100 books like A Death in Belmont

First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers. 

The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?

Baltimore Sun crime reporter David Simon practically lived with the Baltimore City police to produce Homicide: A Year on the Killing Streets.

I love the writing, which is clean but descriptive. In the thirty years since it came out, this book has often been imitated but is still without rival. He wasn’t reporting stories I’d heard before (good guys chasing bad guys), and the social forces that the book explored (individual and institutional) were palpably real and never drawn in one dimension.

The contents inspired decades of television, from network TV’s Homicide: Life on the Street to The Wire, arguably the best police procedural ever produced. As a fan of both shows, I was drawn to this source material, which was layered with cynicism, hope, and dark humor.

I thought Love & Terror was a book about a killing in Chadron, Nebraska, which was correct. . . sort of. Ballantine’s sparkling prose and grim compassion hooked me immediately. The book does examine a death—suicide? murder?—but we don’t meet the victim, Steven Haataja, until page 62. 

Ballantine drives past the shuffling Haataja the night before his death and tells us Haataja “limped slightly from a recently broken hip. If I’d known what was going to happen to him, I would have run him over . . . hard enough to break his other hip, put him back in his wheelchair,” in order to prevent his death. 

When I first read Love & Terror, I learned crime doesn’t need to be the center of a true crime.

Somehow, I’d never heard of the crime The Burglary details: the 1971 burglary of FBI field offices. And somehow, the burglars remained anonymous for decades.

A reporter for The Philadelphia Inquirer at the time, Medsger was one of journalists who received copies of the FBI files stolen by three professors, a daycare worker, a social worker, and others who called themselves The Citizens’ Commission to Investigate the FBI. The stolen files exposed COINTELPRO and other illegal FBI investigations, and fundamentally altered the FBI.

The Burglary told me the value of detailed research, especially relating a 50-year-old crime, and showed me the essential importance of understanding the society surrounding the crime in order to fully comprehend the crime.

As a Harvard undergrad, Cooper hears a story about an anthropology professor who murdered a female graduate student with whom he was having an affair, burning her body with cigarette butts and surrounding her in red ochre.

This “macabre legend” illustrates a common critique of true crime—a victim provided no name and no identity beyond the way she was brutalized. A former New Yorker editorial staff member, Cooper performed meticulous research on the 1969 murder, debunking the affair rumor and instead exploring a more interesting story about memory, institutional power, and misogyny in academia.

She also excavates the story of the crime’s victim, 23-year-old Jane Britton. Full of twists and turns, this real-life whodunit provides an exacting portrait of who Jane was and what her loved ones lost.

This book is on my list of all-time favorites. I read it more than a decade ago, but I still can’t get the ending out of my head. The book is intriguing and fast-paced, and I found the characters so relatable–normal, middle-class people, much like my own family.

Maybe that is why the ending hit me so hard. I didn’t see it coming, but I should have. Maybe I didn’t want to believe it could happen or even consider the possibility. Who would? What a twist. All the evidence is there. The motive is there. It is the only ending that makes sense. It’s perfect. 

I love true crime and I love history. This book combined the two in an enthralling, often poetic read.

It’s about the case of Lizzie Borden. In this multi-POV story, Schmidt gets into the characters of Lizzie, her sister, a housemaid, and Lizzie’s uncle to explore how the crime unfolded.

It leans literary in its narration style, but I personally like that. The details used in the story really make the reader feel present in the scenes and get into the minds of the characters.

The Ninth Daughter is the first of the Abigail Adams Mysteries by Barbara Hamilton. Yes, that Abigail Adams—wife of John Adams, the second President of the United States. But this series is set before all that, at the cusp of the American Revolution. 

Struggling to be a supporting wife and mother, Abigail runs into trouble when her keen and curious mind finds clues to a serial killer hunting for victims in Boston's streets. 

As discontent continues to rise in the Colonies over England's strangling hold, there is more than one type of danger to contend with. The novel is a fun look at an amazing woman and the chaotic times and views leading the colonies to declare their independence.

Julia Henry’s third book in her Garden Squad Mysteries makes my list.

In Digging Up the Remains, Julia Henry brings readers a modern Jessica Fletcher with her character Lilly Jayne. Senior citizen Lilly is roommates with Delia, nearly forty years age difference! Somehow this works exquisitely for both of them. The rest of the characters span in age, but not in ethnicity, although there is small LGBT representation.

The theme of Digging Up the Remains is about secrets. The skeletons are in the closet so to speak.

Due to the contemporary setting this book’s way of showing the status of the journalism business is accurate. Now the world favors unsubstantiated, high-traffic live feeds of the “average” citizen hoping to get 15 minutes of fame and go viral. 

I am a total sucker for crime books that include blueprints of the house where a murder took place… and specifically for books about Lizzie Borden and what she did (or did not do) on August 4, 1892. I really can’t explain my preoccupation. A Private Disgrace delivers on the blueprints and much more. I have read it many times over. The author was born twelve years after the murders in Fall River, Massachusetts. Lincoln heard from her parents how Lizzie Borden was tried and acquitted for butchering her father and stepmother with an axe. The author knows the town intimately and uses her insider knowledge to formulate plausible answers as to who committed the murders and why. And Lincoln thrusts us directly into the murder house with her vivid depictions. The stifling heat of the August day, the family’s three consecutive meals of left-over mutton, the stink of the… show more.