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Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves.
The Parthenon sculptures in the British Museum are unrivalled examples of classical Greek art that have inspired sculptors, artists, poets and writers since their creation in the fifth century BC. This book serves as a superb visual introduction to these magnificent sculptures. The book showcases a series of specially taken photographs of the different sculptural elements: the pediments, metopes and Ionic frieze. It captures the vitality of the sculptures in a group, an individual sculpture or an exquisite eye-catching detail, such as the mane of a horse, a human foot, the swish of drapery or a youthful head bowed in…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Konstantinidis was a leading modern architect in Greece. Filled with his own sketches and photographs, he put this book together to illustrate his debt to the traditional architecture of his own country. It implies a line of shared relationship with landscape and materials going back thousands of years, to Callicrates and Ictinus (architects of the Parthenon) and beyond. I like that this book includes pictorial sketches and plans of traditional buildings, as well as constructional details showing the uses of materials readily available from the land.
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book is a provocative and stimulating read, offering a series of stories on and about interior spaces and the buildings they are situated in. The stories of buildings and their changes are fascinating, providing boundless enthusiasm to communicate the ideas and stories of each space. Hollis states that many conversations are started and that maybe not all of them are ever finished, this book provides an inspired beginning for any person who wants to begin an exploration of the art of adapting and altering existing buildings.
The plans are drawn up, a site is chosen, foundations are dug: a building comes into being with the expectation that it will stay put and stay for ever. But a building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation. In this radical reimagining of architectural history, Edward Hollis tells the stories of thirteen buildings, beginning with the 'once upon a time' when they first appeared, through the years of appropriation, ruin and renovation, and ending with a temporary 'ever after'. In spell-binding prose, Hollis follows his buildings…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I fell in love with all things Greek around the same time I fell in love with my Greek Cypriot husband about 30 years ago. That was when I started reading books about Greece as well as fiction set in Greece. I also learned to cook Greek food, which made both my man and me happy. I traveled to as many Greek islands, and of course, Cyprus, as time would allow. Eventually, I started writing books set in Greece myself. I went to a Greek Orthodox church and took Greek language evening classes. I feel at this point and have been told by Greek islanders, that I am now essentially Greek.
To me, married to a Greek Cypriot, Cyprus is always part of Greece, too, and so I include it twice in this list. I love the literary genius of Lawrence Durrell. Bitter Lemons of Cyprus is set in 1950s Cyprus when the Cypriots were struggling for independence from British colonialism. I have been to Cyprus many times, staying with family in an apartment in town or renting a house in the mountains for months at a time.
Durrell brings the past of this beautiful but troubled island to life for me in a new way. Though I see a completely different Cyprus, I love to have its complicated past laid open for me, and this book delivers.
Lose yourself in this classic prize-winning memoir of life in 1950s Cyprus on the brink of revolution by the legendary king of travel writing and real-life family member of The Durrells in Corfu.
'Stunning.' Andre Aciman
'Masterly ... Casts a spell.' Jan Morris
'Invades the reader's every sense ... Remarkable.' Victoria Hislop
'These days I am admiring and re-admiring Lawrence Durrell.' Elif Shafak
'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes
'Exceptional ... Revelatory ... A master.' Observer
'He writes as an artist, as well as a poet . Profoundly beautiful.' New Statesman
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.
In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.
Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy…
I wrote my first thriller at age 8 about a girl who ran away and joined the circus. For later works, I, a pediatric physician, did opt to follow my English teachers’ guidance to write about what you know, including science, medicine, psychology, journalism, and my twin home countries of America and Greece. As YS Pascal, I wrote the Zygan Emprise Trilogy, which blended ancient Greek history, mythology, and literature. As Linda Reid, I co-authored the award-winning Sammy Greene thriller series with Dr. Deborah Shlian and was eager to fly investigative reporter Sammy and her ex-cop friend Gus Pappajohn to the shores of modern Athens to solve an ancient and modern mystery.
Frederic Kakis, a brilliant scientist and moving writer, shares a personal story of survival and fortitude for a Jewish family in Northern Greece during the Nazi occupation. Close to 80,000 were relocated to Nazi concentration campus far from their homes in Thessaloniki and close to 60,000 did not survive the Holocaust. Dr. Kakis describes the terror experienced as well as the courage shown by Greek Jews and their local Christian neighbors during this tragic invasion, and how their efforts helped as many of the vulnerable as possible survive.
Armed only with sheer guts and determination this Jewish family took on the whole German Army. Stubbornly refusing to surrender, they remained defiant throughout the occupation of Greece and survived by fighting and outsmarting the Nazis. This is their fascinating story.
