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As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: “We rescued another woman!” I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersect—as I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging men’s prevailing views.
In 2007, when Marion Ann Taylor, a pioneer researcher in the study of historical women biblical commentators, picked up a newly-published biographical encyclopedia of 200 “major biblical interpreters,” she was appalled to discover that it contained entries on only three women! This inspired her to edit a biographical dictionary dedicated solely to women who interpreted scripture. Taylor’s handbook contains 180 short articles, authored by expert historians and biblical scholars, about inspiring Jewish and Christian women who wrote about the Bible through the centuries. Readers learn biographical information about these women, as well as their approaches to scriptural interpretation, especially how they commented on the story of Eve and passages about other biblical women.
The history of women interpreters of the Bible is a neglected area of study. Marion Taylor presents a one-volume reference tool that introduces readers to a wide array of women interpreters of the Bible from the entire history of Christianity. Her research has implications for understanding biblical interpretation--especially the history of interpretation--and influencing contemporary study of women and the Bible. Contributions by 130 top scholars introduce foremothers of the faith who address issues of interpretation that continue to be relevant to faith communities today, such as women's roles in the church and synagogue and the idea of religious feminism. Women's…
As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: “We rescued another woman!” I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersect—as I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging men’s prevailing views.
Drawing upon her expertise in African American literature, Katherine Clay Bassard writes about the ways Black women poets, novelists, preachers, and orators from the 1700s through the 1900s used biblical themes and images to challenge the dominant culture’s oppression of women and people of color. African American women used a variety of scriptural images, including the Queen of Sheba and the “black but comely” female speaker in the Song of Songs, to argue for Black women’s dignity. Bassard celebrates African American women’s creativity and their shrewd employment of scriptural passages to engage in resistance to racism and sexism.
Black women writers reclaim the sacred text. ""Transforming Scriptures"" is the first sustained treatment of African American women writers' intellectual, even theological, engagements with the book ""Northrup Frye"" referred to as the 'great code' of Western civilization. Katherine Clay Bassard looks at poetry, novels, speeches, sermons, and prayers by Maria W. Stewart, Frances Harper, Hannah Crafts, Harriet E. Wilson, Harriet Jacobs, Zora Neale Hurston, Toni Morrison, and Sherley Anne Williams and discusses how such texts respond as a collective 'literary witness' to the use of the Bible for purposes of social domination. Black women's historic encounters with the Bible were,…
As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: “We rescued another woman!” I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersect—as I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging men’s prevailing views.
For centuries, Christian preachers and leaders held all women responsible for Eve’s sin. Since Eve ate forbidden fruit in the Garden of Eden, leaders called womankind “the devil’s gateway” and the source of all suffering and death. Men also used the Genesis account of Eve’s creation from Adam’s rib to argue that all women should hold a secondary status in church and society. However, as Amanda Benckhuysen shows, women through the centuries created a counter tradition. They reinterpreted Eve to argue for women’s dignity and their right to preach, teach, and receive an education. Made from superior substance (Adam’s flesh) rather than the dirt of the ground, Eve was God’s worthy creation. Eve sinned, but so did Adam. Thus, Eve’s “curse” did not bar her female descendants from ministerial roles.
2020 Word Guild Awards Shortlist - Academic
What does it mean to be male and female? Do women and men have different intellectual, spiritual, moral, or emotional capacities? Are women especially suited for serving and men for leading? Are women and men equal?
While these may seem like relatively recent questions, they have been a topic of conversation throughout Christian history. At the center of this conversation is the biblical character Eve, the archetypal woman of Genesis 1-3. Not simply one woman among many, Eve comes to represent all women, defining the very essence of what it is to be…
As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: “We rescued another woman!” I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersect—as I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging men’s prevailing views.
The Bible contains stories of unspeakable violence and brutality against women: the rape of Abraham and Sarah’s enslaved servant Hagar, the incestuous assault of David’s daughter Tamar, the human sacrifice of the warrior Jephthah’s unnamed daughter, and other horrifying accounts. Scripture also contains passages by the Apostle Paul and men writing in his name—passages that restrict women’s roles in churches and which subordinate women in households. In the late twentieth century, feminist scholars challenged these passages and critiqued the patriarchy found in the Bible. But women’s challenge to patriarchal biblical texts did not begin in the twentieth century, In this essay collection, authors identify women working in the 1600s, 1700s, and 1800s who had similar insights into the gendered problems found in the Bible.
Until recently, the voices of women who interpreted the Bible prior to the feminism of the late twentieth century had been largely forgotten. However, the current recovery of these women's interpretive works reveals writings that seem "strangely familiar" in their anticipation of later feminist approaches to the biblical text and their thematic interest in liberation. In this volume, the contributions of seventeenth- to nineteenth-century women-including Arcangela Tarabotti, Aemelia Lanyer, and Josephine Butler-are addressed in their historical and cultural contexts. Each of these recovered authors worked to liberate women from interpretations of the Bible that proved oppressive to them. Leading feminist…
I’m a writer who has traveled the world in real life and traveled through time in my research and imagination. In the past dozen years, I’ve researched historical women of the Bible for my own novels and have come to realize that women of the ancient world were much like women of today. Biblical women had dreams and fell in love. They worried about their children, politics, and the world around them. They wished for security and happiness just as we do. I have a special regard for historical fiction that brings these ancient women to life—honoring their lives and their struggles.
