My favorite books as a child were the Goosebumps series by R.L. Stine. This began my love of all things horror (including cheesy, campy B-horror). The movies that people love to hate (and also the books that stir up the same emotions) combine humanity's most basic instincts: fear, lust, and humor. Bringing these three together in perfect union creates a combination I can't get enough of. It's what drives my own writing and my insatiable desire to seek out more stories like this.
"I want to read a book like the 1990s cult classic movie Tremors; hold the (Kevin) Bacon, please." Funny you ask! Earthworm Gods (or its alternate title, Conqueror Worms) will scratch that itch while throwing in some ancient one worship à la Lovecraft. One day it starts to rain, and then the rain never stops. Monstrous earthworms terrorize the townspeople. What happens next? Probably not what you expect. There's enough quirkiness in here to keep it light, so you can chuckle while watching the world go down in flames (or...er...floods); just what you'd expect from a rainy, Saturday night B-horror film.
One day, it starts raining-and never stops. Global super-storms decimate the planet, eradicating most of mankind. Pockets of survivors gather on mountaintops, watching as the waters climb higher and higher. But as the tides rise, something else is rising, too.
Now, in the midst of an ecological nightmare, the remnants of humanity face a new menace, in a battle that stretches from the rooftops of submerged cities to the mountaintop islands jutting from the sea. What hope does an already-devastated mankind have against this new supernatural adversary.
It’s rare these days for me to be so completely absorbed by a book that I only stop reading when I can’t keep my eyes open any longer.
This is 1970s Britain, an era I grew up in, the descriptions and atmosphere absolutely authentic. But the real grip was the subject matter. The storyline, expertly handled, was original and mesmerising, with twins Abi and Tim – spookily worldly-wise teens with a paranormal obsession – conjuring a fake ghost photograph to play a trick on gullible schoolmate, Janice Tupps.
The prank, however, rebounds shockingly, horrifically... This is both insightful and unnerving work. The author knows his stuff. Another rarity – Maclean writes for the reader, draws you right in. Loved it.
'A delight for both the expert and the uninitiated, this creepy tale is a carapace of cosy nostalgia wrapped round a solid thread of dread ... A page turner that keeps you in dreaded suspense of what you are about to be shown ... A claustrophobic and entertaining read that left me breathless ... Horror for the connoisseur.' ALICE LOWE
'Hallucinatory brilliance ... The Apparition Phase may be the perfect novel for our phantom present.' GUARDIAN ___________________________________ Tim and Abi have always been different from their peers. Precociously bright, they spend their evenings in…
I was a child who was very dissatisfied with the idea that this world, with its rules and routines, is all there is. Sunday school filled me with a fear of hell, and heaven sounded boring, a lot of people wearing white and singing. This forced me into the world of fairy and folktales: spirits, tricksters, masquerades, elves, werecreatures, and merpeople. It was all so exciting and, more than that, comforting. The just were rewarded, and the wicked were punished within the timeframe of the story, not later when they died.
Smutty ghost sex. I had no business reading this book at nine or whatever, but I had an appetite and the aptitude, and my parents were either too trusting or indifferent because SMUTTY GHOST SEX.
I can't remember much else about it, nor can I get a copy, but for nine-year-old me, it was forbidden and titillating.
I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
If Dr. Syn is a mysterious, cunning character, perhaps the Romney marsh is more mysterious. It's a haunting, eerie place, more a character in its own right than a location. The misty bog stays in the memory long after reading this intriguing book. The Dr. himself, and Mr. Mipps his associate, are as fever-inducing as the marsh itself.
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
William Ellsworth Robinson, who became better known as the magician Chung Ling Soo, devised tricks for Alexander Herrmann and other great magicians in the late 19th century. While he was developing stage magic, Spiritualists were performing what they branded as real magic—actually communicating with the dead in various ways. One of those ways was through a slate. Ask a question and with the slate positioned beneath a table, spirits would scribble a message in chalk. In this book, Robinson explains how these ghostly miracles and others could be achieved purely through the ingenuity of the living. The numerous illustrations make this book as wondrous to look through as is it to read.
In the late nineteenth century, mediums across the country were busy delivering messages from the dead to anyone who would listen. And there were plenty who would. Often these words from beyond appeared on slates during séances. But the brand of magic that mediums offered was nothing more than that-magic. Author William E. Robinson, an accomplished magician who worked as a stage manager and assistant to Alexander Herrmann and Harry Kellar, knew all the tricks of the trade. His book, Spirit Slate Writing and Kindred Phenomena, published in 1898, explained them all. This new edition includes all the original illustrations,…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
This book is part of the Hetty Feather collection, perfect for fans of this feisty Victorian heroine.
Recounted by ‘Diamond’ (formerly Ellen-Jane), the child acrobatic wonder, this is a story about running away FROM the circus. Bought for five guineas by cruel clown Beppo, Diamond is forced to become part of the Silver Brothers’ tumbling act at Tanglefield’s Travelling Circus. Although competent, she is mistreated and unhappy, but when Hetty Feather joins the circus as ringmaster ‘Emerald’, things begin to change…
Diamond wasn't always a star. Born to penniless parents who longed for a strong, healthy son, she was a dainty, delicate daughter - and a bitter disappointment.