I fell in love with Greece 50 years ago, when I had the good fortune of spending a summer on my father’s native island of Ikaria. I bagged my first writing job four years later when I wrote a guide to all the Greek islands. As a travel writer I tend to fall in love with all the places I write about! But Greece is where I feel most at home, and it has inspired some truly memorable travel books. I hope you like some of my all-time favorites.
In 1947, archaeologist Kevin Andrews went to the Peloponnese on a Fulbright fellowship to study the Crusader castles and found a country in the midst of a civil war. He was one of the few foreigners there at the time, which his book vividly brings to life.. after a first rather idyllic description of stomping on grapes with friends on Paros he enters another world. Yet he was so moved by the humanity of the villagers in a period of great poverty, suspicion, and turmoil that he made Greece his home, and wrote numerous other books about Greece, but this is his best… about a period I hope is never repeated.
"One of the great and lasting books about Greece."—Patrick Leigh Fermor
"An intense and compelling account of an educated, sensitive archaeologist wandering the back country during the civil war. Half a century on, still one of the best books on Greece as it was before 'development.'"—The Rough Guide to the Greek Islands
"He also is in love with the country…but he sees the other side of that dazzling medal or moon…If you want some truth about Greece, here it is."—Louis MacNeice, The Observer
"One of the best and most honest books about the modern Greeks."—E. R. Dodds
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
Greek Mysteries brings together a collection of essays on a variety of specialist topics related to the ancient mystery cults. Written by some of the world’s leading scholars, many of these essays were originally published in academic journals and are therefore appropriate for a more scholarly readership. That said, this important work provides the perfect entry into contemporary academic scholarship on the mysteries.
Written by an international team of acknowledged experts, this excellent book studies a wide range of contributions and showcases new research on the archaeology, ritual and history of Greek mystery cults.
With a lack of written evidence that exists for the mysteries, archaeology has proved central to explaining their significance and this volume is key to understanding a phenomenon central to Greek religion and society.
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Herodotus—the “Father of History”—when studying Ancient Greek for the UK A-level exams. I read the Greek text laboriously, with help from Aubrey de Selincourt’s translation. My teacher and fellow students could hardly believe that I didn’t find Book Two, which covers the customs of the Egyptians, boring. They were also surprised that I wasn’t contemptuous of Herodotus’s willingness to record what he was told without judgment.
The myth Herodotus created—of a Western world devoted to the rule of law and the freedom of individuals under that law, in opposition to a “despotic” East—has echoed down the years. It has also been accompanied by a skeptical, even cynical, approach to any claims of miracles or almost divine insight. However, what I learned from Herodotus was that the Greeks were conscious of other, older, and sometimes more impressive “barbarian” cultures all around them. I thought…
'The first example of non-fiction, the text that underlies the entire discipline of history ... it is above all a treasure trove' Tom Holland
One of the masterpieces of classical literature, The Histories describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colourful digressions - a description of the natural wonders of Egypt; tales of lake-dwellers, dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, The Histories…
Geri o Shimasu: Adventures of a Baka Gaijin invites readers on a witty, unfiltered romp through 2008 Japan as experienced by Alia Luria, a self-proclaimed "clueless foreigner." Luria dives headfirst into the quirks and challenges of Japanese culture, from decoding onsen etiquette and enduring public embarrassment to exploring the oddities…
Dr. Jeanne Reames is a professional historian, college professor, and specialist in ancient Macedonia and Alexander the Great. She also earned a degree in creative writing and has published fiction and poetry. She’s been collecting fiction about Alexander the Great for almost 35 years, and previously managed the website Beyond Renault: Alexander the Great in Fiction since WW I, until retiring it after over ten years. She has (almost) every professionally published English-language novel about Alexander, and has penned several articles on Alexander in fiction, including “Alexander the Great and Hephaistion in Fiction after Stonewall,” for The Routledge Companion to the Reception of Ancient Greek and Roman Sexuality (forthcoming).
Opting to cover just a slice of Alexander’s campaign, Judith Tarr treats the period after the Battle of Issus down to his fateful trip to the Oracle of Ammon in Egypt. Being historical fantasy, magic is present, but Tarr (a trained historian) depicts it as understood by the ancient Egyptians. An Egyptian priestess, Meriamon, has been charged by her gods to bring Alexander to Egypt in order to eject the hated Persians and preserve her people. The novel also contains a love story between Meriamon and the fictional younger brother of Ptolemy—the same Ptolemy who would found a dynasty in Egypt after Alexander’s death. Lord of the Two Lands is a master class in how to utilize magic for historical fantasy in an authentic way.
It is 33 BC and Egypt lies under the yoke of Persia, ruled by governors appointed by the King of Kings. In the temple of Amon in Thebes lives Meriamon - the only living child of the Nectanebo, the last fully Egyptian Pharoah.
