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One of my fondest childhood memories is the holiday parties that my parents threw. Lying in bed I could hear roars of laughter crash the silence and gently ebb as the grownups shared stories and made merry. Later in life, I came to realize how different that kind of drinking is from the frat-boy binging of college and the anxious bracers at singles’ bars. As an adult, I became a Catholic theologian, got married, and had a family of my own. My wife Alexandra and I have relished an evening cocktail together in order to unwind and catch up on each other’s day (Alexandra has homeschooled all six of our children, which is itself a compelling reason to drink daily).
The first book I read by British novelist Kingsley Amis was Lucky Jim, one of the greatest satires on academic life ever written (I do not, however, recommend reading it when you are applying for a teaching position as I foolishly did, since it will mess, mess, mess with your head). Amis enjoyed the drink far more than he should have, earning him the reputation, as he put it, “of being one of the great drinkers, if not one of the great drunks, of our time.” His extensive familiarity with the bottom of a glass bore at least one good fruit. Everyday Drinking is a painfully witty, laugh-out-loud collection of essays and even quizzes on different kinds of alcohol from around the world.
Kingsley Amis was one of the great masters of comic prose, and no subject was dearer to him than the art and practice of imbibing. This new volume brings together the best of his three out-of-print works on the subject: Kingsley Amis in Drink, Everyday Drinking and How's Your Glass? In one handsome package, the book covers a full shelf of the master's riotous and erudite thoughts on the drinking arts: Along with a series of well-tested recipes (including a cocktail called the Lucky Jim) are Amis's musings on The Hangover, The Boozing Man's Diet, The Mean Sod's Guide, and…
One of my fondest childhood memories is the holiday parties that my parents threw. Lying in bed I could hear roars of laughter crash the silence and gently ebb as the grownups shared stories and made merry. Later in life, I came to realize how different that kind of drinking is from the frat-boy binging of college and the anxious bracers at singles’ bars. As an adult, I became a Catholic theologian, got married, and had a family of my own. My wife Alexandra and I have relished an evening cocktail together in order to unwind and catch up on each other’s day (Alexandra has homeschooled all six of our children, which is itself a compelling reason to drink daily).
Will-Weber extensively researched the drinking habits of every U.S. president from George Washington to Barack Obama to compose this outstanding volume. Mint Juleps is brimming with fascinating facts. Did you know that the Carters, who were Southern Baptists, were much heavier drinkers than the Reagans? (Ronald Reagan, who effectively imposed the twenty-one-year drinking age on all fifty states, was the son of an alcoholic and wary of alcohol abuse). I think that I enjoyed the profile of George Washington the most, who not only plotted American independence over a pint or two but distilled his own applejack brandy as well.
Stroll through our country’s memorable moments—from George Washington at Mount Vernon to the days of Prohibition, from impeachment hearings to nuclear weapons negotiations—and discover the role that alcohol played in all of them with Mark Will-Weber’s Mint Juleps with Teddy Roosevelt: The Complete History of Presidential Drinking.
As America transformed from fledgling nation to world power, one element remained constant: alcohol. The eighteenth century saw the Father of His Country distilling whiskey in his backyard. The nineteenth century witnessed the lavish expenses on wine by the Sage of Monticello, Honest Abe’s inclination toward temperance, and the slurred speech of the…
One of my fondest childhood memories is the holiday parties that my parents threw. Lying in bed I could hear roars of laughter crash the silence and gently ebb as the grownups shared stories and made merry. Later in life, I came to realize how different that kind of drinking is from the frat-boy binging of college and the anxious bracers at singles’ bars. As an adult, I became a Catholic theologian, got married, and had a family of my own. My wife Alexandra and I have relished an evening cocktail together in order to unwind and catch up on each other’s day (Alexandra has homeschooled all six of our children, which is itself a compelling reason to drink daily).
It’s hard not to relish a clever pun, especially when it involves an allusion to good literature, and it’s even harder not to relish an entire book of them. Tim Federle combines the Great Books and great drinks with cocktails such as Brave New Swirled, The Cooler Purple, Paradise Sauced, Moby-Drink, The Sound and the Slurry, and The Last of the Mojitos.
