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My family is a marvelously mixed bunch: lesbian, gay, and straight relatives; Jewish and Latin relatives; relatives along a spectrum of economic situations, abilities, and political views. The policy work that I do connects me with social justice advocates from across NYC’s multiple ethnic, racial, religious, and LGBTQ communities. The wildly disparate voices that surround me illuminate both the power of communal ties and the dangers of narrow identity labeling. A central quest behind my work, my reading, and my writing has thus always been to balance and respect everything at once: the cultural structures that sustain us; the individual quirks that challenge and complicate those structures; and the universalities that cross all cultural borders.
Alison Bechdel (best known for Fun Home, a graphic memoir about her bisexual teacher-cum-funeral-parlor-owner father) also wrote this graphic memoir about her actor-writer-teacher mother. It largely takes place in the 1990s, when being boldly “out” was just becoming possible—and Bechdel joyfully and graphically reveals herself as such to her readers. With her mother, however… maybe not so much. When told that Alison is publishing a book of lesbian cartoons, the mother asks: “Isn’t that rather a narrow scope?” before landing the zinger: “You’re not going to use your own name, are you?” Still, the book’s power derives from showing that sexual identity is only a small part of what divides, enrages, and ultimately re-connects this vivid mother-daughter duo. There’s also fierce creative competitiveness. Deeply shared sorrow. And love.
An expansive, moving and captivating graphic memoir from the author of Fun Home.
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf.
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
Whenever I’m pressed to name a favorite novel of all time, this is the title I turn to.
It’s so many things all at once: a perfectly plotted slow-burn of a crime caper with several killer surprises, an absorbing lesbian romance that burns with passionate intensity, and a fully realized, deeply immersive historical drama that displays masterful research by leaning into the weirder, hidden corners of its familiar Victorian setting.
As a writer, this book fills me with delicious envy; as a reader, it bowls me over with tension and awe.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
My family is a marvelously mixed bunch: lesbian, gay, and straight relatives; Jewish and Latin relatives; relatives along a spectrum of economic situations, abilities, and political views. The policy work that I do connects me with social justice advocates from across NYC’s multiple ethnic, racial, religious, and LGBTQ communities. The wildly disparate voices that surround me illuminate both the power of communal ties and the dangers of narrow identity labeling. A central quest behind my work, my reading, and my writing has thus always been to balance and respect everything at once: the cultural structures that sustain us; the individual quirks that challenge and complicate those structures; and the universalities that cross all cultural borders.
In this slender, fictionalized account of the “hidden in plain sight” romance between sharp-eyed, sharp-tongued reporter Lorena Hickok and larger-than-life First Lady Eleanor Roosevelt, we get a gloriously slanted insiders’ view of a pivotal period in American history. This is emphatically a “lesbian love story”—explicit in its depictions of both the pleasures of female sensuality and the tolls of enforced secrecy. It is also—bluntly and forthrightly—a “middle-aged love story,” with all the attendant sea changes, accommodations, and regrets. Most of all, it’s the story of the two wittiest, savviest, best-positioned women anyone could ever encounter. “As Churchill said (to me),” the fictional Lorena begins one of her marvelous anecdotes. And the thing is, he probably did.
For readers of The Paris Wife and The Swans of Fifth Avenue comes a “sensuous, captivating account of a forbidden affair between two women” (People)—Eleanor Roosevelt and “first friend” Lorena Hickok.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Financial Times • San Francisco Chronicle • New York Public Library • Refinery29 • Real Simple
Lorena Hickok meets Eleanor Roosevelt in 1932 while reporting on Franklin Roosevelt’s first presidential campaign. Having grown up worse than poor in South Dakota and reinvented herself as the most prominent woman reporter in America, “Hick,” as she’s known to her friends and…
My family is a marvelously mixed bunch: lesbian, gay, and straight relatives; Jewish and Latin relatives; relatives along a spectrum of economic situations, abilities, and political views. The policy work that I do connects me with social justice advocates from across NYC’s multiple ethnic, racial, religious, and LGBTQ communities. The wildly disparate voices that surround me illuminate both the power of communal ties and the dangers of narrow identity labeling. A central quest behind my work, my reading, and my writing has thus always been to balance and respect everything at once: the cultural structures that sustain us; the individual quirks that challenge and complicate those structures; and the universalities that cross all cultural borders.
