Here are 100 books that A Parthenon on our Roof fans have personally recommended if you like
A Parthenon on our Roof.
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Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves.
The Parthenon sculptures in the British Museum are unrivalled examples of classical Greek art that have inspired sculptors, artists, poets and writers since their creation in the fifth century BC. This book serves as a superb visual introduction to these magnificent sculptures. The book showcases a series of specially taken photographs of the different sculptural elements: the pediments, metopes and Ionic frieze. It captures the vitality of the sculptures in a group, an individual sculpture or an exquisite eye-catching detail, such as the mane of a horse, a human foot, the swish of drapery or a youthful head bowed in…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Konstantinidis was a leading modern architect in Greece. Filled with his own sketches and photographs, he put this book together to illustrate his debt to the traditional architecture of his own country. It implies a line of shared relationship with landscape and materials going back thousands of years, to Callicrates and Ictinus (architects of the Parthenon) and beyond. I like that this book includes pictorial sketches and plans of traditional buildings, as well as constructional details showing the uses of materials readily available from the land.
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book is a provocative and stimulating read, offering a series of stories on and about interior spaces and the buildings they are situated in. The stories of buildings and their changes are fascinating, providing boundless enthusiasm to communicate the ideas and stories of each space. Hollis states that many conversations are started and that maybe not all of them are ever finished, this book provides an inspired beginning for any person who wants to begin an exploration of the art of adapting and altering existing buildings.
The plans are drawn up, a site is chosen, foundations are dug: a building comes into being with the expectation that it will stay put and stay for ever. But a building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation. In this radical reimagining of architectural history, Edward Hollis tells the stories of thirteen buildings, beginning with the 'once upon a time' when they first appeared, through the years of appropriation, ruin and renovation, and ending with a temporary 'ever after'. In spell-binding prose, Hollis follows his buildings…
I fell in love with all things Greek around the same time I fell in love with my Greek Cypriot husband about 30 years ago. That was when I started reading books about Greece as well as fiction set in Greece. I also learned to cook Greek food, which made both my man and me happy. I traveled to as many Greek islands, and of course, Cyprus, as time would allow. Eventually, I started writing books set in Greece myself. I went to a Greek Orthodox church and took Greek language evening classes. I feel at this point and have been told by Greek islanders, that I am now essentially Greek.
To me, married to a Greek Cypriot, Cyprus is always part of Greece, too, and so I include it twice in this list. I love the literary genius of Lawrence Durrell. Bitter Lemons of Cyprus is set in 1950s Cyprus when the Cypriots were struggling for independence from British colonialism. I have been to Cyprus many times, staying with family in an apartment in town or renting a house in the mountains for months at a time.
Durrell brings the past of this beautiful but troubled island to life for me in a new way. Though I see a completely different Cyprus, I love to have its complicated past laid open for me, and this book delivers.
Lose yourself in this classic prize-winning memoir of life in 1950s Cyprus on the brink of revolution by the legendary king of travel writing and real-life family member of The Durrells in Corfu.
'Stunning.' Andre Aciman
'Masterly ... Casts a spell.' Jan Morris
'Invades the reader's every sense ... Remarkable.' Victoria Hislop
'These days I am admiring and re-admiring Lawrence Durrell.' Elif Shafak
'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes
'Exceptional ... Revelatory ... A master.' Observer
'He writes as an artist, as well as a poet . Profoundly beautiful.' New Statesman
I fell in love with Greece 50 years ago, when I had the good fortune of spending a summer on my father’s native island of Ikaria. I bagged my first writing job four years later when I wrote a guide to all the Greek islands. As a travel writer I tend to fall in love with all the places I write about! But Greece is where I feel most at home, and it has inspired some truly memorable travel books. I hope you like some of my all-time favorites.
In 1947, archaeologist Kevin Andrews went to the Peloponnese on a Fulbright fellowship to study the Crusader castles and found a country in the midst of a civil war. He was one of the few foreigners there at the time, which his book vividly brings to life.. after a first rather idyllic description of stomping on grapes with friends on Paros he enters another world. Yet he was so moved by the humanity of the villagers in a period of great poverty, suspicion, and turmoil that he made Greece his home, and wrote numerous other books about Greece, but this is his best… about a period I hope is never repeated.
"One of the great and lasting books about Greece."—Patrick Leigh Fermor
"An intense and compelling account of an educated, sensitive archaeologist wandering the back country during the civil war. Half a century on, still one of the best books on Greece as it was before 'development.'"—The Rough Guide to the Greek Islands
"He also is in love with the country…but he sees the other side of that dazzling medal or moon…If you want some truth about Greece, here it is."—Louis MacNeice, The Observer
"One of the best and most honest books about the modern Greeks."—E. R. Dodds
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
The Derveni papyrus (500 BC), an ancient Macedonian papyrus that was found in 1962, and was finally published, just recently, in 2006. Derveni Papyrus, is now at Thessaloniki Museum, Greece. This version was published in 340 BC and it is an Orphic book of mystical initiations.
The scroll was carefully unrolled and the fragments joined together, thus forming 26 columns of text. which was used in the mystery cult of Dionysus by the 'Orphic initiators'. It is a philosophical treatise written as a commentary on an Orphic poem, a Theogony concerning the birth of the gods, compiled in the circle of the philosopher AnaXagoras.
