Here are 100 books that The Most Secret Memory of Men fans have personally recommended if you like
The Most Secret Memory of Men.
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I worked in a bookshop for three years in Washington, DC, and it was the best job I’ve ever had. There’s nothing like being around books all day and working with colleagues who love them just as much as you do. I’ve also worked in publishing, and loved that as well. So it’s no surprise that, like a lot of avid bookworms, I love reading about bookish environments—and writing about them, too.
The chemistry between the two leads in this rom-com is sizzling–and as a writer of rom-coms myself, I’m jealous of Sally Thorne’s talent!
Set in a publishing company, this enemies-to-lovers story brims with sexual tension from the off, and watching it unfold is a masterclass in how to write a romance that will keep readers hooked.
Debut author Sally Thorne bursts on the scene with a hilarious and sexy workplace comedy all about that thin, fine line between hate and love. Nemesis (n.) 1) An opponent or rival whom a person cannot best or overcome. 2) A person's undoing 3) Joshua Templeman Lucy Hutton has always been certain that the nice girl can get the corner office. She's charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual. Trapped in a shared office together forty…
I’m the descendant of three generations of visual artists, a gene I thought had skipped me. However, art popped up in many of my stories when I started writing fiction. In 2012, I published The Life Story of a Chilean Sea Blob, and to promote it, I launched a street art campaign that included putting plaster blobs on the streets of Washington, D.C. This blossomed into several other street art projects and earned attention from The Washington Postand several D.C. TV news stations. My next two books centered around Frida Kahlo and Edvard Munch.
At the beginning of this book, I recognized the ingredients that make up popular erotic novels. The main character, Edie, a Black woman and struggling artist, is beginning a relationship with an older, wealthy, successful white man in an open marriage. There’s a power imbalance. To a certain extent, this excites Edie, and in this way, the book fits neatly into the parameters of the genre.
However, the relationship becomes messy, and Edie’s life, both with and away from Eric, is fraught with bad decisions. Race, wealth, and gender intersect with sex in a complex and uncomfortable milieu. Through all of this, and with the guidance of Eric’s wife, Edie begins to make progressive, less destructive choices, and as she does, her art progresses.
AN INSTANT NEW YORK TIMES BESTSELLER A New York Times Notable Book of the Year
WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist Award
One of Barack Obama's Favorite Books of 2020 A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!
"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or…
I used to get in trouble (nightly) for eating with my book propped against my plate. Yet with all the books I devoured, there was never one about a kid that looked like me with a family like mine. The single anomaly was Blubber, which absolutely thrilled me to see a supporting character named Tracy Wu. And while the YA world has thankfully become more diverse, BIPOC authors and protagonists are still the exception in adult literature. I’m excited to share this list of badass female AAPI authors who write equally strong protagonists because, though we’ve come a long way since Tracy Wu, we still have further to go.
This was a book I’d meant to read since it was released, but I never did. Then I was asked about the accuracy of Kuang’s depiction of the publishing industry and curiosity made me crack it open. Kuang crafts a slow-moving trainwreck that you can’t turn away from, even though, at times, you desperately wish to. It gave me hives and heart palpitations. Twice, I fell asleep listening to it and had nightmares.
It wasn’t just the industry descriptions that produced such a visceral reaction. Instead, it’s because Kuang nails that emotional author spot in the Venn Diagram between your writing as a piece of your soul and your writing as commerce. Also, she’s only 28. And I’m not bitter about that at all.
The No. 1 Sunday Times and New York Times bestseller from literary sensation R.F. Kuang
*A Reese Witherspoon Book Club pick*
'Propulsive' SUNDAY TIMES
'Razor-sharp' TIME
'A wild ride' STYLIST
'Darkly comic' GQ
'A riot' PANDORA SYKES
'Hard to put down, harder to forget' STEPHEN KING
Athena Liu is a literary darling and June Hayward is literally nobody.
White lies When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song.
