Here are 100 books that Against White Feminism fans have personally recommended if you like
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As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
The title of the book alone is enough to pick it up.
Abu-Lughod’s book is the crux for so many other works focused on the misplaced victimization of Arab and Muslim women. Not only does she challenge the West’s flawed understandings of these women, but she also implicates the dangers of the West’s foreign intervention. But it’s not all academic jargon.
She includes real and moving stories from women’s experiences that helped me reflect on my own ideological stance as a feminist.
Frequent reports of honor killings, disfigurement, and sensational abuse have given rise to a consensus in the West, a message propagated by human rights groups and the media: Muslim women need to be rescued. Lila Abu-Lughod boldly challenges this conclusion. An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face and asking what motivates particular individuals and institutions to promote their rights.
In recent years Abu-Lughod has struggled to reconcile the popular image of women victimized…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
Farris’ book is a provocative and timely piece that would make any holiday dinner awkward.
We’ve all heard the arguments seemingly standing up for Arab or Muslim women that sounds a lot like a white savior complex and maybe a little racist. In short, Farris calls out those folks who use gender equality language to hide their racist and xenophobic language and how we can put a pin in that kind of rhetoric.
Sara R. Farris examines the demands for women's rights from an unlikely collection of right-wing nationalist political parties, neoliberals, and some feminist theorists and policy makers. Focusing on contemporary France, Italy, and the Netherlands, Farris labels this exploitation and co-optation of feminist themes by anti-Islam and xenophobic campaigns as "femonationalism." She shows that by characterizing Muslim males as dangerous to western societies and as oppressors of women, and by emphasizing the need to rescue Muslim and migrant women, these groups use gender equality to justify their racist rhetoric and policies. This practice also serves an economic function. Farris analyzes how…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
Segall’s book introduced me to so many incredible Muslim women that I hadn’t even heard of!
We’re talking about grassroots and famous protestors that engage with digital media to change the landscape of protest. Segall positions these women in positions of power, which we rarely see in literature, and lets them tell us why their stories matter.
The icon of the female protester and her alter-ego, the female superhero, fills screens in the news, in theaters, and in digital spaces. The female protester who is Muslim, though, has been subject to a legacy of discrimination. Superheroes in the Streets: Muslim Women Activists and Protest in the Digital Age follows the stories of both famous and grassroots Muslim female protestors, bringing careful attention to protest modes and online national icons.
US Muslim women have long navigated public and digital spaces aware of the complex and nuanced histories that trail them. Given the pervasive influence of mainstream feminism, Muslim…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
I had to throw at least one fiction book on my list.
Etaf Rum is a Palestinian-American novelist with a talent for revealing difficult truths through beautifully written stories about women. Evil Eye addresses generational trauma, the taboos surrounding mental health care, and the discouragement that keeps women from standing up for themselves.
I love the way the protagonist explores herself and what she really wants out of her life instead of what everyone expects from her. Rum’s characters are relatable and complex, creating one of the best books I read in 2023.
The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.
"After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that's come after were the result of a family curse. While Yara doesn't believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so…
I grew up in Los Angeles, California, which is frequently imagined as well as experienced. As a child, we lived by the beach and in the foothills of Angeles National Forest. The leaps of faith you make in this landscape were always clear: earthquakes, wildfires, and mudslides occur regularly. The question asked often about the Arctic: “why on earth do people live there?” applies also to California: life in beautiful landscapes and seascapes is risky. Then, I made my first trip to Iceland alone in 1995, and have now been to Iceland ten times, Greenland twice, and Nayan Mar, above the Russian Arctic Circle, each time with fascination.
What would you do if you were taken by force from your home as a child and placed in a museum for strangers to look at you and touch you? And if two-thirds of the adults with you died almost immediately from this treatment? And if the man who did this to you was acclaimed as a hero?
This is the story of a boy from the Arctic lost in New York City, and his struggle to return home.
A compelling biography of the Eskimo boy who was brought back to the U.S. by explorer Robert Peary recreates the twelve agonizing years little Minik spent living as an alien in New York City, an experience that culminates with the discovery that his father's body is on display at the Museum of Natural History. 25,000 first printing. $25,000 ad/promo. BOMC.
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
This book does a fantastic job of illustrating something that I explore in my own work: pro-slavery (and anti-Black) white Americans were not the only obstacles facing abolitionists in the fight for racial equality.
The abolitionist movement itself was often divided along racial lines. Black abolitionists pushed for radical, egalitarian change in all aspects of American life. When push came to shove, however, many of their white counterparts had a limit as to how far they would go.
Bell shows how this dynamic played out at progressive colleges like Oberlin before, during, and after the Civil War. The implications of this book, however, stretch far beyond those campuses–and far beyond that time.
The abolitionist movement not only helped bring an end to slavery in the United States but also inspired the large-scale admission of African Americans to the country's colleges and universities. Oberlin College changed the face of American higher education in 1835 when it began enrolling students irrespective of race and sex. Camaraderie among races flourished at the Ohio institution and at two other leading abolitionist colleges, Berea in Kentucky and New York Central, where Black and white students allied in the fight for emancipation and civil rights. After Reconstruction, however, color lines emerged on even the most progressive campuses. For…
My interest and curiosity in this topic primarily came from life experience: not fitting in as a gangly Asian girl growing up in white suburbs and picked on for how I looked, working as a teen model in the late 1990s and early aughts, becoming a mother to three girls while opening up NPR’s first-ever bureau and living in Seoul, South Korea, the plastic surgery capital of the world. Ever since graduating from The University of Missouri-Columbia’s School of Journalism, I’ve been a professional journalist. Most of my career has been as an NPR correspondent, but I’ve also worked as a reporter for VICE and appeared in The Atlantic, WIRED, Slate, and numerous other publications.
