Here are 100 books that A Death in Belmont fans have personally recommended if you like
A Death in Belmont.
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As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.
First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers.
The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?
'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible'
In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.
I have always strived to speak out when surrounded by silence, whether in person through my own voice, or through the books I have written and had published. Not because I am heroic or noble, but because I am angered by suppressed truth, and I believe reality should be shown as it is, not as people believe it should be. That is why the books I chose are so important to me, because they fearlessly exposed the truths the respective authors were determined to show, risks be damned. I hope these books inspire you as much as they have inspired me.
I loved this book because it was the basis of the incredible show, The Wire. Before starting the book, I always wondered if in-depth journalism could be written as a thrilling story, and Mr. Simon's incredible work proved it absolutely can be.
Despite it being over 700 pages, I couldn’t put it down. The reality David Simon showed in every word and every page, in all its flawed and uncomfortable humanity, was nothing short of mesmerizing. The details were so memorable that I felt like I was walking the same streets he described. This book inspired me a great deal.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
I’m always intrigued by certain kinds of crime stories, but usually not by the crimes themselves. Straightforward whodunits bore me, and simplistic retellings of the hero myth just strike me as wrong. About thirty years ago, I began to wonder why—which crime stories intrigue me and which seem more like exercises in voyeurism. Turns out the stories I really get into wrap me in previously unseen worlds. They offer a fresh take, bring up unexpected considerations, present a new way to view the crime, or demonstrate why what I’d always thought was mistaken or insufficient. Such books present the crime, but contain much more than the crime.
I thought Love & Terror was a book about a killing in Chadron, Nebraska, which was correct. . . sort of. Ballantine’s sparkling prose and grim compassion hooked me immediately. The book does examine a death—suicide? murder?—but we don’t meet the victim, Steven Haataja, until page 62.
Ballantine drives past the shuffling Haataja the night before his death and tells us Haataja “limped slightly from a recently broken hip. If I’d known what was going to happen to him, I would have run him over . . . hard enough to break his other hip, put him back in his wheelchair,” in order to prevent his death.
When I first read Love & Terror, I learned crime doesn’t need to be the center of a true crime.
Fans of Truman Capote's In Cold Blood and John Berendt's Midnight in the Garden of Good and Evil will embrace Poe Ballantine's Love and Terror on the Howling Plains of Nowhere.
Poe Ballantine's "Free Rent at the Totalitarian Hotel" included in Best American Essays 2013, and for well over twenty years, Poe Ballantine traveled America, taking odd jobs, living in small rooms, trying to make a living as a writer. At age 46, he finally settled with his Mexican immigrant wife in Chadron, Nebraska, where they had a son who was red-flagged as autistic. Poe published four books about his…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’m always intrigued by certain kinds of crime stories, but usually not by the crimes themselves. Straightforward whodunits bore me, and simplistic retellings of the hero myth just strike me as wrong. About thirty years ago, I began to wonder why—which crime stories intrigue me and which seem more like exercises in voyeurism. Turns out the stories I really get into wrap me in previously unseen worlds. They offer a fresh take, bring up unexpected considerations, present a new way to view the crime, or demonstrate why what I’d always thought was mistaken or insufficient. Such books present the crime, but contain much more than the crime.
Somehow, I’d never heard of the crime The Burglary details: the 1971 burglary of FBI field offices. And somehow, the burglars remained anonymous for decades.
A reporter forThe Philadelphia Inquirerat the time, Medsger was one of journalists who received copies of the FBI files stolen bythree professors, a daycare worker, a social worker, and others who called themselves The Citizens’ Commission to Investigate the FBI. The stolen files exposed COINTELPRO and other illegal FBI investigations, and fundamentally altered the FBI.
The Burglarytold me the value of detailed research, especially relating a 50-year-old crime, and showed me the essential importance of understanding the society surrounding the crime in order to fully comprehend the crime.
The never-before-told full story of the history-changing break-in at the FBI office in Media, Pennsylvania, by a group of unlikely activists—quiet, ordinary, hardworking Americans—that made clear the shocking truth and confirmed what some had long suspected, that J. Edgar Hoover had created and was operating, in violation of the U.S. Constitution, his own shadow Bureau of Investigation.
