Here are 100 books that Wounded Tigris fans have personally recommended if you like
Wounded Tigris.
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I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
I read it some 15 years ago… yet when I close my eyes I can still see Eskkar and Trella and their small band, smell the heat and dust of Mesopotamia. Surrounded by marauding raiders, they must use their wits and will to survive in order to build the earliest of walled cities. Tense and beautifully immersive, Barone’s ‘Dawn of Empire’ is unique and memorable – perfect escapism!
Three thousand years before the birth of Christ. An epic conflict is about to begin. The price of victory? Civilization. The price of defeat, a return to the dark ages.
The hopes of civilization rest on one man's shoulders: Eskkar, once a barbarian, nowa warrior in charge of defending a small town which lies in the path of a vastbarbarian war party. The last time the invaders came to Orak, they spared no one and the tiny candle of trade and agriculture that had begun there, the first in all of human history, was extinguished.
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
I think this book explains why genocide happens
under the cover of war. It made me see why both World War I and World War II
were marked by genocides. I really liked how the author explained why the
Armenian Genocide was a key event of World War I.
Balakian is a poet who turned
to history writing to explain the experience of genocide and demonstrate the
central importance of the international response to genocide. He uses
interesting source material from eyewitnesses and official archives to trace both
the humanitarian response and military decisions that brought the US into the
war on the side of the Allies in the wake of the first large-scale genocide of
the twentieth century.
A History of International Human Rights and Forgotten Heroes
In this national bestseller, the critically acclaimed author Peter Balakian brings us a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history.
Awarded the Raphael Lemkin Prize for the best scholarly…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is a book about deep listening. It follows two childhood friends – a journalist and a former American soldier – on a kind of road trip through Turkey, Syria and Iraq in the close aftermath of the U.S. war there.
We watch them wrestle over the meaning of the conflict and their places in it. It’s reportage – the author is a third friend, following along, chronicling their conversation and laying out their arguments, blind spots and occasionally questionable reasoning as they try and deal with something almost too big and complicated to get a handle on.
The characters are not generals, or presidents, or militia leaders, they are just two old friends, trying to reckon with a war on a very human scale. Also the watercolored art is gorgeous.
Cartoonist Sarah Glidden follows up her acclaimed debut, How to Understand Israel in 60 Days or Less, with Rolling Black- outs, which details her two-month long journey through Turkey, Iraq, and Syria. Glidden accompanies her two friends reporters and founders of the journalistic non-profit the Seattle Globalist as they research stories on the Iraq War s effect on the Middle East and, specifically, the war s refugees. Joining them is a former Marine and childhood friend of one of the journalists whose deployment to Iraq in 2007 adds an unexpected and sometimes unwelcome viewpoint, both to the people they come…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I have always been interested in political and social events around me, and being from Turkey, it was inevitable not to be surrounded by the news of the conflict between the Turkish state and the PKK that has been going on for decades. However, perhaps due to being a member of the non-Muslim minority community of Turkey myself, I have always been interested in the ‘non-mainstream’ explanations of a state-ethnic group conflict. This interest in alternative explanations led me to study an MSc in Nationalism Studies and to a PhD in Sociology at the University of Edinburgh, with the focus of my thesis being Kurdishness in Turkey.
It is safe to say that this book was like a holy book to me when I was doing my MSc and during my early PhD years.
Martin van Bruinessen is a scholar that everyone who has an interest in Kurdish studies should be familiar with, and this book, which is a collection of his earlier articles, is a good introduction to get acquainted with Kurds and their history.
Even though the articles in this book date back to the 1980s and to the 1990s, it is a classic book for those who want to familiarise themselves with Kurds.
The articles here are not only about Kurds of Turkey but also those of Iran and Iraq.
A collection of articles by Martin van Bruinessen on Kurds, Kurdish history and identity from the perspective of nationalism and nation-building in the Middle East.
My encounter with young refugees and former political prisoners from Turkey in Basel in the early 1980s decisively oriented me as a future historian toward the Middle East. My studies led me to discover the end of the Ottoman Empire and the post-1918 efforts to bring peace and a new order, both globally and nationally, as a highly under-researched, but essential topic.
This is a personal account from the decade preceding the Lausanne Treaty.
Jakob Künzler and his wife were stationed in the Swiss Hospital in Urfa, Mesopotamia, and witnessed the destruction of the Armenians at close hand. As disturbing as is Künzler’s sober report, at the same time it is a declaration of love for a turbulent land of different languages, religions, and the people who live there.
Presents information regarding the Armenian massacres in Urfa, Ottoman Turkey during the World War (1914-1918). the fate of the Armenian widows and orphans as well as author's description of his work in the German Orient Mission hospital, deportations of the Armenians as well as the Kurds, requisitions of the Armenian property by the Turkish government officials and citizens.
