89 books like The Murder of Patience Brooke

Sister Joan is yet another religious sleuth. Set in the early 1990s, I think this series now qualifies as a historical mystery. It is a lighter read than my other choices, but one I absolutely loved and, like Cadfael, I dived in and devoured the lot. Vow of Silence is the first and hooked me straight away. The religious life fascinates me and I enjoyed the way the ceremonial routine of the convent was woven into the mysteries. This detail serves to immerse you in the life of Sister Joan, a down-to-earth heroine who drew my admiration. The mysteries unfold naturally into the setting and don’t seem incongruous. A more gentle read than the others I have chosen, but acutely satisfying.

This is the fifth book in Peters’ Cadfael series.

I’m a fan of the series and the Derek Jacobi television adaptations. This is my favorite. It is filled with thrills and mystery, but, similarly, transcends its genre origins to become a stirring tale of a crucial time in English history.

It shows Cadfael both as a brilliant detective and a deeply sensitive human being.

This story seized my imagination from the off for its unusual setting and sleuth. I mean, you don’t get to be transported to the Netherlands in the 17th Century every day of the week. Our narrator is a priest – always a fascinating field for a sometime convent schoolgirl. And he’s an unusual priest at that. Master Mercurius is not always at ease with his calling and even less keen on the spying task he is set by William of Orange. I was lost in Mercurius’s world even before the murder and the escalating twists and turns kept me on tenterhooks. This is a series to be savoured.

This one had me on the edge of my seat. More telling for me to be thrown back in time to the 1960s. I didn’t live this life, but the background was familiar. I remember the Kray brothers and I did once briefly have a job in the sleazy sort of club where the boss had his goons hold a guy so he could punch him in the gut. Scary. Simon Michael’s story is all too believable and it is a testament to his ability to pull me into that world that it threw up long-gone memories. The story is told in first person which works to keep you guessing along with the protagonist barrister sleuth. For me it was a thrill ride into the past.

Whenever I’m pressed to name a favorite novel of all time, this is the title I turn to.

It’s so many things all at once: a perfectly plotted slow-burn of a crime caper with several killer surprises, an absorbing lesbian romance that burns with passionate intensity, and a fully realized, deeply immersive historical drama that displays masterful research by leaning into the weirder, hidden corners of its familiar Victorian setting.

As a writer, this book fills me with delicious envy; as a reader, it bowls me over with tension and awe.

Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff. 

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.

This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.

The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!

This is the first detailed history I ever read about the Victorians, and it’s still my favorite.

Picard brings mid-Victorian London to life—the sights, smells, and sounds of the city, the lifestyles of the rich and the poor, the changing attitudes in politics, romance, and religion.

She covers the decades when London was making strides in things we think of as “modern,” from running water and better sanitation to the railways, education, and the rising middle class.

Her chapter notes and references provide endless fodder for anyone interested in learning more about this period. Picard’s writing is lively, fluid, and fascinating.

Anyone who thinks history must be dry and dusty need only to read this book to discover otherwise.