Here are 100 books that The Year of Decision 1846 fans have personally recommended if you like
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Jim Rasenberger is a writer and author of four books - Revolver, The Brilliant Disaster; America, 1908, and High Steel. He has contributed to the New York Times, Vanity Fair, Smithsonian, and other publications. A native of Washington, DC, he lives in New York City.
Originally published in 1932, this remains one of the most accessible and thought-provoking books ever written about the American West. Webb’s work rises to the level of literature, especially when describing early encounters by white Americans with the landscape and native people they met west of the 98th meridian. Few writers have captured so vividly the expansion of America from the humid and forested east to the arid west of the Great Plains. Some of Webb’s conclusions may feel a little dated, but this remains a very compelling and rewarding book.
This classic description of the interaction between the vast central plains of America and the people who lived there has, since its first publication in 1931, been one of the most influential, widely known, and controversial works in western history. Arguing that "the Great Plains environment. . .constitutes a geographic unity whose influences have been so powerful as to put a characteristic mark upon everything that survives within its borders," Webb singles out the revolver, barbed wire, and the windmill as evidence of the new phase of civilization required for settlement of that arid, treeless region. Webb draws on history,…
Jim Rasenberger is a writer and author of four books - Revolver, The Brilliant Disaster; America, 1908, and High Steel. He has contributed to the New York Times, Vanity Fair, Smithsonian, and other publications. A native of Washington, DC, he lives in New York City.
Posthumously published in 1970 by the University of Illinois Press, this is a must-have for anyone interested in the early years of the western migration. Unruh — who died young shortly after completing the manuscript —performs the essential task of assembling credible data about emigrants and Native Americans, and — most importantly — about their encounters with each other. Popular myths and Hollywood movies notwithstanding, Unruh makes clear that Native Americans seldom caused emigrants much harm. Indeed, emigrants of the 1840s were more likely to shoot themselves and each other by accident than require a gun for self-defense.
One of three finalists for the Pulitzer Prize in History and the winner of seven awards, including the John H. Dunning Prize of the American Historical Association, the Ray A. Billington Book Award of the Organization of American Historians, and the National Historical Society Book Prize.
This is very simple as to why there is passionate engagement with the themes listed within each of the five titles chosen. It's about engagement with the story which immediately comes from strongly identifying with the characters and events. The ‘identity factor’ is vital in drawing the reader in, and it's the mystery when writing a story or book which doesn’t begin with a prescribed plan. The mystery is really what creates the story and its characters, wanting to see what happens on the next page. With the reader, after having read a few pages, feeling the compulsion to read on, fully committed, emotionally involved, intrigued, and passionately caught up in the story.
I began to read this book in childhood because it was in our house (sent as a present from an Aunt living in America) and it intrigued me by the title and the illustrations of buffalos, coyotes, bears, the landscape, rivers, canyons, and the covered wagons in a circle with people and their belongings, bedding down by campfires under the starry skies […] The episodes easily captured my attention. Parkman is documenting the first settlers crossing the Mid-West Plains towards the Rockies. This is really ‘a page turner’ and classic of travelogue adventure, even though I had never heard the genre term ‘travelogue’ on first reading. It also reads like a fantasy and provides the reader who has never been to the United States with a longing to go there. Books are parallel to life and in this case for me, I did reach the Origen Trail, walked some of…
Keen observations and a graphic style characterize the author's remarkable record of a vanishing frontier. Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I go by the title AmericanStudier in my public scholarship and take that name very seriously. I believe nothing is more important for our future than better remembering our past and that pushing the nation toward its most inspiring ideals requires grappling with our hardest and most painful histories. On my AmericanStudies blog, in my Saturday Evening Post Considering History column, and in all my other scholarly, public, and social media content, I am committed to sharing our histories and stories, figures and works, voices, and writing in all forms and for all audiences. I hope you’ll join me in this work by reading and sharing these great books!
No book captures more clearly and compellingly the horrific, inspiring, and vital histories and stories of Native Americans than Brown’s.