Dark humour But as evidence threatens June's stolen success, she will discover exactly how far she…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
My life has been defined by close relationships with other women. My school years were full of sleepovers, group chats, and debrief sessions. In my twenties, my female friends quickly became more important than any romantic relationship as we navigated early adulthood milestones. My friendships with other women have made me who I am. But relationships between women are rarely as simple as the ‘girl power’ or ‘catfight’ labels the media wants to apply. More often than not, they’re a tapestry woven from a thousand different threads, some beautiful and some ugly. I love books, especially thrillers, that aren’t afraid to explore the messiness of these relationships.
Part workplace thriller, part biting social commentary, this book beautifully captures the very specific anxiety of making your way in a world where the deck is stacked against you in more ways than one.
The relationship between Nella and Hazel is colored with admiration, envy, and something more sinister bubbling just underneath the surface. Plus, there’s a sucker punch of a twist that brings everything home.
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Diop is a French writer (b.1966) and this book won the 2021 International Booker Prize.
I don’t seek out war stories, particularly those set in the trenches of the Great War, as this one is, but At Night All Blood Is Black isn’t your standard war novel.
I was hoping for something beyond the mud and the bayonets, the horror and its unending aftermath. I was hoping for an understanding of the paradox of being human and, even though the book is unapologetically bleak, I wasn’t disappointed.
How come? The love between the soldiers, Alfa and Mademba, is at the heart of the story – it’s a key source of its power – and then Diop delivers a blindside, which I’m not going to give away. Read it and disappear. Let the language be your lantern in the dark.
Alfa and Mademba are two of the many Senegalese soldiers fighting in the Great War. Together they climb dutifully out of their trenches to attack France's German enemies whenever the whistle blows, until Mademba is wounded, and dies in a shell hole with his belly torn open.
Without his more-than-brother, Alfa is alone and lost amidst the savagery of the conflict. He devotes himself to the war, to violence and death, but soon begins to frighten even his own comrades in arms. How far will Alfa go to make amends to his dead friend?
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
I could not put this book down—and not just because it’s 90 pages long. The letter format instantly drew me into this candid conversation between two old friends grappling with the fallout of their upended marriages.
I love that Ramatoulaye shows no hint of judgment toward Aissatou about the different choices each woman made when faced with similar circumstances. I also appreciated Ramatoulaye’s frank reflections on her daughter’s opinion of her.
Written by Mariama Ba and translated from the French by Modupe Bode-Thomas, So Long a Letter won the first Noma Award for Publishing in Africa, and was recognised as one of Africa's 100 Best Books of the 20th Century in an initiative organised by the Zimbabwe International Book Fair. This edition includes an introduction by Professor Kenneth W. Harrow of Michigan State University.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
I was born in a Jamaican far-district just before independence. That historical fact is only one aspect of my in-between childhood. My daily imaginative fare was European fairy tales; my mother’s stories of growing up; and folktales, rife with plantation monsters, that my grand-uncle told. There was no distance between life and those tales: our life was mythic. The district people were poor. So they understood inexactitudes profoundly enough to put two and two together and make five. They worshipped integrity, and church was central. Inevitably, genre-crossing, “impossible” realities, and the many ways love interrupts history, were set in my imagination by the time I was seven and knew I would write.
For me, growing up in the Caribbean, books that don’t separate between the “naturalistic” world and so-called “other” worlds, always ring uniquely true. Gorée is a transnational story set in Castries, St. Lucia, New York City, USA, Dakar, Senegal, and London, England. It’s the story of a family whose great losses parallel the loss of Africa's children through the transatlantic slave trade and the difficult, if not impossible, return of those stolen away. The novel’s love and loss stories are all in some way are filtered through the door of no return on Gorée Island in Senegal. The stories are not told in the physical realm only and do not only rely on physical portals. Barry's loves and lovers must return to the past and make the journey in spirit too.
