Here are 100 books that Thing Explainer fans have personally recommended if you like
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My father was a NASA scientist during the Mercury, Gemini, and Apollo programs, so while most people knew the Space Race as a spectacle of thundering rockets and grainy lunar footage, I remember the very human costs and excitement of scientific progress. My space-cadet years come in snippets–the emotional break in my dad’s voice when Neil Armstrong hopped around the Moon; the strange peace I felt as I bobbed on a surfboard and watched another Saturn 1b flame into the sky. Later, as a journalist and author, I would see that such moments are couched in societal waves as profound and mysterious as the wheeling of hundreds of starlings overhead.
This slim volume, first published in 1995, possibly jump-started the current genre of science narratives–I was certainly well aware of it when World on Fire was published in 2005. The tale begins in 1707 when the English fleet crashed into the Scilly Isles twenty miles southwest of England; two thousand men drowned, all because navigators had misgauged longitude.
The desperate quest for a solution becomes a well-funded race to make sure this never happens again. Sobel chronicles how it was solved by a simple clockmaker, and the obstacles thrown in his path by the more respected members of the era’s scientific establishment. It helps to read Kuhn’s work first, or in tandem: for all the accolades heaped upon success, both works make clear the hard road and lonely life traveled by the outsider.
The dramatic human story of an epic scientific quest and of one man's forty-year obsession to find a solution to the thorniest scientific dilemma of the day--"the longitude problem."
Anyone alive in the eighteenth century would have known that "the longitude problem" was the thorniest scientific dilemma of the day-and had been for centuries. Lacking the ability to measure their longitude, sailors throughout the great ages of exploration had been literally lost at sea as soon as they lost sight of land. Thousands of lives and the increasing fortunes of nations hung on a resolution. One man, John Harrison, in…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
This book completely changed how I thought about the technology that surrounds us, the electric grid, assembly line production, the military-industrial complex, and on and on.
I grew up at the end of the time period Hughes writes about when all these huge technological systems were in place. I didn’t give them a thought. They were like the air we breathe. But they were created during this century, and it was amazing to read about this transformation of our world.
Reading this book, for me, was like learning to see the world I live in anew, to feel the air we breathe.
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.
This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.
“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith
“The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood
“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace
By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
Another odd choice for this category and an unusual but nonetheless compelling book. Elkins talks about painting in terms of medieval alchemy. The point, however, is right down my street: it is about the materiality of painting.
Put aside the meaning of a finished artwork and think about the acts behind its making, from creating paint from various pigments and oils to brushing them on stretched canvas. This helped me understand the lives of people who work with materials, things, and stuff, including scientists and engineers. What they think is important, but so is what they do and their facility in doing it.
In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio-the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.
I am a leader in analytics and AI strategy, and have a broad range of experience in aviation, energy, financial services, and the public sector. I have worked with several major organizations to help them establish a leadership position in data science and to unlock real business value using advanced analytics.
Data scientists and analytics specialists are great at building models and algorithms, but often wrap them in a presentation or dashboard that diminishes their value and reduces the likelihood of their work being adopted. This book encourages practitioners to always consider the last mile and to pay as much attention to presentation and aesthetics as we do to the model itself.
Master the art and science of data storytelling-with frameworks and techniques to help you craft compelling stories with data.
The ability to effectively communicate with data is no longer a luxury in today's economy; it is a necessity. Transforming data into visual communication is only one part of the picture. It is equally important to engage your audience with a narrative-to tell a story with the numbers. Effective Data Storytelling will teach you the essential skills necessary to communicate your insights through persuasive and memorable data stories.
Narratives are more powerful than raw statistics, more enduring than pretty charts. When…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
W.E.B. Du Bois is widely acknowledged as the leading activist for racial equality of his generation. But until very recently little had been known of his deep commitment to the pursuit of equality within and through data technology. As Du Bois was preparing notes for his famous 1903 book The Souls of Black Folk, he was also preparing an exposition of what we would today call “infographics” (or what the editors of this volume aptly call “data portraits”) for exhibition at the 1900 Paris Exposition world’s fair. This volume handsomely reproduces for the first time a full-color complete set of Du Bois’s charts, graphs, maps, and ingenious spirals. A beautiful book to live with, it also subtly transforms one’s understanding of the history of racial progress and inequality in America.
"As visually arresting as it is informative."-The Boston Globe
"Du Bois's bold colors and geometric shapes were decades ahead of modernist graphic design in America."-Fast Company's Co.Design
W.E.B. Du Bois's Data Portraits is the first complete publication of W.E.B. Du Bois's groundbreaking charts, graphs, and maps presented at the 1900 Paris Exposition.
