Here are 39 books that A Taste for Death fans have personally recommended if you like
A Taste for Death.
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I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim.
I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.
In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.
When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.
The lore of bell-ringing and a brilliantly-evoked village in the remote fens of East Anglia are the unforgettable background to a story of an old unsolved crime and its violent unravelling twenty years later.
'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell
One of my favourite reviews described my book as ‘a bloodstained version of the world of Barbara Pym.’ Perfect! I write crime novels set in the Church of England. I also read mysteries with churchy connections—lots of them. My shelves hold hundreds, featuring clerical sleuths (and even a few clerical murderers), books set in churches, cathedrals, and monasteries (past and present). I love to explore the questions I am so often asked when talking about the books I love: why is there such a plethora of them, and why does the Church, which represents ‘goodness,’ appear so often in novels which feature unspeakable crimes?
This trilogy of novels is altogether darker than Sayers, as Andrew Taylor tackles nothing less ambitious than ‘the making of a murderer,’ as well as the history of the Church of England in the twentieth century. If the latter sounds dull, it’s not! Figuratively looking through the wrong end of a telescope, he peels away the layers of the story as he goes backward in time in the cathedral city of Rosington, from the wrenching kidnapping of the daughter of a woman priest, to the events in the far past which culminated in tragedy. Like Dorothy Sayers, though, Andrew Taylor grew up as the child of an Anglican clergyman, so there is real authenticity here, as well as fine writing and a gift for creating suspense.
Like an archaeological dig, The Roth Trilogy strips away the past to reveal the menace lurking in the present: `Taylor has established a sound reputation for writing tense, clammy novels that perceptively penetrate the human psyche' - Marcel Berlins, The Times
The shadow of past evil hangs over the present in Andrew Taylor's Roth Trilogy as he skilfully traces the influences that have come to shape the mind of a psychopath.
Beginning, in The Four Last Things, with the abduction of little Lucy Appleyard and a grisly discovery in a London graveyard, the layers of the past are gradually peeled…
One of my favourite reviews described my book as ‘a bloodstained version of the world of Barbara Pym.’ Perfect! I write crime novels set in the Church of England. I also read mysteries with churchy connections—lots of them. My shelves hold hundreds, featuring clerical sleuths (and even a few clerical murderers), books set in churches, cathedrals, and monasteries (past and present). I love to explore the questions I am so often asked when talking about the books I love: why is there such a plethora of them, and why does the Church, which represents ‘goodness,’ appear so often in novels which feature unspeakable crimes?
Set in the evocative, spooky borderlands known as the Marches, between England and Wales, this is part of a series by Phil Rickman. Through the novels we follow the trials and tribulations of Merrily Watkins, a parish priest and the official exorcist for the Hereford diocese of the Church of England—thus introducing a strong element of the supernatural. Merrily is a believable and sympathetic protagonist, with her share of human weaknesses, and she’s surrounded by a rich, unforgettable cast of ongoing supporting characters: daughter Jane, musician Lol, and the wonderful Gomer Parry. It was difficult to choose one book from this fine series, but I settled on this one because it features one of my own favourite churches—Kilpeck, in the wilds of Herefordshire.
When Aidan Lloyd's bleak funeral is followed by a nocturnal ritual in the fog, it becomes all too clear that Aidan, son of a wealthy farmer, will not be resting in peace.
Aidan's hidden history has reignited an old feud, and a rural tradition begins to display its sinister side.
It's already a fraught time for Merrily Watkins, her future threatened by a bishop committed to restricting her role as diocesan exorcist for Hereford. Suddenly there are events she can't talk about as she and her daughter Jane find themselves potentially on the wrong side of the law.
One of my favourite reviews described my book as ‘a bloodstained version of the world of Barbara Pym.’ Perfect! I write crime novels set in the Church of England. I also read mysteries with churchy connections—lots of them. My shelves hold hundreds, featuring clerical sleuths (and even a few clerical murderers), books set in churches, cathedrals, and monasteries (past and present). I love to explore the questions I am so often asked when talking about the books I love: why is there such a plethora of them, and why does the Church, which represents ‘goodness,’ appear so often in novels which feature unspeakable crimes?
