Here are 21 books that The Prodigal Rake fans have personally recommended if you like
The Prodigal Rake.
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I stumbled upon Hickey’s memoirs and while reading them became captivated not only by the frequently hilarious episodes he recounts from his life, but also by the subject of autobiography and how narrating our life story somehow projects a sense of self and identity to the reader. Trying to grasp this process led me to exploring a wide range of books, and opened up understanding of how our selves are fashioned and what they mean to others. An endlessly fascinating subject.
With an easy-going and very approachable style, Eakin explores how our identity is formed by the autobiographical stories we tell about ourselves. He wears his deeply informed theoretical insights very lightly, and when I encountered this book while working on my book on Hickey, I came away with an appreciation of the importance of narrative in determining who we are, who we think we are, and who we want others to think we are.
Autobiography is naturally regarded as an art of retrospect, but making autobiography is equally part of the fabric of our ongoing experience. We tell the stories of our lives piecemeal, and these stories are not merely about our selves but also an integral part of them. In this way we "live autobiographically"; we have narrative identities. In this book, noted life-writing scholar Paul John Eakin explores the intimate, dynamic connection between our selves and our stories, between narrative and identity in everyday life.
Eakin draws on a wide range of autobiographical writings, from work by Jonathan Franzen, Mary Karr, and…
I stumbled upon Hickey’s memoirs and while reading them became captivated not only by the frequently hilarious episodes he recounts from his life, but also by the subject of autobiography and how narrating our life story somehow projects a sense of self and identity to the reader. Trying to grasp this process led me to exploring a wide range of books, and opened up understanding of how our selves are fashioned and what they mean to others. An endlessly fascinating subject.
Wahrman’s book is eminently readable but nonetheless provocative. He asserts that toward the end of the eighteenth century a radical change, a cultural revolution, in fact, occurred in notions of self and identity. He uses a fascinating and engaging range of evidence to make his point, from theater to beekeeping, fashion, philosophy, art, travel accounts, and much more.
Toward the end of the eighteenth century, a radical change occurred in notions of self and personal identity. This was a sudden transformation, says Dror Wahrman, and nothing short of a revolution in the understanding of selfhood and of identity categories including race, gender, and class. In this pathbreaking book, he offers a fundamentally new interpretation of this critical turning point in Western history. Wahrman demonstrates this transformation with a fascinating variety of cultural evidence from eighteenth-century England, from theater to beekeeping, fashion to philosophy, art to travel and translations of the classics. He discusses notions of self in the…
I stumbled upon Hickey’s memoirs and while reading them became captivated not only by the frequently hilarious episodes he recounts from his life, but also by the subject of autobiography and how narrating our life story somehow projects a sense of self and identity to the reader. Trying to grasp this process led me to exploring a wide range of books, and opened up understanding of how our selves are fashioned and what they mean to others. An endlessly fascinating subject.
Amelang’s book is one-of-a-kind, a non-fiction study of hundreds of autobiographies by a group of people from whom one would not expect literary productions: common artisans and tradesmen and women. He explores through their writings covering several hundred years how a sense of individuality gradually emerged over time, pointing toward the appearance of the modern self.
Exploring autobiographical texts written by European urban craftsmen from the fifteenth to the eighteenth centuries, this wide-ranging book studies memoirs, diaries, family chronicles, travel narratives, and other forms of personal writings from Spain, France, Italy, Germany, and England. In the process, it considers the motivations of the authors, the changing forms and emphases of artisan narratives, and, more generally, the significance of written self-expression in early modern popular culture. By analyzing reading and writing as practices laden with social meaning, this work aims to illuminate the changing role of the lower classes and other groups considered marginal in the history…
I stumbled upon Hickey’s memoirs and while reading them became captivated not only by the frequently hilarious episodes he recounts from his life, but also by the subject of autobiography and how narrating our life story somehow projects a sense of self and identity to the reader. Trying to grasp this process led me to exploring a wide range of books, and opened up understanding of how our selves are fashioned and what they mean to others. An endlessly fascinating subject.
The authors explore why and how personal narratives should be used as evidence (in my case, in history), and the methods and pitfalls of their use. The authors stress the importance of recognizing that stories that people tell about their lives are never simply individual. Rather, they are told in historically specific times and settings and call on rules, models, and social experiences that govern how story elements link together in the process of self-narration. Stories show how individuals' motivations, emotions, and imaginations have been shaped by their cumulative life experiences. This book reveals in simple, jargon-free prose the understanding that takes place between narrators of personal narratives and their audience and enriches the results immeasurably.
In Telling Stories, Mary Jo Maynes, Jennifer L. Pierce, and Barbara Laslett argue that personal narratives-autobiographies, oral histories, life history interviews, and memoirs-are an important research tool for understanding the relationship between people and their societies. Gathering examples from throughout the world and from premodern as well as contemporary cultures, they draw from labor history and class analysis, feminist sociology, race relations, and anthropology to demonstrate the value of personal narratives for scholars and students alike.
Telling Stories explores why and how personal narratives should be used as evidence, and the methods and pitfalls of their use. The authors stress…
Philosophy is defined as “the study of the fundamental nature of knowledge, reality, and existence, especially when considered as an academic discipline.” Put another way, it is not so much the study of things and phenomena, but the derivative question below the veneer of what things are. I am interested in everything, how everything works, but also why it, and all of nature, including the mind and eyelashes, exist in the first place. I can remember back to childhood always thinking like this. This involves grasping for knowledge of both the details and global contexts of everything, whether it’s biology, chemistry, religion, neuroscience, horticulture, violence, goodness, hockey, or even what Plato was trying to say.
