It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
There are few publications that document how publishing makes it impossible for African authors to have the same possibilities as their white counterparts.
This is a great book about a young writer's obsession with a scandalised author and the reasons behind the latter's disappearance. The writing has an incantational cadence that is truly stunning, and Sarr never relents in his critique of the unsavoury treatment of African authors by Western publishers.
Paris, 2018. Diegane Latyr Faye, a young Senegalese writer, discovers a legendary book titled The Maze of Inhumanity. It has an immediate hold over him. No one knows what happened to the author, T.C. Elimane, who was accused of plagiarism, his reputation destroyed by the critics.
Obsessed with discovering the truth about Elimane's disappearance, Faye weaves past and present, countries and continents, following the author's labyrinthine trail from Senegal to Argentina and France and confronting the great tragedies of history.
Will he get to the truth at the centre of the maze?
A gripping literary quest novel and a masterpiece…
It's easy to begin this novel and finish it in one sitting. A page-turner in every sense of the word with a message that will resonate with writers from marginalised backgrounds.
One white author steals the work of her dead Asian friend and passes it off as hers. This book is shocking, twisty, unputdownable.
The No. 1 Sunday Times and New York Times bestseller from literary sensation R.F. Kuang
*A Reese Witherspoon Book Club pick*
'Propulsive' SUNDAY TIMES
'Razor-sharp' TIME
'A wild ride' STYLIST
'Darkly comic' GQ
'A riot' PANDORA SYKES
'Hard to put down, harder to forget' STEPHEN KING
Athena Liu is a literary darling and June Hayward is literally nobody.
White lies When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song.
Dark humour But as evidence threatens June's stolen success, she will discover exactly how far she…
This book came at a time when publishing was receiving a lot of flack for its treatment of editors. This book touches on themes such as the toxic work environment for editors, again, how editors from marginalised backgrounds can barely survive in the recent publishing ecosphere.
But also, it's got a very Get Out—esque twist that readers will never see coming!
This sweet enemies-to-lovers rom-com book will make you laugh and seethe with anger; the tension from the leads will make you squirm and put you on the edge of your seat.
At its heart is the story of a publishing merger and the extreme lengths editors on both sides will go to get promoted or prevent getting laid off.
Debut author Sally Thorne bursts on the scene with a hilarious and sexy workplace comedy all about that thin, fine line between hate and love. Nemesis (n.) 1) An opponent or rival whom a person cannot best or overcome. 2) A person's undoing 3) Joshua Templeman Lucy Hutton has always been certain that the nice girl can get the corner office. She's charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual. Trapped in a shared office together forty…
Though this book is largely about the toxic extramarital affair between a young black girl and a married white man, it shines light on the competitive work environment between editors in publishing.
It also becomes satire in its depiction of what kind of works from Black authors publishers are keen on commissioning. Cue in its critique of the proliferation of slave narratives in publishing, and this funny, sexy, and deeply sad novel will leave a huge mark on readers.
AN INSTANT NEW YORK TIMES BESTSELLER A New York Times Notable Book of the Year
WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist Award
One of Barack Obama's Favorite Books of 2020 A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!
"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or…
My novel is largely a commentary on the types of books that publishers typically seek from African authors.
Its central plot revolves around two tour guides (Nana and Kobby) who despise each other and are certain that one of them will die by the end of the novel. They record the experiences of three African-American visitors visiting Ghana during the Year of Return to explore the preserved transatlantic slave trade sites as well as the underground LGBT scene.
Kelly Simmons has been published in 12 countries by Simon & Schuster and Sourcebooks, and her widely praised novels are frequently compared to Big Little Lies.
Her new book, The Off Season, is set on the tranquil shores of the Chesapeake Bay, where headstrong thirteen-year-old Savannah bursts into the local police department, insisting her mother’s drowning was anything but an accident. She’s forced to tangle with the languid Bay police department as well as the year-rounder adults and teens who might be complicit not just in her mother’s death but a decades-old cold case.
For fans of Lisa Jewell and Liane Moriarty. Published in 12 countries by Simon & Schuster and Sourcebooks, Kelly's widely praised novels are frequently compared to BIG LITTLE LIES.
THE OFF SEASON explodes on the tranquil shores of the Chesapeake Bay. A headstrong thirteen-year-old girl insists her mother’s drowning was anything but an accident. She’s forced to tangle with the languid bay police department as well as the year-rounder adults and teens who might be complicit not just in her mother’s death, but a decades-old cold case. With echoes of GONE GIRL and STAND BY ME, it’s part crime, part…