Flavia de Luce is surely one of the most original—and the most delightful—detective characters ever written. The precocious eleven-year-old lives in a crumbling manor house in the English countryside, with her vague father, beastly older sisters, and faithful retainer Dogger. Her interest in chemistry—and death—tend her get her into trouble on a regular basis. In this book, Flavia is on the scene when the body of the church organist turns up in the medieval tomb of St Tancred, the parish church’s patron saint. Predictably, she sets out to solve the murder, tearing about the village on her faithful bicycle Gladys. Alan Bradley evokes a world—rural England in the 1950s—that many of us would love to return to (in spite of the murders!) and has created an unforgettable heroine. If you enjoy mysteries that make you smile, rather than…
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • NEW YORK TIMES BESTSELLER
From award-winning author Alan Bradley comes the next cozy British mystery starring intrepid young sleuth Flavia de Luce, hailed by USA Today as “one of the most remarkable creations in recent literature.”
Eleven-year-old amateur detective and ardent chemist Flavia de Luce is used to digging up clues, whether they’re found among the potions in her laboratory or between the pages of her insufferable sisters’ diaries. What she is not accustomed to is digging up bodies. Upon the five-hundredth anniversary of St. Tancred’s death, the…
Traveling, meeting people, hearing stories, learning about places and landscapes—this is what my writing is all about. Sometimes it takes the form of nonfiction, sometimes poetry. I’ve had a wandering spirit from early on, finding joy and wonder as a child while sitting in the backseat on road trips, or taking the bus cross-state, or (best of all) riding on a train going anywhere. Reading Kerouac’s On the Road brought everything together: heading out with no particular destination in mind other than finding oneself on the road. And then writing it all down, telling the story. Here are some books that have rekindled the Kerouac spirit for me.
Curiosity about hobo life led Ted Conover to drop everything and ride the rails for a spell. What he learned became the basis of his first book,Rolling Nowhere. It’s filled with the things I love best about these books: fascinating characters, indelible scenes, and movement through landscapes both sublime and gritty. On every page, there’s a reminder of Kerouac and London. Reading it, I am filled with longing, the urge for going, wanderlust. I’m older now; I’ve done my share of traveling and written about it, too. But maybe I’m not totally done with it: a half-mile from my comfortable house, my street intersects with the road out of town, the city limits sign visible in the distance. And beyond: desert, wide sky, open road. A boundless dreamland.
Hopping a freight in the St. Louis rail yards, Ted Conover—winner of the National Book Critics Circle Award—embarks on his dream trip, traveling the rails with “the knights of the road.” Equipped with rummage store clothing, a bedroll, and his notebooks, Conover immerses himself in the peculiar culture of the hobo, where handshakes and intoductions are foreign, but where everyone knows where the Sally (Salvation Army) and the Willy (Goodwill) are. Along the way he encounters unexpected charity (a former cop goes out of his way to offer Conover a dollar) and indignities (what do you do when there are…
I worked for ten years as a guard at the Metropolitan Museum of Art, as narrated in my memoir, All the Beauty in the World. I’ve found that readers are fascinated by the art in the Met but also by the “living museum,” which includes five hundred security guards keeping watch over millions of visitors each year. I’ve read a variety of workplace memoirs to study how authors depict the rhythms of work and the feel of particular workplaces. I’m especially passionate when there are larger themes at play and thus clear reasons why we should care.
This is a workplace memoir in part because of the engaging, disgusting scenes where he labors as a plongeur (dishwasher) in a grimy French restaurant. But in a broader sense, it’s a book about the hard work of being poor.
Every sentence is intelligent and the overall thrust is deeply moral—Orwell’s calling card.
From the author of 1984, the classic semi-autobiographical story about the adventures of a penniless British writer in two cities.
Down and Out in Paris and London follows the journey of a writer among the down-and-out in two great cities. Without self-pity and often with humor, this novel is Orwell at his finest-a sobering, truthful protrayal of poverty and society.