December 2013: Goodreads Choice Award (Food & Cookbooks)December 2013: Entertainment Weekly Great Gifts for Book LoversDecember 2013: BookPage Best of 2013October 2014: Clue on Jeopardy Congrats. You fought through War and Peace , burned through Fahrenheit 451 , and sailed through Moby-Dick . All right, you nearly drowned in Moby-Dick , but you made it to shore,and you deserve a drink! A fun gift for barflies and a terrific treat for book clubs, Tequila Mockingbird is the ultimate cocktail book for the literary obsessed. Featuring 65 delicious drink recipes,paired with wry commentary on history's most beloved novels,the book also includes…
One of my fondest childhood memories is the holiday parties that my parents threw. Lying in bed I could hear roars of laughter crash the silence and gently ebb as the grownups shared stories and made merry. Later in life, I came to realize how different that kind of drinking is from the frat-boy binging of college and the anxious bracers at singles’ bars. As an adult, I became a Catholic theologian, got married, and had a family of my own. My wife Alexandra and I have relished an evening cocktail together in order to unwind and catch up on each other’s day (Alexandra has homeschooled all six of our children, which is itself a compelling reason to drink daily).
This could be the most bizarre monograph you will ever have on your bookshelf. The subtitle is no lie: for every letter of the alphabet, Zmirak has assembled an entertaining assortment of food recipes, drinking songs, history lessons, wine suggestions, or one of the Ten Commandments impishly explained. In the dedication, Zmirak and contributing author Denise Matychowiak list as their inspirations Pope Benedict XVI, food authors Paula Wolfert and M.F.K. Fisher, and Weird Al Yankovic. Need I say more?
This sequel to the highly-praised Bad Catholic's Guide to Good Living allows you to view Catholic life from a unique perspective. Starting with the wines, beers, and liquors made around the world by monks, the authors explore everything from Irish history to the secrets of the Knights Templar, with drinking games, food, and cocktail recipes, and rollicking drinking songs.
Certain books have the ability to inspire you or help you go beyond the boundaries of your understanding, to teach you something new or to show you how to look at things differently, to alter and enhance your perception. Each of these texts have encouraged and enchanted me, with hard-won truths. I appreciate the style of writing which draws you further and further into the author's psyche, and thus into your own, like deep diving into uncharted depths. Also, as someone who tries to write poetry and prose, I find each of these writers have a refreshing and interesting technique and method of communicating their thoughts and ideas.
As Cyril Connolly himself writes, "What follows are the doubts and reflections of a year, a word-cycle in three or four rhythms; art, love, nature and religion: an experiment in self dismantling..." This fragmentary method of writing, with quotes, aphorisms, epigrams, allusions, from a litany of great writers, thinkers, and diarists, with sudden reflections on love, the loss of love, spirituality, desire, literature, art, and psychology are the collected musings of Cyril Connolly, first published in 1944 in Horizon, the magazine he was founder and editor for. My favourite parts of his writing are the plentiful poetic depictions of the scene, usually with the aid of perspicacious and evocative lists, revealing the interior life of the poetic author: "Dead leaves, coffee grounds, grenadine, tabac Maryland, mental expectation - perfumes of the Nord-Sud; autumn arrival at Pigalle..."
This book is a literary sketch or prayer book, overflowing with ideas and…
This enduring classic is "a book which, no matter how many readers it will ever have, will never have enough" (Ernest Hemingway).
Cyril Connolly (1903-1974) was one of the most influential book reviewers and critics in England, contributing regularly to The New Statesmen, The Observer, and The Sunday Times. His essays have been collected in book form and published to wide acclaim on both sides of the Atlantic. The Unquiet Grave is considered by many to be his most enduring work. It is a highly personal journal written during the devastation of World War II, filled with reflective passages that…
I am captivated by memoirs that shed light on the deeper life experiences of their authors. My curiosity about inner life compelled me to learn about the psychological essence of memoir writers, resulting in my writing a memoir from an in-depth psychological perspective. My curiosity also led me to become a psychotherapist, which helped me better navigate dark and uncertain waters with my clients. By probing the inner psychological dynamics of such memoirs, I learned more about myself and became a writer with rare psychological insight. Such illumination served to ignite my very soul. My passion is fueled by tapping the mysteries of what lies within us all.
At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.
