Here are 100 books that The Unquiet Grave fans have personally recommended if you like
The Unquiet Grave.
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After spending many years as a historian, I could be really negative about humanity. We have done many bad things to each other and the planet, but I don’t think there is a downward trajectory. I don’t believe in fate. My last published works have been about using fear and conspiracy to gain certain ends, but 99% of those were imagined connections, not some sophisticated plans of evil geniuses. The imagined conspiracy came after the actions. So, the books I have listed that I think are excellent are ways out of terrible situations, some of our own making, but often not. I hope you enjoy the books.
This book was absolutely amazing. The author interviewed many Soviet citizens in the 1990s after the Soviet Union’s collapse. I loved this book because it showed how people dealt with the massive change of the fall of the Soviet Union.
I also happened to be doing research in the Soviet Union in 1990 and then in 1995. So, I had an idea or two about before and after, but what about the people themselves? It shocked me to learn how many people believed in Stalin and how they thought they were changing the world even as it went far astray.
I also learned in the wonderful stories how they struggled to survive, some more, some less. The stories were heartbreaking but also illuminating and even encouraging.
NEW YORK TIMES BESTSELLER • A symphonic oral history about the disintegration of the Soviet Union and the emergence of a new Russia, from Svetlana Alexievich, winner of the Nobel Prize in Literature
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND PUBLISHERS WEEKLY • LOS ANGELES TIMES BOOK PRIZE WINNER
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • The Boston Globe • The Wall Street Journal • NPR • Financial Times • Kirkus Reviews
When the Swedish Academy awarded Svetlana Alexievich the…
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.
Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.
His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable.
An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
If you only read one book by Dostoevsky, this should be the one. The psychiatrist who directed the Mayo Clinic’s mental health division for years often had his patients read all of Dostoevsky’s works.
The Idiot is about a truly innocent and good man, Prince Myshkin, who is thrust into the highest levels of Russian aristocratic society. Although he understands that deception is essential to thrive in this world, he refuses to give up his guilelessness.
He is always as honest as he can be with everyone around him, and as kind as he can be, and as caring as he can be (he is a Christ figure, also a child figure). This all turns out very badly, unsurprisingly, and results in heartbreak and murder.
There is no greater novel ever written for teaching us about the human capacity and need for human love, and the many obstacles we have…
Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent.
Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Certain books have the ability to inspire you or help you go beyond the boundaries of your understanding, to teach you something new or to show you how to look at things differently, to alter and enhance your perception. Each of these texts have encouraged and enchanted me, with hard-won truths. I appreciate the style of writing which draws you further and further into the author's psyche, and thus into your own, like deep diving into uncharted depths. Also, as someone who tries to write poetry and prose, I find each of these writers have a refreshing and interesting technique and method of communicating their thoughts and ideas.
The book describes the performance, arrest, and prison term, of Maria Alyokhina, in deft, immediate, and succinct ‘beat’ style lingo, illustrated with her drawings. The text is refreshing on the open page, well spaced out. As one of the key members of Pussy Riot, her bravery shines out for her courageous activism which continues to this day. On 21 February 2012 the band performed their anti-Putin, anti-patriarchy Punk Prayer, called "Holy Shit", on the altar at Moscow’s Cathedral of Christ the Saviour. Critical of the relationship between the orthodox Church and Putin, with lines including “Virgin Mary, Mother of God, chase Putin out”, or “Virgin Mary, Mother of God, Be a feminist! Be a feminist!” the band managed to escape after the performance, but the video went viral, leading to their arrest and imprisonment. Testament to her punk character and iron resolve, the book describes the terrible prison conditions, and…
From activist, Pussy Riot member and freedom fighter Maria Alyokhina, a raw, hallucinatory, passionate account of her arrest, trial and imprisonment in a penal colony in the Urals for standing up for what she believed in.
'One of the most brilliant and inspiring things I've read in years. Couldn't put it down. This book is freedom' Chris Kraus, author of I Love Dick
'Reading: RIOT DAYS, by PussyRiot member MariaAlyokhina. A women's prison memoir like no other! One tough cookie!' @MargaretAtwood
'In oppressive political systems, some of the most effective weapons are sarcasm and dark humour. It is exactly these…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This is the quintessential short story collection by a minimalist who doesn’t write just to write. I love the fact that the stories are not contrived. He doesn’t force anything.
The characters, the setting, and the story just interact and produce real, believable results. Hemingway doesn’t stretch credulity, the ridiculous, or the fantastic, yet transports you to his world with a few efficient lines.
The complete, authoritative collection of Ernest Hemingway's short fiction, including classic stories like "The Snows of Kilimanjaro," "A Clean, Well-Lighted Place," and "The Short Happy Life of Francis Macomber," along with seven previously unpublished stories.
In this definitive collection of the Nobel Prize-winning author’s short stories, readers will delight in Hemingway’s most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection, totaling in sixty stories. This collection demonstrates Hemingway’s ability to write beautiful prose for each distinct story,…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
It’s one thing to advocate for simple, clear writing—and another to do it consistently. For the most inspiring demonstration of these principles look to Ernest Hemingway. Read even one of his short stories, or any of his novels or reportage, for in-action proof of how convincing we can be by using the most basic English: short everyday words derived from English’s early Anglo-Saxon history, and unadorned, straightforward sentences. Note how the most profound ideas, emotions, and subtle interactions can be communicated with spare language, nearly absent of descriptive words. How to generate this kind of impact with the writing most of us do every day is a central goal of my own book. TIP: a helpful online resource for simplifying copy is found at…Hemingway.com.