As the author and philosopher Heather Widdows makes clear, one of the big reasons why appearance has come to mean so much to us, and we spend so much time, energy, and resources on upgrading our looks, is because physical beauty has wrongly become conflated with worthiness and character.
In other words, we assume if you look good, you’re a good, moral person. In this comprehensive yet fast-paced read (which laid an academic groundwork for a lot of the reporting in my own book), Widdows connects the dots between ethics and beauty and makes the case for why we should resist the increasing demands of beauty ideals.
How looking beautiful has become a moral imperative in today's world
The demand to be beautiful is increasingly important in today's visual and virtual culture. Rightly or wrongly, being perfect has become an ethical ideal to live by, and according to which we judge ourselves good or bad, a success or a failure. Perfect Me explores the changing nature of the beauty ideal, showing how it is more dominant, more demanding, and more global than ever before.
Heather Widdows argues that our perception of the self is changing. More and more, we locate the self in the body--not just our…
The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
Fitzgerald’s mastery of the English language is beautiful to behold. This book is one of the most eloquent expositions of the control of his prose while at the same time confronting his greatest weakness in life: an inability to find happiness and true love that loves him back. Set on the French Riviera, Tender is the Night is honest and painful. It’s an insight into Fitzgerald’s melancholy world of excess.
This is both fantastic to be a part of and tragic. The tragedy and the beauty are juxtaposed in the most fantastic way–this makes this book one of my favorite romances. I read this book for pure enjoyment. Each sentence makes me smile with its beauty and its profundity.
F. Scott Fitzgerald wrote in a friend's copy of Tender Is the Night, "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith." Set in the South of France in the decade after World War I, Tender Is the Night is the story of a brilliant and magnetic psychiatrist named Dick Diver; the bewitching, wealthy, and dangerously unstable mental patient, Nicole, who becomes his wife; and the beautiful, harrowing ten-year pas de deux they act out along the border between sanity and madness. In Tender Is…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
This book challenged my thinking about the implications of compassion taking a decisive role in policy.
Not undermining the import of compassion or empathy, it reveals how these moral sentiments are taking precedence over formal rights in decisions about asylum for refugees, aid, access to health or mental health care, and even justifying a military action.
Under the emergent logic of humanitarian reason, structural inequities and violence are easily rendered invisible as the most poignantly shaped public narratives of suffering gain sway over historical conditions of structural injustice and dominance. Fassin draws upon fieldwork in South Africa, Venezuela, Palestine, and Iraq, as well as policy in France, showing how the logic of humanitarian reason can abandon those who are positioned in the most precarious conditions.
In the face of the world's disorders, moral concerns have provided a powerful ground for developing international as well as local policies. Didier Fassin draws on case materials from France, South Africa, Venezuela, and Palestine to explore the meaning of humanitarianism in the contexts of immigration and asylum, disease and poverty, disaster and war. He traces and analyzes recent shifts in moral and political discourse and practices - what he terms "humanitarian reason" - and shows in vivid examples how humanitarianism is confronted by inequality and violence. Deftly illuminating the tensions and contradictions in humanitarian government, he reveals the ambiguities…
I’m a historian of modern Germany. As a teacher and a writer, I seek to get my students and readers to empathize with the people of the past, to think and even feel their way inside those people’s experiences. Because empathy is not sympathy, one can and should empathize with people one finds unsympathetic. We need to empathize with Nazis in order to understand how they and other Germans—human beings not unlike ourselves—could have committed the worst crimes in modern European history, not least the Holocaust.
This book is based on reports, reflections, and correspondence of prison chaplains who interacted with imprisoned Nazi perpetrators awaiting trial and, in some instances, execution.
What the prisoners confessed to the clergy and, even more, the criminal behavior they failed to acknowledge I find so revealing. The prisoners felt guilty for individual personal transgressions (like cheating on their wives). Here, they had chosen to sin. But they felt no guilt about their participation in genocide since they saw themselves as having acted perforce on behalf of the community of the “Volk.”
Kellenbach brings this astonishing fact home in a way that is simultaneously horrifying and empathic. After reading her book, I finally came to understand what Adolf Eichmann meant when he claimed that he was “the victim of a fallacy” at his trial in Jerusalem.
The Mark of Cain fleshes out a history of conversations that contributed to Germany's coming to terms with a guilty past. Katharina von Kellenbach draws on letters exchanged between clergy and Nazi perpetrators, written notes of prison chaplains, memoirs, sermons, and prison publications to illuminate the moral and spiritual struggles of perpetrators after the war. These documents provide intimate insights into the self-reflection and self-perception of perpetrators. As Germany looks back on more than sixty years of passionate debate about political, personal and legal guilt, its ongoing engagement with the legacy of perpetration has transformed its culture and politics.
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