It begins in 1971 in an America being split apart by the Vietnam War . . . A small group of activists—eight men and women—the Citizens Commission to Investigate the FBI, inspired by Daniel Berrigan’s rebellious Catholic peace movement, set out to use…
After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators.
As a Harvard undergrad, Cooper hears a story about an anthropology professor who murdered a female graduate student with whom he was having an affair, burning her body with cigarette butts and surrounding her in red ochre.
This “macabre legend” illustrates a common critique of true crime—a victim provided no name and no identity beyond the way she was brutalized. A former New Yorker editorial staff member, Cooper performed meticulous research on the 1969 murder, debunking the affair rumor and instead exploring a more interesting story about memory, institutional power, and misogyny in academia.
She also excavates the story of the crime’s victim, 23-year-old Jane Britton. Full of twists and turns, this real-life whodunit provides an exacting portrait of who Jane was and what her loved ones lost.
SHORTLISTED FOR THE 2021 CRIME WRITERS' ASSOCIATION ALCS GOLD DAGGER FOR NON-FICTION
'I'm obsessed!' REESE WITHERSPOON
'Exhilarating ... Becky Cooper masterfully uncovers the story of Harvard undergrad Jane Britton.' VOGUE ________________________ You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an…
In my years on the crime beat, I often met good people who did bad things and criminals with good intentions and good hearts. We tend to draw a line between good and evil, putting ourselves on the good side. From that perspective, we sit in judgment, believing we are incapable of evil because it’s “over there.” Inaccessible. Unfathomable. But that line is fictional. We redraw it constantly to feel good about ourselves and avoid empathizing with the worst of human nature. What I love about these five novels is that they expose that truth. The twists remind me that even my own line is blurred and ever-shifting.
This book is on my list of all-time favorites. I read it more than a decade ago, but I still can’t get the ending out of my head. The book is intriguing and fast-paced, and I found the characters so relatable–normal, middle-class people, much like my own family.
Maybe that is why the ending hit me so hard. I didn’t see it coming, but I should have. Maybe I didn’t want to believe it could happen or even consider the possibility. Who would? What a twist. All the evidence is there. The motive is there. It is the only ending that makes sense. It’s perfect.
If your son was on trial for murder, what would you do?
Andy Barber's job is to put killers behind bars. And when a boy from his son Jacob's school is found stabbed to death, Andy is doubly determined to find and prosecute the perpetrator.
Until a crucial piece of evidence turns up linking Jacob to the murder. And suddenly Andy and his wife find their son accused of being a cold-blooded killer.
In the face of every parent's worst nightmare, they will do anything to defend their child. Because, deep down, they know him better than anyone.
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
I love true crime and I love history. This book combined the two in an enthralling, often poetic read.
It’s about the case of Lizzie Borden. In this multi-POV story, Schmidt gets into the characters of Lizzie, her sister, a housemaid, and Lizzie’s uncle to explore how the crime unfolded.
It leans literary in its narration style, but I personally like that. The details used in the story really make the reader feel present in the scenes and get into the minds of the characters.
Haunting, gripping and gorgeously written, SEE WHAT I HAVE DONE by Sarah Schmidt is a re-imagining of the unsolved American true crime case of the Lizzie Borden murders, for fans of BURIAL RITES and MAKING A MURDERER.
'Eerie and compelling' Paula Hawkins 'Stunning' Sunday Times 'Gripping... outstanding' Observer 'Glittering' Irish Times
Just after 11am on 4th August 1892, the bodies of Andrew and Abby Borden are discovered. He's found on the sitting room sofa, she upstairs on the bedroom floor, both murdered with an axe.
It is younger daughter Lizzie who is first on the scene, so it is Lizzie…
From movies and shows I watched as a child, I've always had a fascination for all things oriental. When I did the research for my first published novel, In the Service of Samurai—a YA fantasy based in feudal Japan, I also fell in love with history. Mysteries have also always been a draw for me, so combining these two loves and the story fodder research brings up, which might not have otherwise presented itself, is like magic. Magic that other authors and I bring to you to enlighten, entertain, and forge connections with the past and present—a pleasure I wish to share with you.
The Ninth Daughter is the first of the Abigail Adams Mysteries by Barbara Hamilton. Yes, that Abigail Adams—wife of John Adams, the second President of the United States. But this series is set before all that, at the cusp of the American Revolution.
