Fans pick 78 books like A Beginner's Guide to Breaking and Entering

This last tale brings the tour back to London, albeit with side trips to Yorkshire. I was attracted to this enthralling mystery not only by the twisty plot but also by the way the author cleverly sets scenes with just a few words. It was enough for me to know time and place while leaving room for my imagination to have its say.

I easily pictured the library or drawing room of Somerville Hall; Harrogate’s rat-infested police station; the derelict building housing Russell’s Book Shop; Verrey’s Restaurant, Regent Street; the London General Mourning Warehouse; and the list continues. I was drawn into every scene with the story’s heroine.

This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs. There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.

This is another great story about stealing—and in this book it’s about what the burglar accidentally acquires. It’s very funny and unexpected when Bill the burglar picks up a baby without realizing and becomes preoccupied with its needs. Luckily another lovely burglar turns up and helps out. I’ve never read this book to kids as I found it after mine had grown up but we all enjoyed Ahlberg’s work for many years. I love the detail in the pictures, which show chaotic houses and unexpected items. There are lots of words too which is not so usual in picture books now, but I think kids really enjoy being lulled by a reading voice while they dream about the pictures.

This is a gorgeous book to be savoured slowly.

It is suffused with music throughout (and the nerd within me loves the reoccurring literary motifs and phrases that definitely lend a musical quality to the book) and took me back to lazy summer days as a teenager when I first moved to London and the city felt wide open with excitement and possibility.

This is another love story, but one about community, family and the first loves that we learn from our parents.

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and… show more.

Having gotten a taste of the sights of London, delve deeper with this exhibition guide packed with illustrations, paintings, and photographs of the things people owned and used during the Regency period and beyond. My favorite part of this book is the many essays contributed by leading historians who really know their stuff—everything you need to know about Regency art, architecture, science, and culture is right here.

Ruckley manages to strike a rare balance between high fantasy prose and Grimdark’s dirt-under-the-nails realism, and combines it all with thoughtful character development and an oftentimes sombre tone. On the one hand it’s about a boy’s coming of age journey and the tragedy of loss, and on the other a bitter and ultimately futile conflict of a people riven by the dogma of an emergent religion. There are visceral and superbly paced clashes between these opposing sides, which are both blinded by the all-encompassing madness of a magic user who is rapidly losing control of his own power. The fact that all of the suffering and slaughter in this story could easily be avoided is what makes it hit deepest. If everyone had just been nice to the poor boy, maybe he wouldn’t have turned into a narcissistic half-corpse hell-bent on psychic slavery and death. But hey, then there would… show more.

London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.

The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.

Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.

Visiting London at its most coal-caked and financially stratified, The Affair of the Porcelain Dog was Holmes-like in its execution, and pulled me into its mystery from the opening so steeped in the time and place and culture, and then never let go. Ira Adler is so charming a character that even when he was being selfish or spoiled I was smitten. An orphan, street thief, pickpocket, and former rent boy now living in luxury at the beck and call of a crime lord, Ira ends up tasked to recover the titular “dog” statue, which contains a secret that could ruin everything, and bring Ira's comfortable new life to an end. Philip Battley’s narration was so completely immersive, and had me there with Ira, hoping he’d somehow pull it off.

Another out of print effort, but very significant in both the authorship and the moment in time it captures. This was written as a memorial to the stations which Betjeman expected would be demolished following the fate in the early 1960s of Euston Staton. Betjeman tours round all the stations celebrating their architecture but bemoaning their fate and he helped create the movement which resisted further demolitions and eventually resulted in a lot of the stations being radically and successfully improved.