I'm a social anthropologist who has lived, dreamed, and worked in Syria most of her life. Having spent my childhood in Damascus I always yearned to return. After completing my PhD at the University of California, Los Angeles, in the economy of modern Bedouin Tribes, I won a Fulbright award to teach at the University of Damascus. Since then, Damascus has been at the centre of my academic and social life. I met my husband there, a British helicopter pilot, sent there to learn Arabic. I'm an emeritus professor of anthropology and forced migration at the University of Oxford and my research has been on the forced migrant communities who make up Syria’s cosmopolitan society.
This is a truly remarkable work. I was expecting a straightforward book of art but discovered a wonderful portrait of Syria in the 20th century. It is an original, creative, and deeply contextualized lens into the modern political history of Greater Syria. It successfully brings natural Syria, Bilad al Sham, into our frame of reference through the work of three main artists: Khalil Gibran, Adham Ismail, and Fateh al Moudarres. In its early chapters, it skillfully describes and analyses Syria’s interface with the late Ottoman period. The Interwar Mandate period is particularly well researched and articulated in drawing Syrian plastic arts into view, as France and other European diplomats, philosophers, and anthropologists’ influenced individual Syrian poets, and philosophers either during their sojourns in Europe or at home in Syria. Beautiful Agitation is an enchanting read, scholarly and lively, making sense for the first time of important Syrian artists’…
In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving…
Steven A. Cook is the Eni Enrico Mattei senior fellow for the Middle East and Africa studies and director of the International Affairs Fellowship for Tenured International Relations Scholars at the Council on Foreign Relations (CFR). He is a columnist at Foreign Policy magazine and an expert on Arab and Turkish politics as well as U.S. Middle East policy.
I read Maalouf's book many years ago and it remains one of the best books I have ever read about identity. It helps that he is a gifted writer and that Maalouf's story is so compelling.
Origins, by the world-renowned writer Amin Maalouf, is a sprawling, hemisphere-spanning intergenerational saga.
Set during the last quarter of the nineteenth century and the first quarter of the twentieth, in the mountains of Lebanon and in Havana, Cuba, Origins recounts the family history of the generation of Maalouf's paternal grandfather, Boutros. Why did Boutros, a poet and educator in Lebanon, travel across the globe to rescue his younger brother, Gebrayel, who had settled in Havana?
Maalouf is an energetic and amiable narrator, illuminating the more obscure corners of late Ottoman nationalism, the psychology of Lebanese sectarianism, and the dynamics of…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
We are reminded on almost a daily basis of the plight of refugees in fragile boats that this sea can be cruel as well as kind. The present diaspora has its forerunners – in this book the great population exchange of 1923 that saw the displacement of two million people across the Mediterranean: Greeks living in the Ottoman Empire, Turks living in Greece. Bruce Clarke both explains the chain of events in the aftermath of the First World War and records the personal stories of those who were uprooted from the places they called home. They have a familiar resonance, the repeating patterns of memory and loss: ‘I remember the day they went away,’ recorded a Greek woman of her Muslim neighbours. ‘Some kissed the earth, some took bowls of soil with them. They were decent types; their menfolk used to attend our funerals, and we would exchange presents of…
In the dismantling of the Ottoman Empire following World War I, nearly two million citizens in Turkey and Greece were expelled from homelands. The Lausanne treaty resulted in the deportation of Orthodox Christians from Turkey to Greece and of Muslims from Greece to Turkey. The transfer was hailed as a solution to the problem of minorities who could not coexist. Both governments saw the exchange as a chance to create societies of a single culture. The opinions and feelings of those uprooted from their native soil were never solicited.
In an evocative book, Bruce Clark draws on new archival research…
I enjoyed this story for several reasons. First and foremost, reading this series makes me feel closer to my dear mother-in-law who passed away in 2009. She loved Dunnet!
I hadn’t read anything by this author until I started reading this series. Each book opens a new world to me, whether in Scotland or England or France, with the history of the place and the people brought vividly to life.