I love the ways that Brown offers a profoundly new perspective on the American West, on the foundational myths that too often limit the way we see ourselves and the realities with which we must grapple instead, and on Indigenous communities as an essential part of the American story at every stage.
Revisionist Westerns are one of my very favorite genres, and this is the best one I know.
The American West, 1860-1890: years of broken promises, disillusionment, war and massacre.
Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo.
First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention…
I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.
Print the Legend, the product of profound scholarly immersion in archival sources,manages to both offer a wealth of totally new information on the ways photographs have represented the West and give a superior account of themes and figures already extensively studied. Paradoxically, much of its excitement is due not so much to the way Sandweiss reads the photographs themselves – though we can all learn from her in this respect – but the way she reads the written texts (what she rightly terms “the legend”) that contextualized them. I am personally much indebted to Sandweiss’ treatment of the photographers who worked for the various government surveys and, most of all, to her nuanced readings of how Native Americans were seen over time.
A compelling story of how the new medium of photography and the new American frontier came of age together-illustrated with scores of stunning images
This prize-winning book tells the intertwined stories of photography and the American West-a new medium and a new place that came of age together in the nineteenth century.
"Excellent . . . rewarding . . . a provocative look at the limits of photography as recorder of history-and its role in perpetuating myth."-Chris Vognar, Dallas Morning News
"A sophisticated and engaging exploration of photography and the West . . . A really handsome work."-James McWilliams, Austin…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
A confederate soldier, Paul Cable, returns from the Civil War to find Union men have taken over his farm. Cable thinks his fighting is over, but he couldn’t be more wrong.
The book is tense and moves quickly. It’s also short, yet packs a punch far above its weight. Highly recommend.
A nail-biting, tough-talking classic western from the author of GET SHORTY and JACKIE BROWN.
In LAST STAND AT SABER RIVER, a Civil War veteran returns home to find a Yankee's private army living on his land, while another enemy waits to strike...
Paul Cable has fought - and lost - for the Confederacy but when he returns home he finds that his own war is far from over. The Union Army and two brothers - and a beautiful woman - have taken over Cable's spread and are refusing to give it back. But Cable is determined that no one is…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
Years ago, I contributed a chapter to a book edited by Sara R. Massey. When Sara called to check on the progress of my chapter/contribution she excitedly told me about her just finishing reading Quintard Taylor’s book. She loved the book so much that she recommended I buy a copy. I promised to order the book. I kept my promise and almost missed getting my chapter to Sarabecause I appreciated Quintard Taylor’s book so much. Almost as if he was in my ear, his was a book full of did you know moments.
I understood fully when reading why Sara called. Taylor reminded me that this history is not necessarily parochial– existing only in one location; rather, behavior, social mores and moving from one place to another, telling a familiar tale. A tale, not in the sense of making up history, but showing how the racial construct established…
A landmark history of African Americans in the West, In Search of the Racial Frontier rescues the collective American consciousness from thinking solely of European pioneers when considering the exploration, settling, and conquest of the territory west of the Mississippi. From its surprising discussions of groups of African American wholly absorbed into Native American culture to illustrating how the largely forgotten role of blacks in the West helped contribute to everything from the Brown vs. Board of Education desegregation ruling to the rise of the Black Panther Party, Quintard Taylor fills a major void in American history and reminds us…
I love being outdoors and I’ve been fortunate to spend much of life under the open sky, both professionally and personally. Learning about the landscapes I’ve visited on my outdoor adventures or helped protect through my professional conservation and writing work is both fulfilling and inspiring. Skilled writers deepen my understanding of the diverse, intricate, and complicated natural world. Whether I’m reading to better understand the policies and histories that have shaped our public lands or about the adventurers who inspire me to get out there, I always find immense value and enjoyment when reading about the landscapes we share.
