Fans pick 100 books like A Fortunate Man

This book is simply brilliant. I first read it in the 1980s and return to it often for inspiration and to remind myself of its piercing lucidity. Beautifully written, clear, thoughtful, and direct, it expresses a way of looking at art and visual culture that can be applied to other times and places. Baxandall explores the social relationships and practices out of which works of art emerge, connecting the way paintings look with the society in which they were made. He robustly criticises simplistic approaches to the art of the past and shows how we can think differently and understand more. I have deep admiration for Michael Baxandall, whose writings encourage readers to reflect on their own visual skills and habits, how and where they have acquired them.

Published by the National Portrait Gallery in Washington D.C., this beautifully produced and generously illustrated book contains essays on many aspects of portraiture with special emphasis on the USA. Portraits are fascinating; there is just so much to say about the ways in which materials such as paper, stone, metal, and canvas, ink, crayon, and paint can conjure up a human being. Nations, institutions, professions, families, and individuals all make use of portraits to affirm their positions, persuade those who view them of their worth, and shape forms of remembrance. The essays are relatively short, which encourages readers to browse, read a contribution and then come back often to look as well as read more about one of the most extraordinary forms of visual culture that has ever been produced.    

London’s British Museum, with its massive and diverse collections, is world famous and the story of its foundation and early years in the eighteenth century sheds light on the histories of collecting, knowledge, and exploration. More than twenty essays were assembled to celebrate the opening of the Enlightenment Gallery in the King’s Library after years of research and refurbishment. These essays draw readers into the people, the objects, and the ideas that shaped this important and influential institution. The book is lavishly illustrated with gorgeous photographs of paintings and statues, coins, fossils, china, and much more—a wonderful way to grasp the museum’s stupendous holdings and also to understand better the controversies it has engendered.

Passionate as I am about all forms of visual culture, ‘art’ remains important. There are some artists that I just can’t help returning to time and time again. One of them is the eighteenth-century French master Chardin. Exhibition catalogues are generally expensive, but they represent the state of the art, with reliable text and excellent illustrations—this one is no exception. It’s a work of art in its own right. The subject matter of Chardin’s work was diverse, and exquisitely rendered, whether a still life, a scene from everyday life, or a self-portrait. Words such as delicate, soft, and ravishing come to mind. It’s hard to explain why we are beguiled by some artists and not others. These hefty catalogues are so valuable, especially for those who can’t travel.

A horrific multiple murder opens this book but to understand the ramifications of it, we jump to the present where we meet DCI Louise Monroe. Her story runs parallel with that of the main protagonist Jackson Brodie, but Louise is a worthy character in her own right; fiercely feminist, brave, loyal, a reluctant but loving mother determined to keep other women safe. We meet her again in future books in the series which are also excellent. An honorable mention must also go to schoolgirl heroine Reggie Chase, another brave, intelligent character who does her best to solve one of the mysteries in the book.

While this book is characterized as fiction, what captivated me most was the authenticity of the vignettes he tells. I was drawn to the creative renditions of the so-called “mundane” work of this general practitioner from Patterson, New Jersey. But these stories are anything but mundane.

I have never been so on the edge of my seat as I was during his family saga of attending to a sick girl during a house call. “The Use of Force,” as the story is called, made me understand what a tour de force meant. 

I came upon this 1937 bestseller novel recently and was instantly engrossed by the tale of Dr Andrew Manson, a young general practitioner in a Welsh mining town. Medicine might have changed since 1937, but people’s behavior has not changed so much!

Largely autobiographical, full of derring-do and righteous youthful indignation, this book remains an enjoyable, propulsive read. Due to its exposure to the inequities in access to health care in 1930s Britain, this novel is often cited as a major influence in the introduction of the National Health Scheme in 1948. Cronin was a general practitioner who retired in his mid-thirties to write full-time.

Berger published this in 1975 at a time when Turkish, Greek, and Portuguese guest workers were arriving in Western Europe, having been recruited by employers to fill vacancies in factories during the years of sustained economic growth. Berger succeeds in humanising these workers, helped by photos taken by his long-term collaborator, the Swiss photographer Jean Mohr. Berger could not anticipate that these young men would later be joined by their families and put down roots. His book speaks of adventure and opportunity, but also of exploitation and humiliation. Numerous memorable vignettes stick in my mind, including his observation about migrant workers from Portugal, governed by the dictatorship of António de Oliveira Salazar:

Before leaving they had their photographs taken. They tore the photograph in half, giving one half to their ‘guide’ and keeping the other themselves. When they reached France, they sent their half of the photograph back to their… show more.

Morgan illuminates and analyzes the visual culture of religion that scholars have neglected to consider seriously. His lyrical and incisive deep dive into the visual aspects and social contexts of a broad range of case histories, including religious Americana, opens up the “field” of visuality beyond the object itself and to the phenomenology of seeing.

Crary’s work provides a theoretical and empirically informed synthesis of the work of theorists like Berger, Debord, Baudrillard, Barthes, and Sontag. Like these earlier writers, the technological transformations of visual culture are at the heart of the social transformations of the modern world. To understand modernity is thus first to make sense of its visual logics, procedures, and practices. This general argument allowed the author to enter the granular historical details of how seeing and 'observation’ have become essential to the concerns of modern life. What he calls 'techniques of the observer’ are in fact the core sensory apparatus that has helped to shape the institutions and practices of modern life.

What can be visualized is correlated to the technical affordances and historical development of representational practices. This makes technologies of the visual central to social analysis. Some of the most powerful drivers of modern life are thus linked to… show more.