A contemporary portrait of estrangement, this novel explores the African diaspora and the encounters made by people of African descent as they journey from New York to London, St. Lucia, and Senegal. Traveling to Africa to meet her ex-husband’s new family, Magdalene and her daughter Khadi are brought face-to-face with the perils of forgotten pasts—both social and cultural. And when Khadi's trip to the slave port of Goree takes an unfavorable turn, certain divisions in global culture become evident, making this a powerful investigation into the continuing repercussions of the slave trade.
When I was a university student, I wanted to know how African presidencies function, not only how African presidents acquire and keep power, but also how they imagine it, how they anticipate political battles, who they trust, and who they fear. All too often, the literature focuses on colonial legacy and neo-colonization and describes African presidents with too little agency. As a doctoral researcher, I stumbled on a biography of Jomo Kenyatta and got caught by the intricacies of his political career. Since then, Kenyan political history has become my area of specialization, and while my background in political science keeps inspiring me, I have a passion for historical writing.
This book stands as a reference when it comes to the early life of Senegal’s first president, Léopold Sédar Senghor, and it is one of the first biographies of an African president that I read. Beyond the extreme richness of this book, I have always been struck by how little the author wrote about Senghor’s political career as president (which remains quite controversial). For a long time, biographies of African presidents were grounded in an idea of greatness and exceptionality rather than unraveling political intricacies.
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
Have you ever read a book about a place which then allowed you to see that location in utterly new and thrilling ways?
As well as being a great study of a wonderful artistic culture, this is, for me, one of the greatest studies of a city and the place of its people, their beliefs, and their art in making it unique.
If that was not enough, it also constitutes one of the most important bodies of conceptual and theoretical thinking about the nature and character of Islamic art.
"A Saint in the City" examines the elaborate visual culture of the Mourides, a Senegalese Sufi movement based upon the mystical teachings of Sheikh Amadou Bamba (1953-1927). In the boldly visual city of Dakar, images abound despite the fact that Senegal is largely a Muslim country. Vibrant street murals, calligraphy and calligrams, didactic posters, drawings that protect and heal, advertising images, colourful clothing, Web sites, intricate glass paintings, and innovative architecture all attest to the transformative potency that expressive culture has for Mourides. One image is ubiquitous throughout urban Senegal: the portrait of Sheikh Amadou Bamba, based upon a colonial…
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria…
As a feminist academic and activist, I am personally committed to the cause of reproductive freedom. Professionally, I've spent the past seven years carrying out research on abortion pills and their travels around the globe. This research involved more than eighty interviews with activists and doctors across the world, as well as analysis of many different text sources. My work has also taken me into activist spaces across Europe, as a volunteer with the Abortion Support Network. Although I entered the topic of reproductive rights through my interest in abortion, reading widely in the field has led me to pursue research interests in reproductive and biomedical technologies in other areas of sexual and reproductive health.
Dying to Count offers the very best of academic writing: the book makes a complex but persuasive argument, based on richly detailed fieldwork in Senegal. It shows the human consequences of anti-abortion laws, but it moves well beyond describing the experiences of women seeking abortion or the dilemmas of their doctors.
Women experiencing spontaneous miscarriage often have the same symptoms as women with complications from illegal abortions, and they often need the same medical treatment. So where abortion is illegal, Suh shows, classifying an abortion as a miscarriage can give women access to essential medical treatment. However, it can also freeze bad laws and policies in place, dampening efforts to legalize safe abortion.
Suh’s book shows how the best social science analysis can illuminate a subject in so many ways – from stories of individual patients in Senegalese hospitals, testimony from doctors and health workers, analysis of national and international…
During the early 1990s, global health experts developed a new model of emergency obstetric care: post-abortion care or PAC. In developing countries with restrictive abortion laws and where NGOs relied on US family planning aid, PAC offered an apolitical approach to addressing the consequences of unsafe abortion. In Dying to Count, Siri Suh traces how national and global population politics collide in Senegal as health workers, health officials, and NGO workers strive to demonstrate PAC's effectiveness in the absence of rigorous statistical evidence that the intervention reduces maternal mortality. Suh argues that pragmatically assembled PAC data convey commitments to maternal…