I was psychiatrically diagnosed as a successful prosocial psychopath. After being notified of this and giving a TED Talk on this in 2009
Literary agent Jane Dystel contacted me with a deal to write a memoir. So I first searched out other memoirs written by a successful prosocial psychopath and the granddaddy of all whacky true life bad boys was the first. As his full memoir volumes are 3,500 delicious pages in length, the 2,500 truncated version will do just fine.
Giacomo Girolamo Casanova was born in Venice in 1725 to actress Zanetta Farussi, wife of actor and dancer Gaetano Giuseppe Casanova. Giacomo was the first of six children, being followed by Francesco Giuseppe (1727–1803), Giovanni Battista (1730–1795), Faustina Maddalena (1731–1736), Maria Maddalena Antonia Stella (1732–1800), and Gaetano Alvise (1734–1783). At the time of Casanova's birth, the Republic of Venice thrived as the pleasure capital of Europe, ruled by political and religious conservatives who tolerated social vices and encouraged tourism. It was a required stop on the Grand Tour, traveled by young men coming of age, especially Englishmen. The famed Carnival,…
My father, when he consented to talk about all the moments in his life when the odds against his survival were so small as to make them statistically non-existent, would say, ‘I was lucky.’ Trying to understand what he meant got me started on this book. As well as being a novelist, I’m a poker player. Luck is a subject that every poker player has a relationship to; more importantly it’s a subject that every person has a relationship to. The combination of family history and intellectual curiosity and the gambler’s desire to win drove me on this quest.
A young man loses all his money in a Paris casino and goes off to drown himself in the Seine. Before he can do so, he wanders into an antiquarian’s shop of treasures and is offered the skin of the title, a magical pelt that will grant its possessor any wish, but shrink each time, diminishing the possessor’s life force in the process. It’s a moral tale of wish fulfillment and identity, but most of all, it’s a thrilling glittering dark tale of ambition and excess.
'Who possesses me will possess all things, But his life will belong to me...'
Raphael de Valentin, a young aristocrat, has lost all his money in the gaming parlours of the Palais Royal in Paris, and contemplates ending his life by throwing himself into the Seine. He is distracted by the bizarre array of objects in a chaotic antique shop, among them a strange animal skin, a piece of shagreen with magical properties. It will grant its possessor his every wish, but each time a wish is bestowed the skin shrinks, hastening its owner's death. Around this fantastic premise Balzac…
Dan Fesperman has made a living by writing about dangerous and unseemly people and places since his days as a journalist, when he was a foreign correspondent for The Baltimore Sun. Now traveling on his own dime, his books draw upon his experiences in dozens of countries and three war zones. His novels have won two Dagger awards in the UK and the Dashiell Hammett Prize from the International Association of Crime Writers. His thirteenth novel, Winter Work, will be published in July by Knopf. He lives in Baltimore.
What's not to like when the main character is a self-styled "book detective" making his way through the hidden passages and darker alleys of the world of rare antiquarian books? Lucas Corso seeks to authenticate an old manuscript by Alexander Dumas, but his quest takes an eerie turn as the events and characters he encounters along the way begin to replicate those found in Dumas's fiction. This delightful 1993 novel was meta before meta was cool, and is deeply rewarding for any bibliophile.
#1 International Bestseller"A thriller of marvelous intricacy" (The New York Times Book Review), The Club Dumas is a provocative literary thriller that playfully pays tribute to classic tales of mystery and adventure.Lucas Corso is a book detective, a middle-aged mercenary hired to hunt down rare editions for wealthy and unscrupulous clients. When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters…
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
I was very young when I first read this book. Many years later I took it back from the shelf and went through its pages with older eyes.
The reality portrayed by Émile Zola in the 19th Century is quite brutal. The coal miners back then – with their struggle for life, excess work, permanent fatigue, lack of knowledge and understanding, contrasted by the careful calculations and comfort of their masters – mirror miners and other workers today.
Greed on one side, poverty on the other regarded as normal. The very few with enough wit to overthrow the injustice were silenced, as it happens today at the productive facilities of the capital.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I’m an award-winning author and professor of history at Wayne State College in Nebraska. Called “the dean of 1812 scholarship” by the New Yorker, I’ve written eleven books and more than a hundred articles, mostly on the War of 1812 and its causes. I’ve been passionate about the War of 1812 ever since first studying it as an undergraduate in college. Although the outcome on the battlefields was inconclusive and the war is largely forgotten today, it left a profound and lasting legacy. Since first “discovering” this war, my aim has been to elevate its public profile by showing how it shaped the United States and Canada and Britain’s relationship to both nations for the rest of the nineteenth century and beyond.
Lossing was an accomplished sketch artist and antiquarian who traveled 10,000 miles in the 1850s and 1860s, visiting battle sites and interviewing survivors of the war. The result of his labors was this compendium that includes songs, poems, battle maps, and illustrations. Lossing treatment of almost every subject yields fascinating gems.
As a conservative Mennonite from Pennsylvania, I have observes many people who, despite numerous desperate attempts at locating lasting fulfillment, find themselves always craving more and never satisfied to relax and be content. I have consequently dedicated myself to helping these folks obtain the satisfaction they inwardly crave. This lead to hours of contemplating, praying, and reading numerous books on the subject.
The Kneeling Christian illustrates the importance of sincere prayer.
I read relatively short sections of this book at a time because I would get an overwhelming desire to pray. In fact, it was during a prayer that was prompted while reading this book that I had one of my most profound encounters with God.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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