If you combined a personal essay with a compelling travelogue and wove in thoroughly researched history, you’d get Ian Frazier’s book The Great Plains. Frazier’s excellent writing immediately pulled me into his rambles across one of the least visited, and least understood, portions of our country. I learned so much about the Great Plains without even trying by simply reading this great book. If you’re already a fan, or if you’ve never really considered the Great Plains, this book will enlighten and inspire you to learn more and maybe even visit this sprawling, and important, American landscape.
Most travelers only fly over the Great Plains--but Ian Frazier, ever the intrepid and wide-eyed wanderer, is not your average traveler. A hilarious and fascinating look at the great middle of our nation.
With his unique blend of intrepidity, tongue-in-cheek humor, and wide-eyed wonder, Ian Frazier takes us on a journey of more than 25,000 miles up and down and across the vast and myth-inspiring Great Plains. A travelogue, a work of scholarship, and a western adventure, Great Plains takes us from the site of Sitting Bull's cabin, to an abandoned house once terrorized by Bonnie and Clyde,…
For most of my career as an oil explorationist I have worked with geologists, an exceptional group of men and women who, from observing earth’s surface as it is configured today, can decipher earth’s history. By understanding how rocks were originally formed and how in subsequent millennia rocks have been buried, transported warped, eroded, re-deposited, and altered by high pressures, high temperatures, hot water, and all the tectonic forces of nature that have formed the surface as we see it today, they believe, really believe, that they can visualize the subsurface. It’s a fascinating four-dimensional detective story.
Meldahl’s book describes more than 100 million years of North America’s history. For laymen, it is the best geologic field guide to understanding the tectonic forces and subsequent erosion which formed the western United States. The photos, maps, and illustrations depict how the rivers, mountains, and plains are where they are and why. Anyone who drives from California to the Great Plains, or in reverse, should carry this book in your car. Even though millions of people love history, few understand earth’s history, which stares in the face of all of us and, for those who are curious, reveals “the hidden poetry of our mutable earth” (Richard Fortey).
"Unfold a map of North America," Keith Heyer Meldahl writes, "and the first thing to grab your eye is the bold shift between the Great Plains and the Rocky Mountains." In this absorbing book, Meldahl takes readers on a 1000-mile-long field trip back through more than 100 million years of deep time to explore America's most spectacular and scientifically intriguing landscapes. He places us on the outcrops, rock hammer in hand, to examine the evidence for how these rough-hewn lands came to be. We see California and its gold assembled from pieces of old ocean floor and the relentless movements…
I am deeply passionate about human resilience. From Louis Zamperini's unwavering spirit in the face of war and captivity to Santiago's quiet determination against nature's harsh realities to Michael Jordan's relentless drive to overcome setbacks, these narratives resonate with me on a profound level. I'm particularly drawn to how these stories explore not just physical resilience but emotional and psychological strength as well. They serve as a powerful reminder that true victory lies not in the outcome but in the unwavering spirit we bring to life's struggles.
As a lifelong fan of Larry McMurtry's work, I found this biography to be a captivating journey through the life of one of America's most influential writers. I was particularly moved by Daugherty's exploration of McMurtry's complex relationships, especially with the women in his life.
The book's insights into McMurtry's creative process and his evolution as a writer resonated deeply with me. I loved learning about the impact of his heart surgery and how Diana Ossana played a crucial role in his later career. Daugherty's nuanced portrayal of McMurtry's strengths and weaknesses made me appreciate the author's humanity even more.
This book reignited my passion for McMurtry's works and left me with a profound sense of connection to the man behind the stories I've cherished for years.
In over forty books, in a career that spanned over sixty years, Larry McMurtry staked his claim as a superior chronicler of the American West, and as the Great Plains' keenest witness since Willa Cather and Wallace Stegner. Larry McMurtry: A Life traces his origins as one of the last American writers who had direct contact with this country's pioneer traditions. It follows his astonishing career as bestselling novelist, Pulitzer-Prize winner, author of the beloved Lonesome Dove, Academy-Award winning screenwriter, public intellectual, and passionate bookseller. A sweeping and insightful look at a versatile, one-of-a-kind American writer, this book is a…