I loved Miriam—one of many of Mesu Andrew’s novels of Old Testament women—because this aged woman brings a fresh perspective to the well-known story of the Exodus from Egypt. Her lived experience from slavery to freedom—and from despair to hope—as she searches for the God of her brother, Moses, is both familiar and utterly new. Mesu Andrews weaves a beautiful tapestry of a story that breathes new and fascinating life into a familiar story.
The Hebrews call me prophetess, the Egyptians a seer. But I am neither. I am simply a watcher of Israel and the messenger of El Shaddai. When He speaks to me in dreams, I interpret. When He whispers a melody, I sing.
At eighty-six, Miriam had devoted her entire life to loving El Shaddai and serving His people as both midwife and messenger. Yet when her brother Moses returns to Egypt from exile, he brings a disruptive message. God has a new name – Yahweh – and has declared a radical deliverance for the Israelites.
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
The Bible, by committee. Well, sure. Provided we can leave to others—or maybe just to each individual reader—the problem of deciding which parts are the history, which the myth, and which seem to be, let’s just say, imaginatively conceived (and which of these can claim the firmest purchase on the Truth we should probably also leave to the reader), the Good Book remains the deconstructed prototype for the kind of literary braid we’re talking about, the all-time album of mirrors, fashioned from pretty much all the same genres we still write in—poetry, philosophy, allegory, parable, vignette, epistolary, horror, and IKEA instruction manual.
Regarding the blend of the natural and supernatural, the moment I’ve been looking at with students recently—this for a class I’ve offered on the subject of mental health and literature—is the meeting of Jesus and the Gerasene Demoniac,…
The top-selling ESV Thinline Bible is ideal for use at home and on-the-go. At one inch thick and available in multiple designs, there is a perfect ESV Thinline Bible for everyone.
For as long as I can remember, I’ve been an artist at heart. As a child, I loved to draw and to make all kinds of crafts with my mother. Now, I make a living creating and teaching art. From presenting at conferences and workshops around the country to doing segments on lifestyle shows like Hallmark Home & Family, Good Day PA, Great Day Live Tampa, and more, my favorite things to do are those that allow me to share crafty projects. I have also written five hand lettering books and a guided journal, all with the hope of helping others to discover, explore, and express their own creativity.
Faith and creativity come together in this gorgeous, colorful journal by Krystal Whitten. Filled with gorgeous illustrations, tutorials, and spaces for you to create, this journal will inspire you from start to finish. Whether you work in it daily or pick it up when you need some quiet time, you’ll find yourself feeling renewed creatively and spiritually.
Something special happens when you learn to write or draw God's Word. In Faith and Lettering, Krystal Whitten's advice and encouragement will help you draw near to God and pursue a deeper faith by expressing your creativity. You will learn three basic types of letters and variations on them, what tools to use and how to use them, and step-by-step instructions for decorative flourishes and embellishments. Krystal will also show you how to find inspiration and accept grace when mistakes happen. Her inspiring tips, techniques, and ideas will help make your Bibles, journals, and home decor uniquely your own.
I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually. When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)
Published by the American Atheist Press, this isn't really a funny book, but since contradictions and absurdities figure prominently throughout the book, I'm listing it here. Next time anyonestarts to defend their faith, give them a copy of this book. I'm sure some of what's in my own book was inspired by this book.
No bible-thumping missionary will ever be safe on your doorstep again! This book includes devastating evidence needed to prove the "Holy Bible" is actually wholly babble.
This collection started when I had to take a course on Milton as part of my Literature degree program. It didn't make any sense to me blame Eve for the downfall of Man. (I hadn't yet developed much of a feminist consciousness and so didn't realize that women are always blamed... perhaps especially by men, perhaps especially for their own—i.e., men's—behaviour...) "I am Eve" (the first piece in the collection) is actually based on my term paper. After I graduated, I decided to go through the Bible to see who else needed to protest...
Although the scope of this book is broader than the title of my book list, Green does have a chapter dedicated to "Treatment of Women in the Sweetest Story Ever Told." I believe, like she did, that an almost sure way to atheism is to actually read The Bible – which she did while convalescing from cancer in the 1970s). Two years later, she wrote this book in her 60s.
This collection started when I had to take a course on Milton as part of my Literature degree program. It didn't make any sense to me blame Eve for the downfall of Man. (I hadn't yet developed much of a feminist consciousness and so didn't realize that women are always blamed... perhaps especially by men, perhaps especially for their own—i.e., men's—behaviour...) "I am Eve" (the first piece in the collection) is actually based on my term paper. After I graduated, I decided to go through the Bible to see who else needed to protest...
I'm recommending this book because just—wow. Almost a thousand pages of articles that are feminist in their biblical interpretation. Pity this didn't exist in the late 1980s when I wrote my own book. (It was published in 2012.) (Actually, better that it didn't exist back then—I might not have seen the need for my own modest contribution to the field!)
The original German edition of Feminist Biblical Interpretation received high acclaim and widespread positive reviews in Europe. That groundbreaking reference tool for contextual biblical interpretation is here available in English for the first time. With contributions from more than sixty female scholars, this is the only one-volume feminist commentary on the entire Bible, including books that are relatively uncharted territory for feminist theology.