Secondly, I’m enjoying the series because Dunnet has such a wonderful way with language and storytelling that I find her writing beautiful and elegant and often tongue-in-cheek funny. This historical fiction is entertaining as well as educational.
Combining all the political intrigue of Game of Thrones with the sweeping romanticism of Outlander, Dorothy Dunnett’s legendary Lymond Chronicles have enthralled readers for decades and amassed legions of devoted fans. In this fourth book in the series, Francis Crawford of Lymond embarks on a desperate and deadly journey in search of his kidnapped child.
Somewhere within the bejeweled labyrinth of the Ottoman Empire, a little boy is hidden. Now his father, Francis Crawford of Lymond, soldier of fortune and the exiled heir of Scottish nobility, is searching for him while ostensibly engaged on a mission to the Turkish Sultan.…
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
Focusing on the period beginning with 1571’s epic battle of Lepanto and extending through the so-called “Northern Invasion” of the English and the Dutch into the Mediterranean, this book examines the central role piracy played in the emergence of an “Ottoman Mediterranean” as a legal space shaped by multiple, ever-shifting factors. In this wide-ranging and beautifully written study, archival sources spanning both religious and imperial spheres of law become windows onto the astonishing complexity of an early modern Mediterranean in which there were “no hard and fast lines separating Christian and Muslim spheres, but rather a culture of legal pluralism in which merchants, travelers, and seamen took advantage of multiple overlapping jurisdictions.” Evocatively written, blending narrative and analysis, White brings this exciting age to vivid life.
The 1570s marked the beginning of an age of pervasive piracy in the Mediterranean that persisted into the eighteenth century. Nowhere was more inviting to pirates than the Ottoman-dominated eastern Mediterranean. In this bustling maritime ecosystem, weak imperial defenses and permissive politics made piracy possible, while robust trade made it profitable. By 1700, the limits of the Ottoman Mediterranean were defined not by Ottoman territorial sovereignty or naval supremacy, but by the reach of imperial law, which had been indelibly shaped by the challenge of piracy.
Piracy and Law in the Ottoman Mediterranean is the first book to examine Mediterranean…
As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.
The late Peter Sluglett devoted his life to studying Iraq and had a deep knowledge of the country’s history. This book was re-issued in 2007 but was originally published in the mid-1970s. It is based on Sluglett’s doctoral research on the British League of Nations mandate in Iraq. Perhaps this tells to some extent as the book is data-heavy and does not have the most free-flowing narrative style. Nevertheless, it is unsurpassed in terms of insights and analyses of the British period indirectly governing Iraq between 1920 and 1932. If you want to understand British attempts to shape a country to suit its imperial interests, this is the book for you.
After the end of World War I, international pressures prevented the Allies from implementing direct colonial rule over the former Arab provinces of the Ottoman Empire. Instead, the Allies created a system of mandates for the governance of the Middle East. France was assigned Lebanon and Syria, and Britain was assigned Iraq, Palestine, and Transjordan. First published in 1976, Britain in Iraq has long been recognized as the definitive history of the mandate period, providing a meticulous and engaging account of Britain's political involvement in Iraq as well as rare insights into the motives behind the founding of the Iraqi…
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Not only am I enthralled by the large images of lost places and people, but I am in awe of the fact that the photographers even reached some of the wildest places on earth with over a hundred pounds of camera equipment and boxes of mostly poisonous chemicals.
I will never again complain about sitting in the cold or the heat with my lightweight 35mm camera, waiting for the lighting to be just right.