This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
Where does persuasive writing start? Whether you’re writing fiction, journalism, or a business message, good sentences are the key. Write good sentences and you write well in all fields. Bad sentences doom your writing. This tight 76-page book shows how to achieve simple, clear sentences, and at the same time build in power and even drama. Euchner moves on to cover paragraphs: how to find the focus of each and create logical, one-idea units. This is the book I wish I’d been given somewhere along the line in school, or later—it would have saved me a lot of trial-and-error! Like Euchner, I believe you need not study grammar rules to write well—that route has always put me to sleep.
Ernest Hemingway one remarked that the ultimate challenge of writing is to produce "one true sentence." If you can write one great sentence, you can write two, three, and more great sentences. If you can write many great sentences, line after line, you can master any writing project from a school paper to a published book.
So: Can you craft “one true sentence,” again and again?
Sentences and Paragraphs, by Charles Euchner, is the completely updated best-selling and most authoritative book available on the essential two units of writing. Building on the foundation of The Golden Rule of Writing, Charles…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
It’s one thing to advocate for simple, clear writing—and another to do it consistently. For the most inspiring demonstration of these principles look to Ernest Hemingway. Read even one of his short stories, or any of his novels or reportage, for in-action proof of how convincing we can be by using the most basic English: short everyday words derived from English’s early Anglo-Saxon history, and unadorned, straightforward sentences. Note how the most profound ideas, emotions, and subtle interactions can be communicated with spare language, nearly absent of descriptive words. How to generate this kind of impact with the writing most of us do every day is a central goal of my own book. TIP: a helpful online resource for simplifying copy is found at…Hemingway.com.
The fourth in the series of new annotated editions of Ernest Hemingway’s work, edited by the author’s grandson Seán and introduced by his son Patrick, this “illuminating” (The Washington Post) collection includes the best of the well-known classics as well as unpublished stories, early drafts, and notes that “offer insight into the mind and methods of one of the greatest practitioners of the story form” (Kirkus Reviews).
Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image.…
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This elegantly written biography helped me to know my subject.
It was especially vivid on what it was like to be the child of an Edwardian hostess, the minimal effect of WW1 on the day-to-day life of Great Britain and the effect of this on later life. It is a model of what a biography should be: thoughtful, clear, interesting, and perceptive.
From Wikipedia: Nancy Clara Cunard (10 March 1896 – 17 March 1965) was a writer, heiress and political activist. She was born into the British upper class but strongly rejected her family's values, devoting much of her life to fighting racism and fascism. She became a muse to some of the 20th century's most distinguished writers and artists, including Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound and Louis Aragon, who were among her lovers, Ernest Hemingway, James Joyce, Constantin Brâncuşi, Langston Hughes, Man Ray, and William Carlos Williams. MI5 documents reveal that she was involved with Indian socialist leader…
As a historical fiction writer, every time I learn about an amazing woman, I instinctively want to write about her, to understand her life and bring her – often forgotten – story to a wider audience. It’s a wonderful way to live vicariously, and it’s a privilege to spend time in these women’s worlds for a brief period. There’s a Sylvia Plath quote that strongly resonates with me, beginning: ‘I can never be all the people I want and live all the lives I want…’. Reading and writing historical fiction allows me a glimpse into the worlds of different people living different lives in different eras, and for that I’m extremely grateful.
I knew very little about Ernest Hemingway before I read the book, so didn’t approach it as a fan of him wanting to know more.
The book came highly recommended, and I was intrigued by the women that surrounded this controversial figure. Mrs Hemingway covers parts of the lives of each of his four wives, each so differently and wonderfully told. We see Hadley, Fife, Martha, and Mary in relation to Hemingway, but there’s no doubt that this novel is all about them, their thoughts and emotions. It’s brilliantly written and masterfully conveys a sense of the time period too.
In the dazzling summer of 1926, Ernest Hemingway and his wife Hadley travel from their home in Paris to a villa in the south of France. They swim, play bridge and drink gin. But wherever they go they are accompanied by the glamorous and irrepressible Fife. Fife is Hadley's best friend. She is also Ernest's lover.
Hadley is the first Mrs. Hemingway, but neither she nor Fife will be the last. Over the ensuing decades, Ernest's literary career will blaze a trail, but his marriages will be ignited by passion and deceit. Four extraordinary women will learn what it means…