The scroll contains a philosophical treatise on a lost poem describing the birth of the gods and other beliefs focusing on Orpheus, the mythical musician who visited the underworld to reclaim his dead love. The Orpheus cult tells us of a single creator god, of the…
This is a comprehensive study of the Derveni Papyrus. The papyrus, found in 1962 near Thessaloniki, is not only one of the oldest surviving Greek papyri but is also considered by scholars as a document of primary importance for a better understanding of the religious and philosophical developments in the fifth and fourth centuries BC. Gabor Betegh aims to reconstruct and systematically analyse the different strata of the text and their interrelation by exploring the archaeological context; the interpretation of rituals in the first columns of the text; the Orphic poem commented on by the author of the papyrus; and…
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.
In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.
Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy…
My father introduced me to the world as we paged through his old pre-WWII atlas. We traced borders and rivers with our fingers and he spoke names that were magical incantations and invitations to a world more exciting and mysterious than our midwestern home. As a reader, I was drawn to books about travel and as a budding writer, I was inspired by the adventures of “Brenda Starr, Girl Reporter” featured in the Sunday comics of my youth. I packed my bags early and my passport is never out of date. I continue to read traveloirs, and I write in my journal every day. Oh! The places I will go.
This is a dual memoir and each woman is on a quest to redefine herself. Sue Monk Kidd as a writer and her daughter, Ann Kidd Taylor as she asks the age-old question: “what to do with my life.”
Written in alternating chapters, mother and daughter write of their experiences and insights as they visit sacred sights in ancient lands, places rich with myth and legend and the sacred feminine. My journey too was as a seeker, a woman thick with an urgency to write as Sue was, and as a single woman exploring “now what?”
While I traveled alone and these women traveled together, each of us was on our own individual journey, exploring, discovering, asking questions, and seeking answers that can often only be found when we travel within.
The New York Times bestselling memoir of pilgrimage and self-discovery by Sue Monk Kidd, the author of The Secret Life of Bees and The Book of Longings, and her daughter, Ann Kidd Taylor
Sue Monk Kidd has touched the hearts of millions of readers with her beloved novels and acclaimed nonfiction. Now, in this wise and engrossing dual memoir, she and her daughter, Ann, chronicle their travels together through Greece and France at a time when each was on a quest to redefine herself and rediscover each other.
As Sue struggles to enlarge a vision of swarming bees into a…
Dr. Jeanne Reames is a professional historian, college professor, and specialist in ancient Macedonia and Alexander the Great. She also earned a degree in creative writing and has published fiction and poetry. She’s been collecting fiction about Alexander the Great for almost 35 years, and previously managed the website Beyond Renault: Alexander the Great in Fiction since WW I, until retiring it after over ten years. She has (almost) every professionally published English-language novel about Alexander, and has penned several articles on Alexander in fiction, including “Alexander the Great and Hephaistion in Fiction after Stonewall,” for The Routledge Companion to the Reception of Ancient Greek and Roman Sexuality (forthcoming).
Opting to cover just a slice of Alexander’s campaign, Judith Tarr treats the period after the Battle of Issus down to his fateful trip to the Oracle of Ammon in Egypt. Being historical fantasy, magic is present, but Tarr (a trained historian) depicts it as understood by the ancient Egyptians. An Egyptian priestess, Meriamon, has been charged by her gods to bring Alexander to Egypt in order to eject the hated Persians and preserve her people. The novel also contains a love story between Meriamon and the fictional younger brother of Ptolemy—the same Ptolemy who would found a dynasty in Egypt after Alexander’s death. Lord of the Two Lands is a master class in how to utilize magic for historical fantasy in an authentic way.
It is 33 BC and Egypt lies under the yoke of Persia, ruled by governors appointed by the King of Kings. In the temple of Amon in Thebes lives Meriamon - the only living child of the Nectanebo, the last fully Egyptian Pharoah.
I’m a lifelong warfighter, law enforcement officer, intelligence officer, and emergency services worker, intimately familiar with the crisis response and what makes conflict so fascinating to students of history. I’m also a popular novelist with an in-depth understanding of story arcs and what makes great prose. I’ve previously published narrative military history myself – Legion Versus Phalanx: The Epic Struggle for Infantry Supremacy in the Ancient World. My short nonfiction, much of it based on military history and crisis work, has appeared in The New York Times, The Daily Beast, The New Republic, Foreign Policy, and Ancient Warfare Magazine.
Tom Holland is one of the most famous popular historians alive, and also one of the most famous polymaths, writing on topics ranging from Islam to medieval and classical history. He’s also dabbled in fiction and playwriting, and those chops come shining through in Persian Fire, an entirely fresh look at one of the most studied conflicts in ancient history – The Greco-Persian War. Holland effortlessly eviscerates the tired “east versus west” narrative and treats the Persians with an honestly and empathy that is made even more rich by his gifts as a storyteller.
In 480 BC, Xerxes, the King of Persia, led an invasion of mainland Greece. Its success should have been a formality. For seventy years, victory - rapid, spectacular victory - had seemed the birthright of the Persian Empire. In the space of a single generation, they had swept across the Near East, shattering ancient kingdoms, storming famous cities, putting together an empire which stretched from India to the shores of the Aegean. As a result of those conquests, Xerxes ruled as the most powerful man on the planet. Yet somehow, astonishingly, against the largest expeditionary force ever assembled, the Greeks…