Famed sociologist, writer, and Black rights activist W.E.B. Du Bois fundamentally changed the representation of Black Americans with his exhibition of data visualizations at the 1900 Paris Exposition. Beautiful in design and powerful in content, these data portraits make visible a wide spectrum of African American culture, from…
In sixth grade, my teacher tried to teach the class how to read line charts – and something fell into place for me. Ever since then, I’ve tried to sort data into forms that we can use to make sense of it. As a researcher at Microsoft, I consulted with teams across the organization – from sales to legal; and from Excel to XBox – to help them understand their data. At Honeycomb, I design tools for software operations teams to diagnose their complex systems. These books each gave me an “ah-hah” moment that made me think differently about the craft of creating visualization. They now sit on my shelf in easy reach – I hope you find them fascinating too.
A new edition of Bertin’s 1963 Semiology was released a few years ago, and my heart swelled with joy. For years, I’d worked off of bad photocopies of an inter-library loan book that had long since gone out of print. In this new edition, I could see how Bertin works through different dimensions and axes – when you want to plot two different quantitative axes over a map, what are your choices? What if you want to plot them over a graph, instead? What changes? I loved exploring these choices with Bertin, as he explores how different color mappings, iconic representations, and design choices change the way the reader interprets the graph.
Originally published in French in 1967, Semiology of Graphics is internationally recognized as a foundational work in the fields of design and cartography. Based on Jacques Bertin's practical experience as a cartographer, part one of this work is an unprecedented attempt to synthesize principles of graphic communication with the logic of standard rules applied to writing and topography. Part two brings Bertin's theory to life, presenting a close study of graphic techniques, including shape, orientation, colour, texture, volume, and size, in an array of more than 1,000 maps and diagrams.
I’m an applied statistician and academic researcher/lecturer at New Zealand’s oldest university – the University of Otago. R facilitates everything I do – research, academic publication, and teaching. It’s the latter part of my job that motivated my own book on R. From first-year statistics students who have never seen R to my own Ph.D. students using R to implement novel and highly complex statistical methods and models, my experience is that all ultimately love the ease with which the R language permits exploration, visualisation, analysis, and inference of one’s data. The ever-growing need in today’s society for skilled statisticians and data scientists means there's never been a better time to learn this essential language.
For those intending to use R with an eye on the popular 'Tidyverse' suite of packages – which facilitate the handling, manipulation, and visualisation of data sets – it's hard to go past this book. From the founding contributors of the RStudio/Tidyverse worlds, this is a great way to learn about this dialect of R against the overarching backdrop of statistical data analysis and data science.
Learn how to use R to turn raw data into insight, knowledge, and understanding. This book introduces you to R, RStudio, and the tidyverse, a collection of R packages designed to work together to make data science fast, fluent, and fun. Suitable for readers with no previous programming experience, R for Data Science is designed to get you doing data science as quickly as possible. Authors Hadley Wickham and Garrett Grolemund guide you through the steps of importing, wrangling, exploring, and modeling your data and communicating the results. You'll get a complete, big-picture understanding of the data science cycle, along…
I started my career as a research scientist building machine learning algorithms for weather forecasting. Twenty years later, I found myself at a precision agriculture startup creating models that provided guidance to farmers on when to plant, what to plant, etc. So, I am part of the movement from academia to industry. Now, at Google Cloud, my team builds cross-industry solutions and I see firsthand what our customers need in their data science teams. This set of books is what I suggest when a CTO asks how to upskill their workforce, or when a graduate student asks me how to break into the industry.
It is not enough for a data scientist to be able to analyze data and build ML models. You have to be able to communicate the insights to decision-makers concisely and accurately. This book shows you bad and good visualizations — you’ll be surprised by how often you would have defaulted to the bad way without the guidance provided by this book!
Effective visualization is the best way to communicate information from the increasingly large and complex datasets in the natural and social sciences. But with the increasing power of visualization software today, scientists, engineers, and business analysts often have to navigate a bewildering array of visualization choices and options.
This practical book takes you through many commonly encountered visualization problems, and it provides guidelines on how to turn large datasets into clear and compelling figures. What visualization type is best for the story you want to tell? How do you make informative figures that are visually pleasing? Author Claus O. Wilke…
I’m a Scientist in Residence at Lux Capital, a venture capital firm that invests in startups at the frontiers of science and technology. I have a PhD in computational biology and focused my academic research on the nature of complex systems, but I soon became fascinated by the ways in which science grows and changes over time (itself a type of complex system!): what it is that scientists do, where scientific knowledge comes from, and even how the facts in our textbooks become out-of-date. As a result of this fascination, I ended up writing two books about scientific and technological change.
Primarily a historical work, this book explores how curiosity went from a kind of strange and disreputable act to something that became celebrated and tamed as part of the scientific process. With a focus on the early days of modern science, it is filled with a huge number of delightful examples of what passed for curiosity in previous centuries.
There was a time when curiosity was condemned. To be curious was to delve into matters that didn't concern you - after all, the original sin stemmed from a desire for forbidden knowledge. Through curiosity our innocence was lost.
Yet this hasn't deterred us. Today we spend vast sums trying to recreate the first instants of creation in particle accelerators, out of pure desire to know. There seems now to be no question too vast or too trivial to be ruled out of bounds: Why can fleas jump so high? What is gravity? What shape are clouds? Today curiosity is…