The fourth in the series of new annotated editions of Ernest Hemingway’s work, edited by the author’s grandson Seán and introduced by his son Patrick, this “illuminating” (The Washington Post) collection includes the best of the well-known classics as well as unpublished stories, early drafts, and notes that “offer insight into the mind and methods of one of the greatest practitioners of the story form” (Kirkus Reviews).
Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image.…
What happens when a feminist who studies romance turns the lens on her own romantic adventures?
Loveland is about how the author came to understand this journey to the far country of love—dating, marriage, a forbidden love affair, an unusual love affair as an older woman—as part of a larger…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
Where does persuasive writing start? Whether you’re writing fiction, journalism, or a business message, good sentences are the key. Write good sentences and you write well in all fields. Bad sentences doom your writing. This tight 76-page book shows how to achieve simple, clear sentences, and at the same time build in power and even drama. Euchner moves on to cover paragraphs: how to find the focus of each and create logical, one-idea units. This is the book I wish I’d been given somewhere along the line in school, or later—it would have saved me a lot of trial-and-error! Like Euchner, I believe you need not study grammar rules to write well—that route has always put me to sleep.
Ernest Hemingway one remarked that the ultimate challenge of writing is to produce "one true sentence." If you can write one great sentence, you can write two, three, and more great sentences. If you can write many great sentences, line after line, you can master any writing project from a school paper to a published book.
So: Can you craft “one true sentence,” again and again?
Sentences and Paragraphs, by Charles Euchner, is the completely updated best-selling and most authoritative book available on the essential two units of writing. Building on the foundation of The Golden Rule of Writing, Charles…
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
Edna Pontellier may not be as famous as Daisy Buchanan or Elizabeth Bennet, but her emotional depth rivals that of Hester Prynne and Anna Karenina.
What makes The Awakening especially powerful is its portrayal of Edna’s struggle through the lens of a female author, Kate Chopin. Edna's fight for freedom from rigid societal expectations feels deeply resonant and personal.
I love how the narrative provides an intimate connection to Edna's inner world, allowing me to witness her clash with the unyielding norms of her time. While I sympathize with Edna’s plight, I’m also grateful for the choices I have today. Despite shifting pressures, we all still grapple with societal expectations and the self-imposed pressures to conform. Edna’s journey transcends time, offering a timeless reflection on personal freedom and identity.
The Awakening, originally titled A Solitary Soul, is a novel by Kate Chopin, first published in 1899. Set in New Orleans and the Southern Louisiana coast at the end of the nineteenth century, the plot centers on Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating mixed reaction from contemporary readers and criticism.The novel's blend of…
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This elegantly written biography helped me to know my subject.
It was especially vivid on what it was like to be the child of an Edwardian hostess, the minimal effect of WW1 on the day-to-day life of Great Britain and the effect of this on later life. It is a model of what a biography should be: thoughtful, clear, interesting, and perceptive.
From Wikipedia: Nancy Clara Cunard (10 March 1896 – 17 March 1965) was a writer, heiress and political activist. She was born into the British upper class but strongly rejected her family's values, devoting much of her life to fighting racism and fascism. She became a muse to some of the 20th century's most distinguished writers and artists, including Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound and Louis Aragon, who were among her lovers, Ernest Hemingway, James Joyce, Constantin Brâncuşi, Langston Hughes, Man Ray, and William Carlos Williams. MI5 documents reveal that she was involved with Indian socialist leader…
Peter Guralnick has been called "a national resource" by critic Nat Hentoff for work that has argued passionately and persuasively for the vitality of this country’s intertwined black and white musical traditions. His books include the prize-winning two-volume biography of Elvis Presley, Last Train to Memphis and Careless Love; Searching for Robert Johnson; Sweet Soul Music; and Dream Boogie: The Triumph of Sam Cooke. His 2015 biography, Sam Phillips: The Man Who Invented Rock ‘n’ Roll, was a finalist for the Plutarch Award for Best Biography of the Year, awarded by the Biographers International Organization. His most recent book is Looking to Get Lost: Adventures in Music and Writing.
It was Hemingway’s Boat, with its discursive Shandean style, that set the tone for my book. It was the only way I knew to tell a story that was so uniquely decentralized, so rollickingly exploratory, but I couldn’t begin to rival Paul Hendrickson, who remains the master of the tangential truth, digging deeper into the soul of the man than any Hemingway biography I have ever read – by focusing on his boat. At one point in my Phillips biography, after wandering off-course for 60 pages and finally coming back to the narrative moment I had abandoned, I wrote, “For all of my faith in extended digression I hope I haven’t stretched the limits of reader patience too much by now. Let me just pick up the thread.” But this is nothing compared to Paul Hendrickson’s masterful command of seemingly structureless story-telling, the non-fiction equivalent of some of Alice…
"A man who let who let his own insides get eaten out by the diseases of fame had dreamed new books on this boat. He'd taught his sons to reel in something that feels like Moby Dick on this boat. He'd accidentally shot himself in both legs on this boat. He'd fallen drunk from the flying bridge on this boat. He'd written achy, generous, uplifting, poetic letters on this boat. He'd propositioned women on this boat. He'd hunted German subs on this boat. He'd saved guests and family members from shark attack on this boat. He'd acted like a bully…
