100 books like The Story of China

Deng Xiaoping is the most important person in contemporary Chinese affairs. It was under his time as the paramount leader of China that modernization started in earnest. He judged policy effectiveness on whether it worked or not. His story is engagingly told by historian Ezra Vogel.

Most Americans misunderstand China, even though one of their greatest statesmen, Henry Kissinger, wrote this brilliant book explaining how the Chinese view the world very differently from the West. One simple example explains it well. The West plays chess, which aims for total victory. The Chinese play weiqi, which aims for protracted campaigns and strategic encirclement.

American strategic thinkers accuse China of military belligerence. Yet, China, unlike the US, hasn’t fought a major war in 45 years. Why not? Kissinger cites Sun Tzu to explain: “Ultimate excellence lies not in winning every battle but in defeating the enemy without ever fighting.” Sadly, the US has embroiled itself in several wars, even after the Cold War ended. The world would be a safer place if Western leaders reread Kissinger’s book.

When I visited Asian countries of China, Japan, Korea, and Singapore, food was always a highlight. But what also stood out for me was the social nature of eating. I was also struck by the simple gestures of people that indicated politeness and respect. We might think of culture as influencing behavior, but this book argues that culture can penetrate our thinking.

Nisbett contrasts how eastern and western cultures think differently about context, the individual vs. the group, and our relationship to the environment, among other differences.

In our age of the Internet, cultural differences on the surface may be eroding globally but there may be deeper influences of culture on thought that are harder to erase.

Destined for War is a brilliant study of the circumstances surrounding the global economic competition between the U.S. and China, with the goal of predicting whether or not war is likely. This is a real-life political thriller. Allison cites cases throughout history of a pre-eminent economic power being challenged for supremacy, and then describes why, in many cases, the competition became fierce enough to erupt into war. He also describes situations in the past where there was no war, and he explains how and why war was avoided. To me, as a fiction writer, who actually pushes the U.S. and China to the brink of war in his novels, this book was an important education and resource.

Enriched by more than 200 pictures, mostly in color, as well as maps and line drawings, it is an illuminating and succinct account of Chines civilization from prehistoric times through the rise of the “Three Teachings” (Confucianism, Taoism, and Buddhism) to the modern communist state. As someone who taught a popular undergraduate college course on Chinese civilization for many years, I can testify that the overall length (384 pages) of the book and its structure of 12 chapters plus an epilogue make it a perfect choice of required texts.

The late and renowned sinologist Wm. Theodore de Bary first published his groundbreaking, two-volume Sources of Chinese Tradition in 1960, to such favorable reception that it prompted a second edition, updated to incorporate additional sources that reflect late twentieth-century considerations, including gender and sexuality.

Volume I offers invaluable sources on Early Classical Chinese philosophy. The select writings of Confucius, Mencius, Lao Tze, for example, are excellent source material for educators looking for primary source documents and readers of Chinese antiquity (to 1644) wishing to engage in independent reading and research.

This book was one of several in “Asia through Fiction,” an undergraduate course I took which changed the course of my life in more ways than one. Not only did I meet my future husband our last year of university, but we also lived in Taiwan and backpacked around Mainland China the following year. This text helped deepen our appreciation… show more.

Culture is how we group ourselves. Culture is how we see. To make ourselves understood by people of other cultures, we have to lend them our eyes. That’s hard, but Yu Hua meets that challenge for me. His book China in Ten Words offers ten essays about China, each with a one-word title: Revolution. Reading. Copycat. Words like that. Each essay surrounds its title-word with content until one understands what the word means, not to oneself, but to Hua. The essays work like a fusion of memoir and history. They draw the reader into one man’s experience; and at the same time they illuminate a broad patch of history—Maoist and post-Maoist China.

This is the second book by Peter Hessler that I have read (River Town was the first). Having visited China several times since the 1980s, when the country was first open to visitors from the West to my more recent trips, I have seen so much change. What I like about this book is how Hessler, a reporter who has lived and taught English in China, tries to describe and explain these changes.

What the Manuels did for the West, Bauer did for China. Sometimes we think of the Chinese as eminently practical people, but they had their dreams of perfect worlds as well. And these dreams were not necessarily kept to the world of sleep but found expression in the lives of individuals and communities. The Manuels confronted the fact that dreams fade with a touch of cynicism, Bauer with a touch of melancholy.  

Wang Hui changed the way I look at Chinese intellectual history and the above book is a translation of the introduction to his magnum opus, The Rise of Modern Chinese Thought. The book argues for an indigenous proto or early modernity emerging during the Song Dynasty or the tenth century in China. He shows how Chinese thinkers expressed ideas of equality and had fairly sophisticated bureaucracies by the tenth century. Moreover, through his analysis, he challenges the distinction between the nation-state and empire. Normally, we think of modernity as connected to premodernity and the nation connected to the modern. However, looking at the Chinese context, Wang shows that although the Song had certain characteristics of a nation-state, the Yuan was an empire, followed by the Ming, which again resembled a nation, but this was followed by the Qing, which was another multi-ethnic empire. Moreover, each of these dynasties continued… show more.