My encounter with young refugees and former political prisoners from Turkey in Basel in the early 1980s decisively oriented me as a future historian toward the Middle East. My studies led me to discover the end of the Ottoman Empire and the post-1918 efforts to bring peace and a new order, both globally and nationally, as a highly under-researched, but essential topic.
Although partisan and perspectival (pro-British), this book offers invaluable insights into the “Lausanne moment.”
Its author was an insider of the post-Great War Paris conferences and the final Conference of Lausanne. Based on contemporary notes of the author and further material, this book is a main source for the research on the Lausanne Near East Peace Conference.
In Harold Nicolson's own words 'This study of Lord Curzon represents the third volume of a trilogy on British diplomacy covering the years from 1870 to 1924. The first volume of that trilogy was a biography entitled Lord Carnock: A Study in the Old Diplomacy. The second volume was a critical survey of the Paris conference called Peacemaking, 1919.' All three volumes are reissued in Faber Finds. Curzon himself, not a modest man it must be admitted, rated highly the work of his final years. In his 'Literary Testament' dictated only a few hours before his death he said, 'As…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me.
On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
As publishers Dorling Kindersley have invented a great format, juxtaposing pictures and information in a way nobody else has ever done. The volume on Turkey is a browser’s paradise and if it doesn’t inspire you to want to visit the country and its largest city, then there’s something wrong with you. The introduction to Turkish life and the 80 or so pages on Istanbul are superb, cramming in so much knowledge but in a way that lets you skim and peruse it at your own pace, skipping about in the text, and lost in awe over the photographs of human structures and scenery. A Turkish traveler must-have!
The guide that shows you what others only tell you! Fancy de-stressing on paradise beaches or discovering grand palaces in the city? Make sure you don't miss a thing with this essential guide to Turkey. Meander through mesmerising landscapes and discover the hustle and bustle of mystical Istanbul using the unique cutaways and 3D models. Relevant tips on where to discover historical gems and up to date cultural facts will ensure that you stay one step ahead with where you want to go and what you want to see! Voted Best Guide Book series by Guardian and Observer readers in…
Living in Istanbul, I fell in love with glimpses of Ottoman life still visible there, not only the mosques and palaces but neighborhoods of old wooden houses, like the one where I lived on the upper slopes of the Bosphorus, the small villas and hidden gardens, and quaint customs that have disappeared in modern society. Beginning in my twenties, I spent many years as a social anthropologist in Turkey studying contemporary Turkish society, but I also read about the Ottomans, whose diversity, rich customs, and colorful lifestyles were tragically erased by nationalism and war. The books on my list will let you experience it all.
Reading this novel is like opening a secret back door into history. I was propelled into an intimate atmosphere in the kitchens, boudoirs, living rooms, and offices of those involved in the slow-motion collapse of the Ottoman Empire.
I was privy to the political and personal intrigues of an unforgettable cast of characters, both men and women, as well as to their erotic and emotional lives in a rapidly changing society.
A “magical, marvellous” epic of an empire in collapse: Book one in the acclaimed Ottoman Quartet by the award-winning Turkish author and political dissident (La Stampa, Italy).
Tracking the decline and fall of the Ottoman empire, Ahmet Altan’s Ottoman Quartet spans fifty years from the end of the nineteenth century to the post-WWI rise of Atatu¨rk as leader of the new Turkey. In Like a Sword Wound, a modern-day resident of Istanbul is visited by the ghosts of his ancestors, finally free to tell their stories “under the broad, dark wings of death.” Among the characters who come to life…
When two brothers discover a 300-year-old sausage-curing cabin on the side of a Slovenian mountain, it's love at first sight. But 300-year-old cabins come with 300 problems.
Dormice & Moonshine is the true story of an Englishman seduced by Slovenia. In the wake of a breakup, he seeks temporary refuge…
I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.
Living in a world where we can look at images of places we’re planning to travel without even going there means it’s easy to forget the importance of letters sent from foreign countries. Especially ones as well written as these. Ogier De Busbecq was an ambassador for the Hapsburg Empire in the court of Suleyman the Magnificent in the 16th century, but his observations, comments, and snippets of gossip read like he was in Istanbul last month. He had a keen eye for detail and nothing escaped his notice – palace machinations, dirty politics, and even prison conditions, gleaned from the time he spent incarcerated.
Intelligent but unpretentious, gossipy yet honest, inquiring and unprejudiced - de Busbecq is the sort of man we would all like to meet on our travels. As Habsburg ambassador to the 16th-century court of Suleyman the Magnificent he missed nothing: the intrigue of Roxelana at court, the unloading of Spanish prisoners of war, the yoghurt diet of country Turks, the brutal realities of 16th-century realpolitik, and the charming, but expensive, habit of being wecomed with gifts of flowers by Janissary guardsmen. De Busbecq brings Constantinople, at the heyday of Ottoman power, bursting into life. This is eyewitness history at its…
