Here are 100 books that A Dominant Character fans have personally recommended if you like
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As someone more drawn to writing and literature during my college years, I was fascinated to discover that science has a history. I had once thought of science as objective—distinct from liberal arts and social science disciplines in that it consisted of facts that could be proved. I came to understand that it’s just another field of human endeavor filled with flaws like any other. Sometimes, scientists cheat, lie, favor certain facts over others, or knowingly publish false results. It can become a cultural and political battleground—and to refer to something as “pseudoscience” is like calling a work of art you don’t like “pseudo-art” or a piece of music you don’t enjoy “pseudo-music.”
The phrase “politics of science” has rarely been so well-described and analyzed than in the history Wolfe recounts. Her narrative of how the belief in “scientific freedom” was utilized as a weapon of ideology in the fight against communism shows how entangled the careers of politicians and scientists became during a period of intense struggle between two competing civilizations—the USA and the USSR—during the Cold War.
The Cold War ended long ago, but the language of science and freedom continues to shape public debates over the relationship between science and politics in the United States.
Scientists like to proclaim that science knows no borders. Scientific researchers follow the evidence where it leads, their conclusions free of prejudice or ideology. But is that really the case? In Freedom's Laboratory, Audra J. Wolfe shows how these ideas were tested to their limits in the high-stakes propaganda battles of the Cold War.
Wolfe examines the role that scientists, in concert with administrators and policymakers, played in American cultural diplomacy…
As someone more drawn to writing and literature during my college years, I was fascinated to discover that science has a history. I had once thought of science as objective—distinct from liberal arts and social science disciplines in that it consisted of facts that could be proved. I came to understand that it’s just another field of human endeavor filled with flaws like any other. Sometimes, scientists cheat, lie, favor certain facts over others, or knowingly publish false results. It can become a cultural and political battleground—and to refer to something as “pseudoscience” is like calling a work of art you don’t like “pseudo-art” or a piece of music you don’t enjoy “pseudo-music.”
Less than a decade after Lysenko’s downfall, Zhores Medvedev published The Rise and Fall of T.D. Lysenko, one of the first and most fascinating accounts of the controversy published during the Cold War.
For this and other acts of anti-Soviet agitation and propaganda, Medvedev was declared insane and forced into a mental hospital where the challenge of keeping one’s sanity around people telling you you are crazy became his daily existence. Chilling.
Zhores Medvedev, a Soviet biochemist and outspoken critic of the Soviet bureaucracy, who was railroaded into a mental hospital, and his brother, historian Roy Medvedev, who rallied the Soviet scientific and intellectual community in protest, together tell the story of "repression by psychiatry" in Russia today.
As someone more drawn to writing and literature during my college years, I was fascinated to discover that science has a history. I had once thought of science as objective—distinct from liberal arts and social science disciplines in that it consisted of facts that could be proved. I came to understand that it’s just another field of human endeavor filled with flaws like any other. Sometimes, scientists cheat, lie, favor certain facts over others, or knowingly publish false results. It can become a cultural and political battleground—and to refer to something as “pseudoscience” is like calling a work of art you don’t like “pseudo-art” or a piece of music you don’t enjoy “pseudo-music.”
Well before Thomas Kuhn’s The Structure of Scientific Revolutions, Fleck coined the term “thought collective” to explain how conformity and “group think” produce “truth” in a given social and political milieu.
In Fleck's account, what Kuhn would later term “paradigm shifts” were the result of the gradual change in agreement on what scientists consider to be true rather than some eureka moment where fact is suddenly revealed.
Originally published in German in 1935, this monograph anticipated solutions to problems of scientific progress, the truth of scientific fact and the role of error in science now associated with the work of Thomas Kuhn and others. Arguing that every scientific concept and theory-including his own-is culturally conditioned, Fleck was appreciably ahead of his time. And as Kuhn observes in his foreword, "Though much has occurred since its publication, it remains a brilliant and largely unexploited resource."
"To many scientists just as to many historians and philosophers of science facts are things that simply are the case: they are discovered…
I used to think that most nonhuman animals do not have minds in any rich sense of that word. After publishing a book about some influential philosophers who articulate and defend that view, I was pushed by a very good friend to get curious about what nonhuman creatures do. That led to years of reading, reflecting, teaching college courses, and eventually admitting that I had been profoundly wrong. My change of mind culminated in the publication of a book that explores the idea that plants have minds. The books on this list helped me tremendously along the way, and my students have also learned much from them.
This book made me think even fruitflies might have minds. Before reading this, I didn’t have a good grip on how we could even start to connect whole-body behaviors with specific genes. I was drawn in by the elegance of the early experiments with fruit flies. I remained mesmerized by the fact that when these investigations began in the early twentieth century, scientists were not sure what a gene was or even whether they were really real.