Struggling to be a supporting wife and mother, Abigail runs into trouble when her keen and curious mind finds clues to a serial killer hunting for victims in Boston's streets.
As discontent continues to rise in the Colonies over England's strangling hold, there is more than one type of danger to contend with. The novel is a fun look at an amazing woman and the chaotic times and views leading the colonies to declare their independence.
In the Massachusetts Colony, political upheaval turns murderous?a new series featuring First Lady Abigail Adams.
1773: The Massachusetts colony is torn between patriots who want independence from British rule and loyalists who support the King. At the center is the educated and beautiful Abigail Adams?wife of John Adams, the leader of the Sons of Liberty, a secret organization opposing the Crown.
When a murder occurs in the home of their friend and fellow patriot, Rebecca Malvern, John is accused of the gruesome crime, which was seemingly perpetrated to obtain a secret Sons of Liberty document. With both her husband?s good…
I’ve spent my life recreating myself as many times as Madonna. If things aren’t working, I move on to something new. I’ll go to classes, learn something else, change careers, and struggle the whole way as I look for pieces of life that fit the puzzle of me. It takes me a lot longer to read so when I try to diversify my bookshelf and don’t always stick to my genre (as the professionals tell an author to do). What I “stick to” is finding female characters who struggle and want to give up, but somehow, something deep inside them makes them move forward one step at a time.
Julia Henry’s third book in her Garden Squad Mysteries makes my list.
In Digging Up the Remains, Julia Henry brings readers a modern Jessica Fletcher with her character Lilly Jayne. Senior citizen Lilly is roommates with Delia, nearly forty years age difference! Somehow this works exquisitely for both of them. The rest of the characters span in age, but not in ethnicity, although there is small LGBT representation.
The theme of Digging Up the Remains is about secrets. The skeletons are in the closet so to speak.
Due to the contemporary setting this book’s way of showing the status of the journalism business is accurate. Now the world favors unsubstantiated, high-traffic live feeds of the “average” citizen hoping to get 15 minutes of fame and go viral.
A festive fall is in full swing in Goosebush, Massachusetts, but when a snoopy reporter is felled by foul play, it's up to Lilly and her Garden Squad to spook out a killer . . .
Between hosting a haunted house on her lawn, serving on the town's 400th Anniversary Planning Committee, and prepping for the Fall Festival's 10k fundraiser, Lilly's hands are full. She doesn't have time for prickly newspaper reporter Tyler Crane, who's been creeping around town, looking for dirt on Goosebush's most notable families . . . until he's found dead on the race route moments before…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
Even though I have not lived in the Midwest for fifty years, I remain a Midwesterner. It is in how I speak (adding an “r” to wash), what I like to eat (Cincinnati chili), and explains my favorite smell (the inside of a barn). Both as a reader and writer, I want to know where the story is “from.” What does this place look like? Smell like? What is the cadence of the characters’ speech? All this translates into an immersive experience and that is something I look for both in a book I pick up and in one I write.
I am a total sucker for crime books that include blueprints of the house where a murder took place… and specifically for books about Lizzie Borden and what she did (or did not do) on August 4, 1892. I really can’t explain my preoccupation. A Private Disgrace delivers on the blueprints and much more. I have read it many times over. The author was born twelve years after the murders in Fall River, Massachusetts. Lincoln heard from her parents how Lizzie Borden was tried and acquitted for butchering her father and stepmother with an axe. The author knows the town intimately and uses her insider knowledge to formulate plausible answers as to who committed the murders and why. And Lincoln thrusts us directly into the murder house with her vivid depictions. The stifling heat of the August day, the family’s three consecutive meals of left-over mutton, the stink of the…
~Winner of the Mystery Writers of America Edgar Award for Best Fact True Crime Novel of the Year, 1967~
A Private Disgrace is the single best account of the ghastly murders which took place in Fall River, Massachusetts on August 14, 1892.
Lizzie Andrew Borden (b.1860 – d.1927) was tried and acquitted in the 1892 axe murders of her father and stepmother in Fall River, Massachusetts. Media coverage of the case created a furor throughout the United States reminiscent of the Rosenberg, Claus von Bulow and O.J. Simpson trials. No other suspect was ever charged with the double homicide, and…