We came to Paris to find music (Daniel) and wisdom (Claire) and found each other instead. We fell in love, got married, and lived in the City of Lights for twenty years. We were charmed, inspired. Paris made us into the storytellers we are today. Together, we wrote A Whale in Paris to express our love for the city and its past. The books we recommend will make you feel how magical Paris and France truly are. Stories about unlikely friendships and fantastic adventures that shine a light in the deepest dark. Stories that celebrate life.
Imagine it’s 1958 and you live in Paris. Imagine your father dies and you lose your home and your mother has to work. Imagine you spend a day in the company of a grumpy old man walking all through the city. Imagine kindness and friendship doing their magic to keep everyone safe. Yes, The Family Under the Bridge is an old-fashioned book with a few shortcomings, but we recommend it nonetheless. This story celebrates Paris and all the generous and delightful people roaming its streets.
The heartwarming and memorable Newbery Honor-winning book about finding family in the unlikeliest places, featuring artwork by beloved illustrator Garth Williams. This classic middle grade novel is a welcome and meaningful read, especially at Christmastime.
Armand, an old man living on the streets of Paris, relishes his solitary life in the beautiful city. He is happy with his carefree existence, begging and doing odd jobs to keep himself warm and fed. With simple pleasures and no cares, what more could he need?
Then one day just before Christmas, Armand returns to his favorite spot beneath the bridge to find three…
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
The first in Locke’s Highway 59 series, featuring African American Texas ranger Darren Matthews involving two bodies one black, one white that wash up in a small East Texas town.
The story combines procedural, western, and Southern gothic to give an entertaining, human, yet unflinching look at race both past and present. This book enlightened me on how much African Americans contribute to what we call Texas culture.
Waterstones' Thriller of the Month June 2020 Shortlisted for the Orwell Prize 2020 A Sunday Times Book of the Year 'Political crime fiction of the highest order' Sunday Times
Nine-year-old Levi King knew he should have left for home sooner; instead he found himself all alone, adrift on the vastness of Caddo Lake. A sudden noise - and all goes dark. Ranger Darren Mathews is trying to emerge from another kind of darkness; his career and reputation lie in the hands of his mother, who's never exactly had his best interests at heart. Now she holds the key to his…
I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
As chief of the Philadelphia Police Department, Timoney ended the notorious practice of “juking” crime statistics to soothe politicians. For example, if you want to lower the murder rate, just book the killers on “manslaughter! This book is by the third of brilliant cops who reformed the NYPD. Compare what they did in 1990 to the current misrule and chaos in the Big Apple and I can truly say to you, “Read it and weep!”
Born in a rough-and-tumble neighborhood of Dublin, John F. Timoney moved to New York with his family in 1961. Not long after graduating from high school in the Bronx, he entered the New York City Police Department, quickly rising through the ranks to become the youngest four-star chief in the history of that department. Timoney and the rest of the command assembled under Police Commissioner Bill Bratton implemented a number of radical strategies, protocols, and management systems, including CompStat, that led to historic declines in nearly every category of crime. In 1998, Mayor Ed Rendell of Philadelphia hired Timoney as…
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
This was the book that turned me on to crime fiction, a genre I had always previously spurned. Why should anyone want to read about crime, I’d thought. Isn’t there enough of it in real life anyway?
Then, on my honeymoon in St Lucia, I was staying with my new wife in a magical villa full of books I’d never read. I picked this one up because it was about a publishing house, which reminded me of several I knew as an author. Right from the off, I was drawn in by James’s superb characters and wonderful descriptions. Then the plot kicked in, and I was hooked. When I’d finished it, I moved on to another of her books and was soon reading crime voraciously.
The Peverell Press, a two-hundred-year-old publishing firm housed in a dramatic mock-Venetian palace on the Thames, is certainly ripe for change. But the proposals of its ruthlessly ambitious new managing director, Gerard Etienne, have made him dangerous enemies - a discarded mistress, a neglected and humiliated author, and rebellious colleagues and staff. When Gerard's body is discovered bizarrely desecrated, there is no shortage of suspects and Adam Dalgliesh and his team are confronted with a puzzle of extraordinary complexity and a murderer who is prepared to strike…