To understand how genes relate to traits of whole fruit flies, such as eye color and wing shape, scientists had to figure out what genes were simultaneously. This is the kind of book I want to memorize in a way that makes the book somehow part of me, stitched into the fibers of my body, shaping how I think and perceive.
The story of Nobel Prize–winning discoveries regarding the molecular mechanisms controlling the body’s circadian rhythm.
How much of our fate is decided before we are born? Which of our characteristics is inscribed in our DNA? Weiner brings us into Benzer's Fly Rooms at the California Institute of Technology, where Benzer, and his asssociates are in the process of finding answers, often astonishing ones, to these questions. Part biography, part thrilling scientific detective story, Time, Love, Memory forcefully demonstrates how Benzer's studies are changing our world view--and even our lives.
Jonathan Weiner, winner of the Pulitzer Prize for The Beak of…
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
I find it difficult to have any admiration for Margery Kempe since I don’t believe she was a mystic – she was frequently quarrelsome, meddling, vain and judgmental, and those who travelled on pilgrimage with her often wanted to get as far away from her as possible. Bale, however, has sympathy for this troubled soul and explores her life through the text of her book, focusing on the places she visited, her friends and enemies, objects she admired, and her intense feelings which were on a dramatic spectrum from despair to bliss. After reading A Mixed Life I still don’t think Margery is deserving of sainthood but, like her long-suffering maidservant, I appreciate her a little more and respect her tenacity and dedication to her religious quest.
This is a new account of the late-fourteenth-century mystic and pilgrim Margery Kempe. Kempe, who had 14 children, travelled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts her life, and tells her story through the places, relationships, objects and experiences that influenced her. Extensive quotation from Kempe's Book, and generous illustration, gives fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and…
I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago.
I adore all of Emma Carroll’s delicious historical fiction, but Letters from the Lighthouse is my favorite. After the Luftwaffe’s bombings separate them from their mother and older sister, Olive and Cliff are evacuated to Devonshire. There, they end up billeted with the shy and enigmatic young lighthouse keeper, Ephraim Pengilly, who is tasked with taking the children in “whether he likes it or not.” Gorgeously atmospheric (the lighthouse alone – “a beacon to guide the lost to safety” – would have been enough for me), Letters from the Lighthouse also features unexpected friendships, the glimmer of a love story, and a sister who may be a spy.
We weren't supposed to be going to the pictures that night. We weren't even meant to be outside, not in a blackout, and definitely not when German bombs had been falling on London all month like pennies from a jar.
February, 1941. After months of bombing raids in London, twelve-year-old Olive Bradshaw and her little brother Cliff are evacuated to the Devon coast. The only person with two spare beds is Mr Ephraim, the local lighthouse keeper. But he's not used to company and he certainly doesn't want any evacuees.
Desperate to be helpful, Olive becomes his post-girl, carrying secret…
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Townscape is more than a book on how good cities are shaped. It is a book that describes generic qualities of space.
Cullens's way of understanding and analyzing urban structures with pen and paper has much to tell future architects. That the book has been around for more than sixty years is a compelling evidence of its outstanding capacity to educate generation after generation on how to create richness and avoid chaos.
Urban planners of today have much to learn from Cullen’s simple, but efficient, drawings and captions.
This book pioneered the concept of townscape. 'Townscape' is the art of giving visual coherence and organization to the jumble of buildings, streets and space that make up the urban environment. It has been a major influence on architects, planners and others concerned with what cities should look like.
I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didn’t stand a chance and caught on fire. Later, I chose history as a career path with research as the job—which is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinster’s Fortune and Campbell’s Boy.
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should have…
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.
I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that the damp…
I grew up on Chicago’s home front during WW2. President Roosevelt wanted everyone—adults and children—to do their part for the war effort. So we neighborhood kids formed a Victory club, where we marched around singing, “Let’s Remember Pearl Harbor,” and other patriotic songs. And though we had fun, we understood the meaning of the gold stars in the windows, and knew that terrible things were happening on the other side of the world. There are so many wonderful books set during this time period, and I can never read enough of them. These books, along with my memories, are what inspire me to write historical fiction of my own.
In this heartwarming novel, we meet William, Edmund, and Anna; three orphaned siblings who are among the children evacuated from London to the safety of the countryside in 1940. I was drawn to the three from the very beginning. They love and care for one another, and are determined to stay together. Despite the cruelty and neglect they face, they can still find humor in the most unlikely situations. But will they find a family that will keep them forever? If I were a character in the story, I would adopt them in a heartbeat.
A heartwarming story about three siblings, evacuated from London to live in the countryside, looking for a permanent home--and a new meaning for family.
A New York Public Library Best Book of the Year
It is 1940 and William, 12, Edmund, 11, and Anna, 9, aren't terribly upset by the death of the not-so-grandmotherly grandmother who has taken care of them since their parents died.
But the children do need a guardian, and in the dark days of World War II London, those are in short supply, especially if they hope to stay together. Could the mass wartime evacuation of…