In the second half of the 19th century, unprecedented advances in technology resulted in the collision of travel and photography. Explorers were able to document their journeys, hauling enormous amounts of equipment over arduous terrain. The results were breathtaking. This collection of photographs takes readers on a historic global tour that includes five continents and offers a visible record of worlds long-since vanished. Beginning in North Africa amid the pyramids and along the Nile, this book takes readers down through the Sahara to South Africa via Cameroon, Ethiopia, and Zanzibar. The journey continues from South to North America, capturing images…
I'm a historian who teaches strategic studies at the National Defense University and Georgetown University in Washington, DC. I'm fascinated by how we write and teach history, how we interpret it, and how we use it. To use history, we have to “get it right,” but we also have to think about how the past impacts the present. One of the foremost challenges confronting historians is how to write the history of their particular subject well while making it applicable (and interesting) more universally. The following books are all particular to the region I study most closely—the Eastern Mediterranean—but their grasp of humanity is profound. Their power and perspectives ring true across millennia.
This book is an extraordinary synthesis of half a century of history (c. 1520-1571) as European powers and the Ottoman Empire fought for control of the Mediterranean Sea. Empires of the Sea focuses on a number of momentous military engagements, the Siege of Rhodes (1522), the Siege of Malta (1565), the Ottoman conquest of Cyprus (1570-1), and the Battle of Lepanto (1571). Crowley writes like an artist evoking the colors and textures of the brilliant seventeenth-century amid a world of emperors, sultans, popes, and pirates. He manages to capture both the extraordinary individuals who shaped momentous events through their personalities and the broader historical trends that led to the defeat of Ottoman expansion during the 16th century and shaped the contours of Europe as we know it today.
Empires of the Sea shows the Mediterranean as a majestic and bloody theatre of war. Opening with the Ottoman victory in 1453 it is a breathtaking story of military crusading, Barbary pirates, white slavery and the Ottoman Empire - and the larger picture of the struggle between Islam and Christianity. Coupled with dramatic set piece battles, a wealth of riveting first-hand accounts, epic momentum and a terrific denouement at Lepanto, this is a work of history at its broadest and most compelling.
In the Spring of 2006, I went to the south of France searching for troubadours. It was my MA year and my thesis was looking at the influence of the courtly love tradition on Chaucer’s writing. Troubadours (and the female, trobairitz) were nowhere to be found. The closest I came was a café named Le Troubadour. However, evidence of their lyrics was there in the beauty and lushness of Languedoc in spring. I'm always drawn to the poetry, landscapes, and love stories of the past and have experienced how these connections enrich my life. I've completed a PhD in seventeenth-century literature and become an historical fiction novelist and a devotee of history and historical fiction.
A mammoth of an historical novel set in the time of the Ottoman Empire.
A unique love story between the elephant keeper (and royal architect) Jahan, his special white elephant, Chota, and the interesting princess Mihrimah. As funny as it is heartbreaking, with characters so compelling they felt like cherished friends mourned and missed at parting, but whom I’ll always remember with deep fondness.
A dazzling and intricate tale from Elif Shafak, Booker-shortlisted author of 10 Minutes 38 Seconds in this Strange World - chosen for the Duchess of Cornwall's online book club The Reading Room
'There were six of us: the master, the apprentices and the white elephant. We built everything together...'
Sixteenth century Istanbul: a stowaway arrives in the city bearing an extraordinary gift for the Sultan. The boy is utterly alone in a foreign land, with no worldly possessions to his name except Chota, a rare white elephant destined for the palace menagerie.
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
“Mad, bad and dangerous to know”, Lord Byron is such an enduring literary superstar that he hardly needs a recommendation, but today people talk about his many lovers, or his death in Greece where he went to fight against the Ottoman empire, much more than they read his work.
It may be that an idea of an old, long narrative poem sounds off-putting; Childe Harold is anything but. An early example of “autobiografiction”, this tale of a young and world-weary aristocrat on a long trip around European peripheries is based on Byron’s own experiences.
In terms of Harold’s jaded attitude, it could almost be a contemporary gap year trip, with a huge historic difference.
I love it for its early descriptions of the European East, and I encourage you to observe the attitude of superiority which would be emulated by so many Victorian and later authors, without Byron’s panache,…
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