100 books like The Old Sow in the Back Room

I’m a Tokyo-based writer who first came to Japan during university to live with a host family and study the language. After a stint in Shanghai, Japan brought me back in 2012 and I’ve lived here ever since. I’ve cycled across remote Okinawan islands, wandered Kyoto’s cobblestone lanes, and trekked to mountaintop temples in heavy snow. But some of my best memories have happened over homemade plum wine at a friend’s dinner table. I’ve written two books published by Moon Travel Guides and countless articles on Asia, with some being chosen for “best of” lists by The Washington Post, The Atlantic, Foreign Policy, and Real Clear World. 

I am a journalist and a novelist. I was both Forbes Magazine’s longest serving foreign correspondent – having served 18 years in London as their European Bureau Chief – and wrote the feel-good international best-seller The Hundred-Foot Journey, a novel that Steven Spielberg and Oprah Winfrey made into a much-loved 2014 film starring Helen Mirren. These twin careers have shaped my approach to writing in that I believe a good micro-story (fiction) should also make astute macro points (journalism). So, the journeys my characters undertake in my novels are also trying to address points about the world or life or humanity at large.

As a teenager, I became fascinated by Japan – by the mysteries of Zen, the exotic atmosphere cooked up by its great novelists, the serene beauty of the countryside captured in old photographs. Then I moved to Tokyo and for eleven years was immersed in Japanese culture. It was like getting to know a complex human being, I went from bafflement and revulsion through fascination and infatuation, arriving at a degree of understanding and affection. I love Japan and feel I know it quite intimately. But the variety of books on my list give an idea of how many different ways this great, elusive civilization can be approached.

As a teenager, I became fascinated by Japan – by the mysteries of Zen, the exotic atmosphere cooked up by its great novelists, the serene beauty of the countryside captured in old photographs. Then I moved to Tokyo and for eleven years was immersed in Japanese culture. It was like getting to know a complex human being, I went from bafflement and revulsion through fascination and infatuation, arriving at a degree of understanding and affection. I love Japan and feel I know it quite intimately. But the variety of books on my list give an idea of how many different ways this great, elusive civilization can be approached.

My four novels and three sets of writings are all about Tokyo. I rely not only on my daily observations, personal experiences, and reactions to the city, but on the responses of others to the city. I’ve used all these books to better understand the place where I’ve lived and worked for over two decades. I’ve written about various aspects of Japan for numerous publications, editorials for The Japan Times, art and architecture reviews for Artscape Japan, personal columns on Tokyo life for Newsweek Japan, and reviews and interviews on the vibrant jazz scene for my Jazz in Japan website. I continue to find Tokyo a mesmerizing place to spend my working and writing—and wandering—life. Living here is like traveling every day.

I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside. 

I'm a lawyer (Harvard Law School) who loves to write. My books reflect my eclectic interests. I've written nonfiction books about John Kennedy’s presidency, Supreme Court Justice Louis D. Brandeis, CBS Founder William S. Paley, Don Larsen’s perfect game in the 1956 World Series between the New York Yankees and the Brooklyn Dodgers, and Pearl Harbor. Each of my nonfiction books tries to focus on something with respect to a particular person or event that had not been addressed in detail in any other book. I've also written a thriller (Deadly Risks) which revolves around JFK’s assassination and can be likened to John Grisham’s book, The Pelican Brief.

Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.

Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales. 

I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.