Discovering an extraordinary gift for acrobatics, Diamond uses her talent to earn a few pennies, but brings shame on her family. When a mysterious, cruel-eyed stranger spots her performing, Diamond is sold - and is taken to become an acrobat at Tanglefield's Travelling Circus.
The crowds adore Diamond, but life behind the velvet curtains is far from glamorous. Her wicked master forces Diamond to attempt ever more daring tricks, until she is terrified…
I grew up next to a cemetery, and being an avid young artist, I loved to draw all kinds of monsters and spooky themes. Halloween books are a perfect way to express my creepy…but not too creepy side. When I look at Halloween picture books, I'm immediately focused on the pictures, long before I read the story. What medium did the artist use? How do they depict night scenes? Are they realistic or stylized? How interesting are their characters? Halloween picture books are a perfect way to create moody and somewhat scary scenes that balance the creepy with the not-so-creepy. Kids love to be scared, but we don’t want to give them nightmares!
While I am an intermediate student in digital art making, I am a big fan of digital art well done. Cale Atkinson’s fun ghosty picture book, Sir Simon: Super Scarer was a delight to discover!
Atkinson combines stylized skewed perspectives with a wealth of interesting design elements like multiple type styles, picture frame vignettes to divide up a page, hidden ghosts in wallpaper, inventive word balloons, cutaways, and active layouts to move the reader through this fun book.
What I really loved was Atkinson’s use of gravely textures over layers of saturated color favoring turquoise and terra cotta, with a smattering of purples and olives that made me smile.
Sir Simon goes through a heartwarming change in the story, but I had already fallen in love with his simply designed, emotional charm.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
I’ve heard stories of the 1918 Influenza pandemic, how the soldiers returning from WWI were infected and then spread the disease to every town throughout the United States, and that most who died were very young. The Twenties were exciting times and came immediately after the pandemic. With so much death among young people, those who survived wanted to live life recklessly.
This Picoult novel, written close to the time I began to shape my book, asks whether we can love across time. While the theme is much more grounded in practical and natural circumstances, the fact that the question is teased out in this novel helps shape the same question my character, Adelyn, finds herself embroiled in. Is Innis capable of breaking the barrier using the strength of a first love?
THE INTERNATIONAL BESTSELLER 'Compelling, surprising and entertaining' Heat
Since the death of his fiancee Aimee, Ross Wakeman has been unable to fill the hole she has left in his life. Seeking to end his pain, he becomes a ghost hunter, despite never having seen a ghost.
However, when his job leads him to the town of Comtosook, it becomes apparent that Ross isn't the only one haunted by the past. When he meets the mysterious Lia, who brings him to life for the first time in years, redemption seems around the corner.
I'd like to claim that my expertise in these matters stems from the fact that I am a supernatural entity—and a funny one at that. But my origin’s more mundane; when I was growing up on a corn & soybean farm miles outside of a rural village, I became a voracious reader. I was always intrigued by writers who could explore a world outside the bounds of reality and do it with style. Over the years, I’ve been a short-order cook, a corn detasseler, a summer camp counselor, a college professor, and a middle-grade author, and I’ve learned that you can find a little magic anywhere if you look hard enough.
In this standalone addition to the Greenglass House series, Kate Milford has built a world of cozy and adventurous specificity.
It’s set mostly in the Liberty of Gammerbund, a walled municipality within the city of Nagspeake, a New England-ish coastal community populated by lots of former smugglers and pirates. Marzana and her friend Nialla learn that a girl from a neighboring school has been kidnapped, and they believe she sent a coded message using a book from a series they read obsessively. Marzana puts together a group of plucky kids (including one ghost) to solve the crime.
The setting is so lovingly created—with secret passages, architecture that modifies itself, and a magical, perpetually vacant “Glass Museum and Radioactive Teashop”—discerning readers will savor every minute of the mystery.
Marzana and her best friend are bored. Even though they live in a notorious city where normal rules do not apply, nothing interesting ever happens to them. Nothing, that is, until Marzana's parents are recruited to help solve an odd crime, and she realizes that this could be the excitement she's been waiting for. She assembles a group of kid detectives with special skills - including the ghost of a ship captain's daughter - and together, they explore hidden passageways, navigate architecture that changes overnight, and try to unravel the puzzle of who the kidnappers are - and where they're…
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr.
Aveline is thrilled when she discovers that the holiday cottage her mum has rented for the summer is beside a stone circle. Thousands of years old, the local villagers refer to the ancient structure as the Witch Stones, and Aveline cannot wait to learn more about them.
Then Aveline meets Hazel. Impossibly cool, mysterious yet friendly, Aveline soon falls under Hazel's spell. In fact, Hazel is quite unlike anyone Aveline has ever met before, but she can't work out why. Will Aveline discover the truth about Hazel, before it's too late?
