90 books like The Lost Melody

I love me a hero that’s a strong underdog sort of fella, the type that’s misunderstood yet does the right thing despite the consequences. Hero Evan Eldridge is the type of man that makes me wish I could meet him in person instead of on the pages. War is horrific, lasting long after the bloody battles. I liked how Evan managed to overcome his ghosts of the past, which is a great inspiration for us all to do the same. 

More Jane Austen than Jane Eyre.

Every chance I get to skip across the pond I take in a heartbeat, and one of my very favorite places to visit is the coast of Cornwall. You don’t have to spend a ton of money on airfare, though, to do the same. The descriptions in this book are positively scrumptious. You’ll feel as if your toes are in the sand with seagulls circling overhead. Plus there’s a fantastic mystery involved. Win. Win.

More Jane Eyre than Jane Austen.

Gothic stories are some of my favorite, especially when paired with the English countryside. This one entangles relationships that are sometimes tricky to navigate—much like real life, which I really appreciated. Truth is timeless, and I find that I often learn lessons from historical fiction that help me in my contemporary life. Such is the case for The Vanishing at Loxby Manor. I love how misunderstandings are cleared up between the characters for a very satisfying ending.

More Jane Eyre than Jane Austen.

I love to be kept guessing by an intricate plot and yes…dare I admit that sometimes I turn to the last page just to find out if my guess is correct? This book did that for me. I had no idea how the heroine would ever find out the secrets of her past, and when she did, I was as surprised as she was. That’s the mark of a great book in my mind.

More Jane Austen than Jane Eyre.

Helen Marquard’s search for a piano teacher led her to Hedwig Stein who had fled Berlin in 1933 with her Russian Jewish husband, both concert pianists, to start again from nothing. A large, vivid woman, Hedwig freely shared her ideas on music, art, philosophy, literature. Later, Marquard discovered Hedwig had written a diary, and determined to bring us this story that would otherwise have been lost, enabling Hedwig and her husband to take their rightful place in the roll-call of émigrés who have contributed so much to UK cultural life. Hedwig put her husband’s career and her children first, yet she never gave up on her own career, which continued its own quiet flourishing after her husband’s sudden death. 

This book illustrates why this list had to be called the best Australian books about music. Because it’s an Australian author writing about an American musician. This is an exchange that works both ways: just this year, British musician/author Tracy Thorn published a book about Go-Betweens drummer Lindy Morrison, called My Rock’n’Roll Friend. Blind Tom is a biography of slave pianist Tom Wiggins, one of the first African-American musicians to crossover to success with white audiences, and remarkably he had not been so accounted for until Deidre O’Connell took up the cudgels. O’Connell is an academic, but thankfully doesn’t write like one, and this her first and thus far only book is totally engrossing. I hope she writes some more.

I love this book because it's about the power of music, and how songs are a means to express ourselves and communicate what we feel. These are all topics that I am passionate about.

In the book, the main character travels the world to play the piano, and people are drawn to the music because songs always create a sense of community.

Deborah Levy’s novels are often set in places where the location becomes a character – blazing hot Spain in Hot Milk, south of France in Swimming Home – but also estrangement unsettles her characters enough to begin to really consider who they are.

In her latest, August Blue, Elsa is a classical piano prodigy, still reeling from a catastrophic concert, when she sees her doppelganger in an Athens flea market. The encounter triggers gauzy memories of her upbringing, as she travels to Paris, to London, and then to Sardinia where the man who adopted her at the age of six and nurtured her talent is dying.

Each place is so viscerally described, I wanted to be physically there as Levy drops obscure metaphorical clues about Elsa’s true identity. 

To play music written in another century and played thousands of times since is to live and play inside infinite comparisons: between the way something sounds in your head, and the clumsier way your fingers deliver it; between your interpretation and a famous recording; between your effort and a classmate’s. In The Loser, Bernhard imagines the lives of two students studying piano alongside a fictional version of the real-life virtuoso Glenn Gould. Their recognition of Gould’s brilliance starts their own lives unravelling. The first-person narrator ruminates and rants without pauses or paragraph breaks, flapping memorably at the edges of the pages like a bird in a cage of its own making.

One of the treasures of American show business is Hazel Scott. A child prodigy on piano who attended Julliard, a headliner at Café Society thanks to Billie Holiday’s mentorship, and eventually the wife of Adam Clayton Powell, Jr., she was the first African American to host her own television show, “The Hazel Scott Show,” in 1950.

A confrontation with the House Un-American Activities Committee prompted the cancellation of her network show, which led her to go into a kind of exile in Paris where she set up a salon that saw as guests everyone from Lester Young to the Beatles.

Karen Chilton vividly documents the life and times of the singer in this book. I love the book because it captures the artistry of a true original. In the future, more attention should be paid to Hazel Scott, who has become show business history’s forgotten genius.