Spears’ compelling tale of Jodie Taylor—a lesbian coming of age in the American South of the 1950s and 1960s—smoothly draws readers into that overall time and place through details of setting (a “Pepto-Bismol pink trailer raised on cinder blocks”), behavior (a girl gleefully pouring salted peanuts into an RC Cola) and history (the Birmingham Church bombing) before plunging us into the far-less-familiar inner world of mid-century Southern lesbians. We gain privileged entrée into wildly rollicking bars and snugly welcoming kitchens; witness acts of treachery and acts of fierce loyalty; come to know women of tough skins and tender hearts. “It takes living queer to understand who we are,” one character confidently asserts. But through this adeptly crafted book, Spears opens up that understanding to us all.
I grew up reading and re-reading Tolkien’s The Hobbit and The Lord of the Ringstrilogy. But it always bothered me that there weren’t many girls or women in those books—and most of those that did appear were pretty, perfect, and—well—kind of boring. In college, I studied literature, myths, and fairytales and found that most of the female characters in those stories didn’t reflect women I wanted to be or know, either. So, I wrote my own high fantasy novel and continue to seek out great fantasy, sci-fi, and fairytale-inspired literature featuring strong female characters that are dragons on the inside—and sometimes on the outside, too.
Shatter the Sky is a quick-read YA high fantasy. It’s the story of Maren, who wants to live an ordinary life with her girlfriend, Kaia. When Kaia is kidnapped, Maren decides to apprentice herself to the Aromatory—the emperor’s mysterious dragon tamer—as a first step in her rescue plan.
Shatter the Sky features a number of diverse characters and a sapphic romance and has been highly praised for breaking ground in the YA fantasy realm. I particularly enjoyed the Aromatory, the new take on dragons, and a main character who begins by viewing herself as unimportant but progresses to accepting her power and recognizing her value. Maren’s story continues—with ramped-up stakes, more dragons, and a complicated political plot in the meatier second book in this duology—Storm the Earth.
“A top-notch dragon story…Both nuanced and real.” —Shelf Awareness (starred review) “I absolutely devoured it.” —Mackenzi Lee, bestselling author of The Gentleman’s Guide to Vice and Virtue “Perfect for fans of Tamora Pierce, Renée Ahdieh, and Cindy Pon.” —Saundra Mitchell, author of All the Things We Do in the Dark and editor of YA anthology All Out
A determined young woman sets out to rescue her kidnapped girlfriend by stealing a dragon from the corrupt emperor in this stunning fantasy debut that’s perfect for fans of Margaret Rogerson, Rae Carson, and Rachel Hartman.
Like most people, I find the history of sex and everything associated with it fascinating! It’s often been difficult to document and interpret the complexities about heterosexuality, gender identity, and same-sex desire as well as women’s reproductive health which is intimately (although not exclusively of course) linked to sex. We are in a golden age of fantastic work on so many aspects of the history of sex. Apart from the intrinsic interest of these books, I think they provide such an important context for our very lively and often very intense contemporary legal, political, and cultural debates over sex in all its forms.
In contrast to stereotypes about lesbians that framed them as bra-burning, men-hating, hairy-legged feminists, Lauren Gutterman evocatively shows how the emergence of post-World War II lesbian desire took place at the center of American life, in the suburbs, often in marriages to men and heterosexual families with children. Married women rejected divorce or labelling themselves as lesbians even while they had affairs with their female neighbors. Her Neighbor’s Wife offers an extraordinary new interpretation of how post-World War II American marriages could accommodate women’s relationships with other women.
At first glance, Barbara Kalish fit the stereotype of a 1950s wife and mother. Married at eighteen, Barbara lived with her husband and two daughters in a California suburb, where she was president of the Parent-Teacher Association. At a PTA training conference in San Francisco, Barbara met Pearl, another PTA president who also had two children and happened to live only a few blocks away from her. To Barbara, Pearl was "the most gorgeous woman in the world," and the two began an affair that lasted over a decade.
Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife traces the…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
An absolutely exhaustive catalog of queer milestones on television, I’m constantly consulting this amazing book.
There’s no more authoritative examination of the people, shows, and trends that shaped queer representation in broadcast media over the 20th century. Exhaustively researched, it’s not just a must-read – it’s a must-read-multiple-times.
