Here are 100 books that When Harlem Was in Vogue fans have personally recommended if you like
When Harlem Was in Vogue.
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I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this novel in verse because it made me think a lot about what it must be like to have a whole root system, a family, in a place, a whole country apart, that you have never or rarely visited. I concluded that sometimes it’s not about how you came to eventually make it back to that home you’ve never known, but that you went to explore it at all.
The stunning New York Times bestselling novel from the 2019 Carnegie Medal winning, Waterstones Book Prize shortlisted author of THE POET X. 2020 Goodreads Choice Award Winner of CLAP WHEN YOU LAND.
Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people...
In New York City, Yahaira Rios is called to the principal's office, where her mother is waiting to tell her that her father, her hero, has died in a…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this book because Beneatha Younger’s insatiable curiosity about the world beyond the South Side of Chicago propels her to make important decisions about her life. It drives her right into the arms of a man (Asagai) willing to be alongside her as she explores. Beneatha’s audaciousness inspires me.
"Come to A Raisin in the Sun as you would to any classic. It speaks to us today as it did almost half a century ago." Bonnie Greer
In south side Chicago, Walter Lee, a Black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. His mother, who rejects the liquor business, uses some of the money to secure a proper house for the family. Mr Lindner, a representative of the all-white neighbourhood, tries to buy them out. Walter sinks the rest of the money into his business scheme,…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love anything by Zora Neale Hurston but this one I love because she mixed her training as an anthropologist and her talent for storytelling to create this book of tales of magic based on her travels through the Caribbean. I find Hurston’s unique approach to studying and sharing knowledge to be so clearly artful, and she has inspired researchers and writers to this day.
“Strikingly dramatic, yet simple and unrestrained . . . an unusual and intensely interesting book richly packed with strange information.”
—New York Times Book Review
Based on Zora Neale Hurston’s personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of the ceremonies, customs, and superstitions of voodoo.
I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
The main characters in this book were the first relationship goals for me as a teenager. I loved their relationship; the story flow was vividly in my mind as I read it.
I really shouldn’t have seen the movie because often, it doesn’t follow the same storyline, but I will forever love this book and love the main characters' relationship. It was and still is golden to me.
It's the late 1980s and Gena, a young girl from the projects, meets Quadir, a millionaire drug dealer and falls madly in love. Quadir builds a massive empire while fighting off his rivals and enemies. Gena faces the challenge of holding on to her man, her house, her car and the cash. Both of them find themselves caught up in a vicious yet seductive world and learn that success in this game is no easy win. Gena and Quadir also learn that once you're in there's no way out 'cause everyone stays in Forever...
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
Although presented as a novel, this book is a memoir of Brown’s life growing up as a Black boy in Harlem in the 1940s and 50s amid poverty, violence, and addiction.
Marlene was in Paris in the summer of 1969 when a young white American man gave her a book to read. Brown’s story smacked me in the face. He lived in an America that was foreign to me—poverty, addiction, violence, incarceration. His experiences growing up on the streets of Harlem were so different from mine in suburban New Jersey.
What I remember most is my wonder at Brown’s description of “conking” his hair—straightening it with chemical relaxers that damaged his hair and burned his scalp. His description has stayed with me for all these years as a reminder of how little I knew and know about the lives of Blacks and their position in a white world.
This thinly fictionalized account of Claude Brown's childhood as a streetwise criminal trying to survive the toughest streets of Harlem of everyday life for the first generation African American raised in the Northern ghettos of the 1940s and 1950s.
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
It can be difficult for kids to see their parents as real people, and that’s why I loveSome Places More Than Others. When Amara finally convinces her parents she should get to go on a trip with her dad to New York City’s Harlem to meet the grandfather she’s only spoken to on the phone, she uncovers the fact that her dad and her grandfather haven’t spoken in twelve years. I love the depiction of Amara’s father as a person in his own right, someone with a history and his own problems and how, as Amara slowly unravels the mysteries of her father’s past, she begins to understand herself better too.
From Newbery Honor- and Coretta Scott King Author Award-winning, New York Times bestselling author Renée Watson comes a heartwarming and inspiring novel for middle schoolers about finding deep roots and exploring the past, the present, and the places that make us who we are.
All Amara wants for her birthday is to visit her father's family in New York City--Harlem, to be exact. She can't wait to finally meet her Grandpa Earl and cousins in person, and to stay in the brownstone where her father grew up. Maybe this will help her understand her family--and herself--in new way.
If there's a throughline in all my books, it occurs to me I've always been writing about the dangers of extremism, the times when we get sucked too deeply into ideologies that lead to dangerous action. So this most recent novel felt like an ideal time to take that head-on: to see what would happen within a sect of Kabbalists, led by a self-proclaimed prophet, when things went bad. With that in mind... here's a bunch of books focused around prophecy!
This novel may be my favorite book of the 1970s and a woefully underappreciated deep satire not just of its moment, but of ours as well. I think about the mere fact of museums being renamed "centers of art detention" once a day or so, and I haven't reread the book in a decade.
New in 2023, the 50th anniversary edition of the classic, freewheeling novel by one of the most iconic satirists of our time—now with a new introduction by the author.
“Part vision, part satire, part farce… A wholly original, unholy cross between the craft of fiction and witchcraft.” —The New York Times
It is the 1920s in New York City and an epidemic known as Jes Grew is sweeping the nation—a dancing plague, irresistible, joyful, and undeniably Black. Naturally, the powers-that-be are having none of it. A repressive conspiracy is operating in the shadows, and it is dead set on squelching…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Thomas’s memoir is a seminal text of Nuyorican Literature (a sub-genre of Diasporican Literature) and the Latinx canon. It also belongs to the urban literature genre that emerged in the 1960s. His, however, was the first Latinx version of a narrative that depicts, some would say sensationalizes and exploits, the gritty, raw life of the inner city. As such, it had a tremendous impact on developing Latinx writers who had few role models at the time. His work, along with others of that genre, still holds influence stylistically and thematically with some Latinx authors. Written in the traditional Augustinian autobiographical model, Mean Streets tracks Piri’s fall into crime and drugs and final transformation and redemption. More significantly, this memoir introduces the issue of Latinx black identity and the complication of it within the American black-white paradigm.
A modern classic of manhood, marginalization, survival, and transcendence—and a lyrical memoir of coming of age on the streets of Spanish Harlem.
"A report from the guts and heart of a submerged population group ... It claims our attention and emotional response." —The New York Times Book Review
Thirty years ago Piri Thomas made literary history with this lacerating memoir. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations of…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
Only when I arrived in Paris did I discover the works of this major African American writer.
Back then, Himes—still under-recognized in the USA—was a long-time household name in France. Himes not only brought the American crime novel to the Black part of town, he did it with a satiric bite that is his distinguishing feature.
The Black police detectives Grave Digger Jones and Coffin Ed Johnson are at the center of the nine novels in Himes's Harlem Cycle, an epic achievement in crime fiction.
Himes's Harlem is a violent phantasmagoria where Digger and Ed—in order to protect the poor, ordinary working folk of the community—are forced to be the baddest of the bad.
Cotton Comes to Harlem is my favorite work in the collection. Published in 1965, it skewers both Black militants and white racists with wicked glee.
From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime.
Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that…
