inside a film and explore it, and find out what makes it tick. It’s invariably a fascinating journey, and if I can share that fascination with readers, I’m happy.
During the golden age of the Disney studio, the “concept artists” were those who created sketches and paintings to suggest mood, theme, and atmosphere for the inspiration of the production artists. Their works were used internally, during production, and sometimes were outstanding works of art in themselves, but were never seen by the public. Now Didier Ghez singles out four of those top concept artists, documents their careers, and provides a generous gallery of their drawings and paintings, almost all of them previously unpublished. If you enjoy this book—and you surely will—there’s more good news: this volume is the first of six, all retaining the same format and the same high standard of excellence, and following the trail of Disney history well into the 21st century.
As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about…
I'm a student of animation and Disney history. As a Disney historian, I find much joy in writing the stories that intrigue and peak my curiosity. Stories that haven't been told or explored in-depth are exciting to bring to life because readers are hungry for new information on the Disney universe. And so am I. In choosing my writing projects it's important that no one else has written more than a cursory amount or nothing at all on the subject matter. I equally like to read books that shed new light on topics that I’m interested in and doing so in an authoritative voice. I hope you will enjoy the selection of books listed here.
Wild Minds is a wonderful and engrossing history of the early days of the animation industry. From Winsor McCay to Otto Messmer, Max Fleischer, and Walt Disney, this book twists and turns weaving a fantastic tapestry of the talented and highly competitive artists that invented animation techniques that are still being used today. Read about the choices Fleischer and Disney made that ended the former and vaulted the latter into stardom. A wild read for any animation history buff.
The vivid and untold story of the Golden Age of classic animation and the often larger-than-life artists who created some of the most iconic cartoon characters of the twentieth century
In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as…
I am a Disney historian, author, and editor of 50 books about Disney. I became passionate about Disney's history when I realized how rich the history of Disney is and how talented the artists who worked for Disney were and still are. Early on, I realized that when Disney built his studio in the 1930s, thanks to the Great Depression, he was able to hire the best artists from around the world (who were then unemployed). I also noticed that little was known about them. Since those artists have been revolutionizing the popular arts for 100 years, I could not help but be fascinated by their talent and their stories.
For years, I was frustrated to see Disney historians focus primarily on the role that male artists played at the Walt Disney Studio. I always felt that someone should, one day, write a full book about the many women artists who worked at Disney.
When historian Mindy Johnson filled this important gap, she did it with this massive (and beautifully illustrated) volume, which immediately became one of the most important reference books about Disney history that I own (and I own hundreds). It is a huge book, which is also an easy read!
From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets.
With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now.
Walt Disney's pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many "firsts" for women within the entertainment industry along the way. Focusing on…
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
This two-book volume of notes, drawings, wise sayings, and philosophy are and have been invaluable assets to the learning curve of myself and numerous others. I have these same handouts, in storage boxes, saved over the years. I was there in the lunch-time drawing classes Walt taught at the Disney Studio. Before each drawing session he would hand out these xerox pages. On occasion some of my sketches were included in these handouts. With humor and enthusiasm, Walt encouraged us to push the models pose, see the possibilities and more, all with a goal of making better animation drawings.
Discover the lessons that helped bring about a new golden age of Disney animation!
Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Brad Bird, Glen Keane, and John Lasseter. These writings represent the quintessential refresher for fine artists and film professionals, and it is a vital tutorial for students who are now…
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.
Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.
The most complete book on the subject ever written, this is the fascinating inside story by two long-term Disney animators of the gradual perfecting of a relatively young and particularly American art from, which no other move studio has ever been able to equal.
The authors, Frank Thomas and Ollie Johnston, worked with Walt Disney himself as well as other leading figures in a half-century of Disney films. They personally animated leading characters in most of the famous films and have decades of close association with the others who helped perfect this extremely difficult and time-consuming art form. Not to…
I am a freelance writer from Winnipeg, Manitoba, Canada, specializing in media history and speculative fiction. I have been enchanted by animation since childhood and followed many series avidly through adulthood. My viewing inspired my MA thesis on the history of animation, out of which grew two books on the history and theory of animation on television, America 'Toons In: A History of Television Animation (available from McFarland and Co.) and The Encyclopedia of American Animated Television Shows (available from Rowman and Littlefield). Hopefully, others will follow.
A continuation of 1994's groundbreaking Cartoons, Giannalberto Bendazzi's Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries.
I am a freelance writer from Winnipeg, Manitoba, Canada, specializing in media history and speculative fiction. I have been enchanted by animation since childhood and followed many series avidly through adulthood. My viewing inspired my MA thesis on the history of animation, out of which grew two books on the history and theory of animation on television, America 'Toons In: A History of Television Animation (available from McFarland and Co.) and The Encyclopedia of American Animated Television Shows (available from Rowman and Littlefield). Hopefully, others will follow.
The autobiography of the co-founder of the legendary Hanna-Barbera studio is essential reading for anyone wanting to understand the history of animation in the 20th century.
Barbera, who was as gifted as a raconteur as he was an animator, writes without flinching about many aspects of his career, and the difficulties he and business partner William Hanna faced in building and sustaining their careers.
