100 books like Vikings of the Irish Sea

I study and write about the Early Medieval period, and in a series of books about its most important characters, its archaeology and landscapes, I've tried to share my lifelong passion for this most obscure and tantalizing period of our history – what we still call the Dark Ages. From the two most shadowy centuries after Rome's fall (The First Kingdom) to Northumbrian King Oswald (The King in the North), who brought Christianity into pagan Anglo-Saxon England, and a walking, riding, sailing tour of Britain's Dark Age lands and seas (In the Land of Giants), I see a continuity of rich cultures, vibrant politics and regional characters that help us to understand how and why we are like we are.

In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.

I study and write about the Early Medieval period, and in a series of books about its most important characters, its archaeology and landscapes, I've tried to share my lifelong passion for this most obscure and tantalizing period of our history – what we still call the Dark Ages. From the two most shadowy centuries after Rome's fall (The First Kingdom) to Northumbrian King Oswald (The King in the North), who brought Christianity into pagan Anglo-Saxon England, and a walking, riding, sailing tour of Britain's Dark Age lands and seas (In the Land of Giants), I see a continuity of rich cultures, vibrant politics and regional characters that help us to understand how and why we are like we are.

Ian Stuart Sharpe likes to imagine he is descended from Guðrum, King of the East Angles, although DNA tests and a deep disdain for camping suggest otherwise. He is the author of two novels set in his alternate Vikingverse, the All Father Paradox and Loki’s Wager. He once won a prize at school for Outstanding Progress and chose a dictionary as his reward, secretly wishing it had been an Old Norse phrasebook. It took him thirty years, but he has finally realised his dream.

I’m a writer of novels set in Saxon England. I studied the era at both undergraduate and graduate levels and never meant to become a historical fiction writer. But I developed a passion to tell the story of the last century of Early England through the eyes of the earls of Mercia, as opposed to the more well-known, Earl Godwin. I’m still writing that series but venture further back in time as well. I might have a bit of an obsession with the Saxon kingdom of Mercia. I’m fascinated by the whole near-enough six hundred years of Saxon England before the watershed moment of 1066, after which, quite frankly, everything went a bit downhill. 

I’ve been a lifelong student of history. Even as a child I would devour history books or watch documentaries on TV telling tales of past wars of heroic battles. This passion eventually turned into a degree in History from the University of Toronto. I have also visited countless museums, castles, ruins, and historic sites throughout Europe and North America. My particular interest in Anglo-Saxon history came during my university years when I took some Old English language courses. Poems like the Battle of Maldon and Beowulf were my gateway to the rich tapestry of lives and events that made up the Anglo-Saxon era.

Julian. D. Richards is a Professor of Archaeology at York. He has directed excavations at the Viking settlement at Cottam, and the only Viking cremation cemetery in the British Isles at Heath Wood. He is the author of Viking Age England, and The Vikings: A Short Introduction. His co-author is Dawn M. Hadley. Dawn is a Professor of Medieval Archaeology at the University of York. She and Julian Richards are Co-Directors of the Torksey project - which has been investigating the winter camp of the Viking Great Army of AD 872-3. She is the author of The Vikings in England and The Northern Danelaw.

History was one of my majors in college and it’s something that I’ve always gravitated back to despite venturing off into various non-history-related careers. When I chose to become an author, it was only natural that I would find myself writing in the military historical fiction genre. I found these works not only inspiring, but both time and money well spent. While they range widely outside of modern conflicts, they shine a light on the grim times and places of long ago. I believe my award-winning Northern Wolf Series will do the same for you as its cavalry-focused novels bring to life lesser-known engagements of the American Civil War.

I was in my thirties when I finally visited Cornwall, though I’d long lost my heart to Cornwall through reading. A city girl, I ached to climb the cliff paths and breathe the salt-laden air. My head was full of folklore and history, rugged cliffs, secret coves, and desolate moors. For the last twenty-five years, we’ve been lucky enough to sail our boat along the south coast, anchoring in the timeless harbours and rowing up the creeks. My stories come while we watch the birds scuttle across the riverbanks. A product of my early reading, I’m a romantic dreamer and invite you to join me in my fictional world. 

I grew up on a Viking battlefield, in an English coastal village once raided then occupied by Norsemen. We had ancestors who lived on the Isle of Orkney, and in the Celtic south-west. From a young age, I read Norse and Celtic myths and legends, and went on to study history and philosophy – and then became an author. Now, I have family in Sweden and grandchildren of Ash and Elm. My list offers pure escapism, but also shows how our ancestors lived in an age with no electricity or compulsory schooling. It’s the wonderful combination of the ‘other world’ myths and history that I believe makes us who we are.