I own two copies, each one jam-packed with bookmarks and notes to myself about the best bits.
Definitive, vibrant, and utterly fascinating, Alternate Channels traces the monumental growth of gay, lesbian, and bisexual images on radio and television from the 1930s to the present. Splashed against the tumultuous backdrop of the McCarthy witch hunts, Stonewall and the gay liberation movement, the birth of the 700 Club and the religious right, the outbreak of AIDS and the arrival of in-your-face queer activism, this chatty, authoritative broadcast history tells the stories of such notorious and noteworthy moments as
- 1947: Radio gays--A bitchy fashion photographer throws fits at the drop of a designer hat on the adaptation of Moss…
I knew in my early teens that I wasn’t straight, but back then, the thought of coming out was too scary. I waited until I was twenty-three to do so, and it was still scary even being ten years older! So I can relate to stories of women of all ages discovering their less-than-straight sexuality. It’s rarely easy, no matter how many years you’ve lived already. It still requires good support from the people who love you, and one thing in common in all of the books I’ve recommended is that family, or often found family, plays a crucial role in the newly-out woman feeling comfortable being themselves.
This one had me laughing out loud just as much as swooning over the lovely story of Caroline and her transformation once her husband dumps her in the home where ‘difficult’ women are put when they cause too much trouble for those husbands. There are elements of steampunk, social commentary, twisted humor, and a cast of secondary characters that are as varied as they are interesting. The setting, while bleak to begin with, grows on you as you read, and once all the twists and turns finally click into place, it’s a romp of a ride to the end.
A gentle Victorian tale of women’s passions and power, with a sprinkle of romance, a trifle of steampunk, and heaps and heaps of quiet revolution.
Caroline Ajax is an inconvenient woman. Unwell. Hot-tempered. Harboring a tragic secret she can’t share with another living soul. Dropped at an institution in the Surrey Hills by her husband, Thomas, her only objective is to survive, to endure, to make it back to what little there is of her life as soon as she possibly can. But it doesn’t take her long to discover there is something unusual about this house and its eclectic…
As the author of several sapphic sports romances, I find sports world rife with passion, complexities, and inherent conflict. I’ve had the privilege of working with several professional athletes and Olympians, and I’m always drawn to their drive. Sports, especially high-level sports, function as a pressure cooker to reveal our real personalities for better or for worse. There’s something appealing about studying people who push their minds and bodies to the brink in pursuit of something bigger than themselves. I think in some small way that connects with who as I am a writer and my own drive to always improve.
This is one of my favorite romances of all time, and while it’s not a novel about a competitive sport, I think it’s important to note sports can provide so much more than “winning” narratives. In this book, a group of women whitewater kayak through Alaska, and they use their outdoor sporting skills for a wonderful adventure wrapped around a sexy romance that still gives me all the heart feels even after having read it at least ten times. I love literally everything about this book, from the beautiful settings to the character development to the action scenes. Ten out of ten for Kim Baldwin.
Danger, destiny, and romance on the river.A wilderness kayak adventure brings together two very different women—Chaz Herrick, a laid-back outdoorswoman, and Megan Maxwell, a workaholic news executive. As they battle the challenges of nature for survival, they discover that true love may be nothing at all like they imagined.
I believe that creativity has no boundaries and that it is only desire and determination that separate those who succeed from those who don't. I'm equally at home with a paintbrush and canvas, a needle and thread, or a hammer and nails, and am as eclectic in my writing as I am in my other interests. I'm best known for my definitive sociological study, Married Women Who Love Women and More, which began as a catharsis for myself when I realized I was gay. I'm also the author of an autobiographical how-to, an exciting mystery, a lesbian paranormal romance, a rhyming picture book, a cookbook, and a middle grade chapter book.
The Well of Loneliness, written in 1928 was banned upon publication because of its lesbian theme. I think the banning of this book brought it enough publicity to make it a must read. It is the story of Stephen Gordon, an Englishwoman who struggles to be who she knows she is in her upper-class society. Stephen’s strength and compassion, and her courage kept me reading while I was in the early stages of my own discovery.
'As a man loved a woman, that was how I loved...It was good, good, good...'
Stephen is an ideal child of aristocratic parents - a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions. The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel.…
